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This book examines the social history of Florence from the fourteenth through to sixteenth centuries.
Examines how late medieval church courts were used for marriage cases, and how this varied dramatically across Europe.
This volume offers a series of essays that explore the significance of visual imagery as a medium for the representation of spiritual and ideological concerns by the Catholic Church in the Spanish Habsburg Empire. Each of these essays provides a valuable contribution to established areas of research such as Velázquez studies, St. Teresa of Avila as spiritual exemplar for the Counter-Reformation in Spain, the iconography of St. Francis of Assisi, or the evolution of Peruvian Christian iconography. A valuable contribution of all these essays is their discussion of new visual and textual sources which are revealing of the diverse modes of representation developed by the Church to ‘Delight, Move and Instruct’ the many and diverse spectators of its artistic message. Together these essays provide a range of critical perspectives on the complex cultural, political and spiritual context that shaped the evolution of Religious Art in cities as distant as Cuzco and Madrid.
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This volume brings together recent and new research, with several items specially translated into English, on the sisters of the largest and most long-lived of the military-religious orders, the Hospital of St John of Jerusalem. In recent years there has been increasing scholarly interest in women's religious houses during the Middle Ages, with particular focus on the problems which they faced and the social needs which they performed. The military-religious orders have been largely excluded from this interest, partly because it has been assumed that women played little role in religious orders with a predominantly military purpose. Recent research has shown this to be a misconception. Study...
Though Bartolomeo Scappi's Opera (1570), the first illustrated cookbook, is well known to historians of food, up to now there has been no study of its illustrations, unique in printed books through the early seventeenth century. In Food and Knowledge in Renaissance Italy, Krohn both treats the illustrations in Scappi's cookbook as visual evidence for a lost material reality; and through the illustrations, including several newly-discovered hand-colored examples, connects Scappi's Opera with other types of late Renaissance illustrated books. What emerges from both of these approaches is a new way of thinking about the place of cookbooks in the history of knowledge. Krohn argues that with the ...
Decorated by Giovanni Buonconsiglio, Jacopo Tintoretto, Palma il Giovane, Sebastiano Ricci and Giambattista Tiepolo, the church of the former Benedictine female monastery Santi Cosma e Damiano occupies an outstanding position in Venice. The author of this study argues that from its foundation in 1481 to its dissolution in 1805, Santi Cosma e Damiano was a reform convent, and that its nuns employed art and architecture as a means to actively express their specific religious concerns. While on the one hand focusing, on the basis of extensive archival research, on the reconstruction of the history and construction of the convent, this study's larger concern is with the religious reform movement, its ideas concerning art and architecture, and with the convent as a space for female self-realization in early modern Venice.
This comprehensive work on security in the English-speaking Caribbean, offers a wealth of information about the history, politics, economics and geography of the entire region. The author examines security problems in the region as a geopolitical unit, not on a selective case-study basis, as is usually done. He assesses Caribbean security within a theoretical framework where four factors are critical: perceptions of the political elites; capabilities of the states; the geopolitics of the area; and the ideological orientations of the parties in power. Political and economic issues are judged to be as relevant to security as military factors. The author identifies safeguards which countries in the region may take in the coming decade.
To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they ...