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Radhasoami Reality
Radhasoami Reality explores the emergence of a new religious tradition that is expandiong rapidly across North India and throughout the world. Mark Juergensmeyer seeks to explain why the religious logic of Radhasoami, which is based on the teachings of medieval Hindu saints, is so compelling to today's society.
Bhakti Religion in North India
In India, religion continues to be an absolutely vital source for social as well as personal identity. All manner of groups--political, occupational, and social--remain grounded in specific religious communities. This book analyzes the development of the modern Hindu and Sikh communities in North India starting from about the fifteenth century, when the dominant bhakti tradition of Hinduism became divided into two currents: the sagun and the nirgun. The sagun current, led mostly by Brahmins, has remained dominant in most of North India and has served as the ideological base of the development of modern Hindu nationalism. Several chapters explore the rise of this religious and political movem...
Veda and Torah
Enlarges our understanding of the term "scripture" through a comparative study of Veda and Torah.
River and Goddess Worship in India
The book examines Sarasvati’s origin, the course of her flow and the place of her disappearance in a holistic manner. Based on a close analysis of texts from the early Rig-Veda to the Brahmanas and the Puranas, it discusses different view-points in a balanced perspective and attempts to drive the discussions towards the emergence of a consensus view. The author delineates the various phases of Sarasvati’s evolution to establish her unique status and emphasise her continued relevance in the Hindu tradition. The book argues that the practice of pilgrimage further evolved after its association with the river Sarasvati who was perceived as divinity personified in Hindu tradition.
Śaivism and the Tantric Traditions
Academic study of the tantric traditions has blossomed in recent decades, in no small measure thanks to the magisterial contributions of Alexis G. J. S. Sanderson, until 2015 Spalding Professor of Eastern Religions and Ethics at Oxford University. This collection of essays honours him and touches several fields of Indology that he has helped to shape (or, in the case of the Śaiva religions, revolutionised): the history, ritual, and philosophies of tantric Buddhism, Śaivism and Vaiṣṇavism; religious art and architecture; and Sanskrit belles lettres. Grateful former students, joined by other experts influenced by his scholarship, here offer papers that make significant contributions to our understanding of the cultural, religious, political, and intellectual histories of premodern South and Southeast Asia. Contributors are: Peter Bisschop, Judit Törzsök, Alex Watson, Isabelle Ratié, Christopher Wallis, Péter-Dániel Szántó, Srilata Raman, Csaba Dezső, Gergely Hidas, Nina Mirnig, John Nemec, Bihani Sarkar, Jürgen Hanneder, Diwakar Acharya, James Mallinson, Csaba Kiss, Jason Birch, Elizabeth Mills, Ryugen Tanemura, Anthony Tribe, and Parul Dave-Mukherji.
Mukti Skandha Part 3
The Eleventh Canto of the Shrimad Bhagwat Mahapuran Mahapuran by the wisdom of Swami Akhandananda Saraswati Ji Maharaj of Vrindavan.
The Myths of Narasiṁha and Vāmana
The Sanskrit Puranas and epics are replete with stories of the avatars, incarnations of the god Visnu in various forms to rid the universe of malevolent forces and to restore the proper cosmic balance. As Narasimha, half-man half-lion, Visnu finds a loophole in the pact of invulnerability the demon Hiranaipu has received from god Brahma, and rends the demon apart with his claws. As the brahmin dwarf, Vamana, Visnu deceives the demon Bali with his diminutive appearance and thwarts Bali's attempt to gain universal sovereignty. After carefully analyzing the myths of Vamana and Narasimha, Deborah Soifer grounds her study in the textual history of each avatar and its myth, in their religious cont...
The Devī Gītā
This book provides a translation, with introduction, commentary, and annotation, of the medieval Hindu Sanskrit text the Devi Gita (Song of the Goddess). It is an important but not well-known text from the rich SAakta (Goddess) tradition of India. The Devi Gita was composed about the fifteenth century C.E., in partial imitation of the famous Bhagavad Gita (Song of the Lord), composed some fifteen centuries earlier. Around the sixth century C.E., following the rise of several male deities to prominence, a new theistic movement began in which the supreme being was envisioned as female, known as the Great Goddess (Maha-Devi). Appearing first as a violent and blood-loving deity, this Goddess gra...
The Purāṇas
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