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The Tragedy of Nijinsky
The career of Vaslav Nijinsky, genius of the dance, is endlessly fascinating. Anatole Bourman entered the Russian Imperial Ballet School at the same time as Nijinsky and became one of his closest friends, and for many years followed his development and career, first as a member of the Imperial Ballet, and later as star of Diaghilev's Ballets Russes. He tells the part of Nijinsky's story which other biographers have left untold - his youthful ambitions and defeats, his brilliant rise to fame, his exploits with other students, the almost incredible ill fortune which followed him from the first. The author gives his interpretation of Nijinsky's later career, which differs from the stories others have told. Anatole Bourman was born in St. Petersburg. After graduating from the Imperial Ballet School he was for four years a member of the Imperial Ballet, and subsequently for ten years a member of Diaghilev's Ballets Russes.
Nijinsky's Crime Against Grace
The efforts of the three collaborators resulted in a spectacle that bore little resemblance to ballet. During the premiere at the Theatre des Champs-Elysees on May 29, 1913, Parisians were incited to riot by the strange tension of the dancing and stark contrasts of the music and decor. The premiere of Le Sacre du Printemps became a legend overnight, and the notoriety of this event began immediately to distort the significance of the work, especially Nijinsky's choreography. He declared to the London Daily Mail on July 12, 1913, "I am accused, of a crime against grace."
Bronislava Nijinska--early Memoirs
Now in paperback, Bronislava Nijinska: Early Memoirs--originally published in 1981--has been hailed by critics, scholars, and dancers alike as the definitive source of firsthand information on the early life of the great Vaslav Nijinsky (1889-1950). This memoir, recounted here with verve and stunning detail by the late Bronislava Nijinska (1891-1972)--Nijinsky's sister and herself a major twentieth-century dancer and leading choreographer of the Diaghilev era--offers a season-by-season chronicle of their childhood and early artistic development. Written with feeling and charm, these insightful memoirs provide an engrossingly readable narrative that has the panoramic sweep and colorful vitality of a Russian novel.
Dancing in the Vortex
Paris at the turn of the century - Art Nouveau, Renoir, Toulouse-Lautrec and the Folies Bergere. This was the atmosphere which nurtured the artistic development of the remarkable dancer and choreographer Ida Rubinstein.This long-awaited biography gives us a unique insight into the life of a remarkable woman, responsible for a fascinating chapter of our artistic heritage. She was a chameleon, a diva, who lived many lives, overcoming the anti-Semitism of her times to enchant and captivate the highest of societies. Untrained as a dancer, Ida Rubinstein's charisma attracted collaborators such as Debussy, Stravinsky, Ravel, Cocteau, Bakst, and Benois.
Schizophrenic Disorders:
No diagnosis of mental disorder is more important or more disputable than that of "schizophrenia." The 1982 case of John Hinckley, who shot President Reagan, brought both aspects of this diagnostic dilemma to the forefront of national attention. It became evident to the general public that the experts engaged to study him exhaustively could not agree on whether Hinckley was schizophrenic. General public outrage ensued, as schizophrenia, "the sacred symbol of psychiatry," in the words of Thomas Szasz (1976), emerged as a king of Alice in Wonderland travesty. Schizo phrenia seemed not to be a legitimate diagnostic entity but some sort of facade erected to protect the guilty. In 1973, David Rosenhan had already shown the readers of Science that schizo phrenia was a label that could be given to normal people presenting with a supposed auditory hallucination on even one occasion. In Rosenhan's studies, mental health professionals were outclassed by the regular psychiatric hospital patients, who cor rectly saw the false schizophrenics as imposters while the professional diagnosticians continued to fool themselves.
The Outsider
The classic study of alienation, existentialism, and how great artists have portrayed characters who exist on the margins of society. Published to immense acclaim in the mid-1950s, The Outsider helped make popular the literary concept of existentialism. Authors like Sartre, Kafka, Hemingway, and Dostoyevsky, as well as artists like Van Gogh and Nijinsky, delved for a deeper understanding of the human condition in their work, and Colin Wilson’s landmark book encapsulated a character found time and time again: the outsider. How does the outsider influence society? And how does society influence him? It’s a question as relevant to today’s iconic characters, from Don Draper to Voldemort, as it was when The Outsider was initially published. A fascinating study blending philosophy, psychology, and literature, Wilson’s seminal work is a must-have for those who are fascinated by the character of the outsider. “Luminously intelligent . . . A real contribution to our understanding of our deepest predicament.” —Philip Toynbee “Leaves the reader with a heightened insight into a crucial drama of the human spirit.” —Atlantic Monthly
Saturday Review
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Dancing Genius
Tracing the historical figure of Vaslav Nijinsky in contemporary documents and later reminiscences, Dancing Genius opens up questions about authorship in dance, about critical evaluation of performance practice, and the manner in which past events are turned into history.
Zarathustra's Sisters
These six women all wrote the stories of their own lives, creating powerful narratives that channelled cultural forces at the same time as parrying them.
