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Recorded Places, Experienced Places
This book springs from the compilation of papers and posters presented in 2013 and 2014 at the 2nd and 3rd Enardas Colloquia, entitled 'Living Places, Experienced Places'. The first part, in two chapters, is entitled 'Concepts and tools to study rock art'. The second part, 'From sub-naturalistic to Schematic rock art tradition', discusses various expressions of recorded art in the hinterland area of northwest Iberia, as well as expressions of the schematic art tradition from north-central Portugal. The third part, 'Atlantic tradition rock art' comprises four chapters. The fourth part, 'Other styles', includes five chapters focusing on depictions that the book editors consider distinct from the best-known regional styles. Edited by Ana M. S. Bettencourt, Manuel Santos Estevez, Hugo A. Sampaio and Daniela Cardoso
Graph Representation Learning
Graph-structured data is ubiquitous throughout the natural and social sciences, from telecommunication networks to quantum chemistry. Building relational inductive biases into deep learning architectures is crucial for creating systems that can learn, reason, and generalize from this kind of data. Recent years have seen a surge in research on graph representation learning, including techniques for deep graph embeddings, generalizations of convolutional neural networks to graph-structured data, and neural message-passing approaches inspired by belief propagation. These advances in graph representation learning have led to new state-of-the-art results in numerous domains, including chemical sy...
Ana Mendieta
Published to accompany the exhibition held at Hayward Gallery 24 September - 15 December 2013, Museum der Moderne-Rupertinum, Salzburg 29 March- 6 July 2014.
Ana Gomes
None
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Gender-Inclusive Higher Education in Tanzania
Whilst there is an extensive body of research exploring the barriers to gender equality and female empowerment in high-income states, there are far fewer systematic analyses within lower-income settings. This book draws on extensive empirical data to analyse gender mainstreaming and gender transformative actions in Tanzanian higher education. The book maps the practical landscape of gender mainstreaming across 14 universities in Tanzania, and the theoretical landscape of African theories of masculinities and femininities underpinning educational institutions and practices. It then assesses the Gender Awareness and Transformation through Education project, which was designed to support the de...
Where is Ana Mendieta?
An analysis of the career of Ana Mendieta, a Cuban-American feminist artist who came to prominence in the late 70s and early 80s, in terms of gender and performance theory.
