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Buku ini membahas tentang kesejarahan perihal sejarah perlawanan terhadap imperialisme dan kolonialisme di berbagai wilayah di negara kita. Perlawanan-perlawanan pada masa kerajaan-kerajaan di Bali menentang kolonialisme Belanda di dalam masyarakat di Bali memang lebih dikenal dengan istilah perang, di samping itu kita dapatkan juga istilah-istilah lain di dalam Babad, seperti uwug, rusak, rereg. Sebagai contoh: Uwug: Gaguritan uwug Payangan; rusak: Gaguritan rusak Buleleng; rereg: Rereg Gianyar. Ketiga istilah tersebut di samping mengandung arti perang, tetapi lebih menekankan pada pengertian kehancuran atau kekalahan (perang) dari suatu kerajaan. Kata perang itu sendiri di dalam bahasa Bali memang berarti perlawanan antara kerajaan atau negara yang satu dengan kerajaan atau negara lainnya.
This collective volume contains articles in honour of Professor A. Teeuw.
Note: This title was out of print. Re-issued in its original form in 2010. The first comprehensive history of Balinese politics from the middle of the 17th century till the end of Dutch colonial rule in 1942. Based on extensive research in colonial archives in the Netherlands and Indonesia, a variety of Balinese historical narratives, interviews with former colonial officials as well as many Balinese, and fieldwork data concerning temples, rituals, and oral histories. Schulte Nordholt traces Balinese history by means of a collective biography of the Mengwi dynasty, describing the rise to power, the formation and expansion of a negara, the subsequent crises, and its fall in 1891. Between 1906 and 1942 Bali became part of the Dutch colonial state and experienced bureaucratic rule and processes that resulted in a ‘traditionalization’ of Balinese kingship and culture. The story of the Mengwi dynasty under colonial rule ended in a conflict between two factions. This conflict had an unexpected but devastating outcome.
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A book of compilation artworks from various artists and designers held in Origami#6 - 2015 exhibition, Denpasar, Bali. This book is publication format for the respective artist and designers
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This book uses visual psychological anthropology to explore trauma, gendered violence, and stigma through a discussion of three ethnographic films set in Indonesia: 40 Years of Silence (Lemelson 2009), Bitter Honey (Lemelson 2015), and Standing on the Edge of a Thorn (Lemelson 2012). This exploration “widens the frame” in two senses. First, it offers an integrative analysis that connects the discrete topics and theoretical concerns of each film to crosscutting themes in Indonesian history, society, and culture. Additionally, it sheds light on all that falls outside the literal frame of the screen, including the films’ origins; psychocultural and interpersonal dynamics and constraints o...
Pura Besakih is the paramount Hindu temple on Bali. Located high on the slopes of the volcano Mt Agung, it has developed over more than a thousand years into a great complex of 22 separate temples, the largest and central being Pura Penataran Agung. The annual cycle of more than seventy rituals, which symbolically link the temples into a whole, culminates in the centenary ceremony called Ekadasa Rudra (last held in 1979). The temple complex, state-supported at least since the fifteenth century, has undergone a series of architectural and ritual changes. This study combines an analysis of textual and historical sources with the fieldwork methods of anthropology in creating a unified interpretation of this great temple.
This book is one of the first to integrate psychological and medical anthropology with the methodologies of visual anthropology, specifically ethnographic film. It discusses and complements the work presented in Afflictions: Culture and Mental Illness in Indonesia, the first film series on psychiatric disorders in the developing world, in order to explore pertinent issues in the cross-cultural study of mental illness and advocate for the unique role film can play both in the discipline and in participants’ lives. Through ethnographically rich and self-reflexive discussions of the films, their production, and their impact, the book at once provides theoretical and practical guidance, encouragement, and caveats for students and others who may want to make such films.