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Uncovering an archive of laughter, from the forbidden giggle to the explosive guffaw. Most of our theories of laughter are not concerned with laughter. Rather, their focus is the laughable object, whether conceived of as the comic, the humorous, jokes, the grotesque, the ridiculous, or the ludicrous. In Laughter, Anca Parvulescu proposes a return to the materiality of the burst of laughter itself. She sets out to uncover an archive of laughter, inviting us to follow its rhythms and listen to its tones. Historically, laughter—especially the passionate burst of laughter—has often been a faux pas. Manuals for conduct, abetted by philosophical treatises and literary and visual texts, warned ...
How are modernity, coloniality, and interimperiality entangled? Bridging the humanities and social sciences, Anca Parvulescu and Manuela Boatcă provide innovative decolonial perspectives that aim to creolize modernity and the modern world-system. Historical Transylvania, at the intersection of the Habsburg Empire, the Ottoman Empire, Austria-Hungary, and Russia, offers the platform for their multi-level reading of the main themes in Liviu Rebreanu's 1920 novel Ion. Topics range from the question of the region's capitalist integration to antisemitism and the enslavement of Roma to multilingualism, gender relations, and religion. Creolizing the Modern develops a comparative method for engaging with areas of the world that have inherited multiple, conflicting imperial and anti-imperial histories.
This is the first book-length work to offer a sustained comparison of Roma and African Americans.
This volume explores how Irish children were ‘constructed’ by various actors including the state, youth organisations, authors and publishers in the period before and after Ireland gained independence in 1922. It examines the broad variety of ways in which the Irish child was constructed through social and cultural activities like education, sport, youth organizations, and cultural production such as literature, toys, and clothes, covering themes ranging from gender, religion and social class, to the broader politics of identity, citizenship, and nation-building. A variety of ideals and ideologies, some of them conflicting, competed to inform how children were constructed by the adults who looked on them as embodying the future of the nation. Contributors ask fundamental questions about how children were constructed as part of the idealisation of the state before its formation, and the consolidation of the state after its foundation.
"Illuminates an Asian American genealogy of queer camp performances that irreverently restages key scenes of historical violence-the camps"--
"Ridicule is a ubiquitous feature of modern politics. Few participants in a political contest can resist the temptation to ridicule their opponents in order to demean them, persuade others to regard them with scorn, or expose their hypocrisy. Yet ridicule also has the potential to undermine the conditions necessary for politics itself, converting disputants into belligerents and debate into the silence of mutual disdain. Unsurprisingly, then, ridicule has not only been common in political debate but has often been at the centre of such debate as well. In contemporary debate, some commentators worry that citizens are reaching for ridicule and contemptuous dismissal at the expense of more earn...
What relevance has comedy for the global crises of late-modernity and the theological critique thereof? Coming out of the experience of war, a generation of modern theologians such as Donald MacKinnon, Hans Urs von Balthasar, and, more recently, Rowan Williams, in their accommodation to literature, choose tragedy as the paradigm for theological understanding and ethics. By contrast, this book develops recent philosophical, anthropological, and psychoanalytical studies of humor to develop a theology of comedy. By deconstructing secular accounts of comedy it advances the argument that comedy is not only participatory of the divine, but that it should inform our thinking about liturgical, sacramental, and ecclesial life if we are to respond to the postmodern age in which having fun is an ideological imperative of market forces.
Eastern Europeans in Contemporary Literature and Culture: Imagining New Europe provides a comprehensive study of the way in which contemporary writers, filmmakers, and the media have represented the recent phenomenon of Eastern European migration to the UK and Western Europe following the enlargement of the EU in the 21st century, the social and political changes after the fall of communism, and the Brexit vote. Exploring the recurring figures of Eastern Europeans as a new reservoir of cheap labour, the author engages with a wide range of both mainstream and neglected authors, films, and programmes, including Rose Tremain, John Lanchester, Marina Lewycka, Polly Courtney, Dubravka Ugrešić, Kapka Kassabova, Kwame Kwei-Armah, Mike Phillips, It’s a Free World, Gypo, Britain’s Hardest Workers, The Poles are Coming, and Czech Dream. Analyzing the treatment of Eastern Europeans as builders, fruit pickers, nannies, and victims of sex trafficking, and ways of resisting the stereotypes, this is an important intervention into debates about Europe, migration, and postcommunist transition to capitalism, as represented in multiple contemporary cultural texts.
The Routledge International Handbook of Transnational Studies offers a comprehensive overview of the dynamic evolution and the most recent debates in this interdisciplinary field. The collection assembles scholarship from the social sciences and the humanities that share a critical perspective extending beyond the nation-state. The contributions investigate sustained connections, events, and activities across state borders and acknowledge prevailing global power asymmetries. The handbook examines the dynamics of transnational processes across seven main themes: epistemological and methodological principles; transnational migrant practices and family remittances; mobilities and (self-)identit...
Funny Moves: Dance Humor Politics explores the intersection of dance and humor and the political stakes that bodies incur when they dare to be both aestheticized and funny. The editors posit that funny moves are dance's Other--the missteps or oversteps that don't fit a particular dance form. Funniness in dance, whether gleeful, surprising, or odd, causes disruptions which may be progressive or conservative, inciting pleasures that counterbalance the artform's often serious codes. Writing from Latin America, the Caribbean, South Asia, Europe, and the United States, the book's ten authors provide diverse observational techniques and creative vocabularies for finding, analyzing, and theorizing ...