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A critical history of the study of Buddhism in the West, incorporating insights of colonial and post-colonial cultural studies. Social, political and cultural conditions that have shaped the course of Buddhist studies are discussed.
Focuses on the identity of the Sinhalese as perceived by themselves and not as determined by third parties
"Poised to spark debate among scholars of religious studies and other disciplines, Colors of the Robe sheds new light on the Sri Lankan Buddhist universe of ethics and politics and, more important, suggests innovative directions for the global study of religion, identity, culture, politics, and violence. In a volume that surpasses other studies in tracking, identifying, and locating Sri Lankan Buddhism in its sectarian, ethnic, cultural, social, and political constructions, Ananda Abeysekara lays down a challenge to postcolonial and postmodern theory. He argues that although criticisms have undermined the orientalist constructions of culture, they cannot help us understand, let alone theorize, the emergence of contemporary authoritative discourses that define distinctions involving religion and violence, identity and difference. Supplanting that aim, Abeysekara illuminates the shifting configurations that characterize the relations connected with postcolonial religious identity and culture."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Formations of Ritual was first published in 1994. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Yaktovil is an elaborate healing ceremony employed by Sinhalas in Sri Lanka to dispel the effects of the eyesight of a pantheon of malevolent supernatural figures known as yakku. Anthropology, traditionally, has articulated this ceremony with the concept metaphor of "demonism." Yet, as David Scott demonstrates in this provocative book, this use of "demonism" reveals more about the discourse of anthropology than it does about the ritual itself. His investi...
This book is a serious study of relic veneration among South Asian Buddhists. Drawing on textual sources and archaeological evidence from India and Sri Lanka, including material rarely examined in the West, it looks specifically at the practice of relic veneration in the Sri Lankan Theravada Buddhist tradition. The author portrays relic veneration as a technology of remembrance and representation which makes present the Buddha of the past for living Buddhists. By analysing the abstract ideas, emotional orientation and ritual behaviour centred on the Buddha's material remains, he contributes to the 'rematerializing' of Buddhism which is currently under way among Western scholars. This book is an excellent introduction to Buddhist relics. It is well written and accessible and will be read by scholars and serious students of Buddhism and religious studies for years to come.
In the early 1880s a disastrous plant disease diminished the yields of the hitherto flourishing coffee plantation of Ceylon. Coincidentally, world market conditions for coffee were becoming increasingly unfavourable. The combination of these factors brought a swift end to coffee cultivation in the British crown colony and pushed the island into a severe economic crisis. When Ceylon re-emerged from this crisis only a decade later, its economy had been thoroughly transformed and now rested on the large-scale cultivation of tea. This book uses the unprecedented intensity and swiftness of this process to highlight the socioeconomic interconnections and dependencies in tropical export economies in the late nineteenth century and it shows how dramatically Ceylonese society was affected by the economic transformation.
The story of how one scholar’s experiences in Sri Lanka shaped the contours of the Buddhist visual canon. An early interpreter of Buddhist art to the West, Ananda Kentish Coomaraswamy laid the foundation of what would become the South Asian visual canon, particularly through his efforts to understand how Buddhist art emerged and developed. In Making a Canon, Janice Leoshko examines how Coomaraswamy’s experience as the director of a mineralogical survey in Sri Lanka shaped his understanding of South Asian art and religion. Along the way, she reveals how Coomaraswamy’s distinctive repetition of Sri Lankan visual images in his work influenced the direction of South Asia’s canon formation and left a lasting impression on our understanding of Buddhist art.
The peoples of Sri Lanka have participated in far-flung trading networks, religious formations, and Asian and European empires for millennia. This interdisciplinary volume sets out to draw Sri Lanka into the field of Asian and Global History by showing how the latest wave of scholarship has explored the island as a ‘crossroads’, a place defined by its openness to movement across the Indian Ocean.Experts in the history, archaeology, literature and art of the island from c.500 BCE to c.1850 CE use Lankan material to explore a number of pressing scholarly debates. They address these matters from their varied disciplinary perspectives and diverse array of sources, critically assessing concepts such as ethnicity, cosmopolitanism and localisation, and elucidating the subtle ways in which the foreign may be resisted and embraced at the same time. The individual chapters, and the volume as a whole, are a welcome addition to the history and historiography of Sri Lanka, as well as studies of the Indian Ocean region, kingship, colonialism, imperialism, and early modernity.
Includes 82 stunning black-and-white images of rarely photographed structures.Published in association with the American Institute of Indian Studies