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The Gesamtkunstwerk in Design and Architecture
The history of modern design and architecture has seen many attempts to embrace and merge different art forms, and to bring art into the framing of everyday life and the organisation of modern society, in a process understood as total design or total architecture. These attempts were historically based on the romanticist idea of merging all art forms into a uniting and transgressing work of art, mostly associated with – but certainly not limited to – Richard Wagner’s theoretical writings and musical dramas. This utopian dream of the Gesamtkunstwerk, or Total Work of Art, was intended both to bring unity to the people and to bring art into the everyday life of their homes, as well as in...
Architecture Language Critique
Paul Engelmann was Adolf Loos’s favorite pupil, private secretary to Karl Kraus and Ludwig Wittgenstein’s most important interlocutor in the years between 1916 and 1928 as well as his partner in building the Stonborough House. Thus it was that the trenchant critique of modernity associated with Wittgenstein’s Vienna originated around Paul Engelmann. The present volume of essays from an international symposium in Aarhus, Denmark in 1999 offers an interdisciplinary perspective on issues bearing upon architecture, language and cultural criticism as they relate to the life’s work of Paul Engelmann.
Design as Gesamtkunstwerk
Modern design was established as a discipline and a profession in its own right in the postwar decades, but its ideals and creative practices evolved out of art and architecture. This exchange goes back to a romantic dream of the union of all arts and the transgression from art to life as expressed in the writings and practices of both Richard Wagner and William Morris. But the unifications and transgressions have turned out very differently in the interiors of Art Nouveau, the experiments at Bauhaus, the total design of postwar Modernism and in contemporary hybrid constellations between design, art and architecture. This discussion of cultural vision and thinking in totalities is reflected in cases like Verner Panton's interior designs, Arne Jacobsen's SAS Hotel and Peter Behrens' corporate identity for AEG.
Design Culture
Design culture foregrounds the relationships between the domains of design practice, design production and everyday life. Unlike design history and design studies, it is primarily concerned with contemporary design objects and the networks between the multiple actors engaged in their shaping, functioning and reproduction. It acknowledges the rise of design as both a key component and a key challenge of the modern world. Featuring an impressive range of international case studies, Design Culture interrogates what this emergent discipline is, its methodologies, its scope and its relationships with other fields of study. The volume's interdisciplinary approach brings fresh thinking to this fast-evolving field of study.
Nordic Design Cultures in Transformation, 1960–1980
Covering the 1960s and 1970s, this volume explores new ways of investigating, comparing and interpreting the different domains of design culture across the Nordic countries. Challenging the traditional narrative, this volume argues that the roots of the most prominent features of Nordic design’s contemporary significance are not to be found amongst the objects for the home collectively branded as ‘Scandinavian Design’ to great acclaim in the 1950s, but in the discourses, institutions and practices formed in the aftermath of that oft-told success story, during the turbulent period between 1960 and 1980. This is achieved by employing multidisciplinary approaches to connect the domains of industrial production, marketing, consumption, public institutions, design educations, trade journals as well as public debates and civic initiatives forming a design culture. This book makes a significant contribution to current, international agendas of historiographical critique focusing on transnational relations and the deconstruction of national design histories. This book will be of interest to scholars in design, design history and Scandinavian studies.
Faaborg Museum and the Artists' Colony
Behind rolling hills, overlooking the fjord and the islands of Southern Funen in Denmark, lies the Faaborg Museum. With its boldly coloured walls and decorative tile floors made from local clay, the building has quite literally sprung from Funen's soil in a symbiosis of local nature and culture. Inside, visitors will find art by the 'Funen Painters', created during the period 1880 to 1928, when Faaborg was home to one of Denmark's pre-eminent artists' colonies. With their paintings of rural Funen, farmworkers and domestic scenes, the artists Peter Hansen, Fritz and Anna Syberg, Jens Birkholm and Johannes Larsen introduced new subject matter and new methods of painting to Danish art. Faaborg Museum and the Artists' Colony presents the history of Faaborg Museum, its architecture, collection and artists to international audiences for the first time. Lavishly illustrated, the book features architectural photographs and plans as well as pictures of the museum's art.
Fra Bayreuth til Bauhaus
Begrebet "Gesamtkunstwerk" gennemgås med udgangspunkt i Richard Wagner og Nietzsche. Man følger "Gesamtkunstwerk" op igennem 1800-tallet og starten af 1900-tallet, hvor begrebet finder sin "afslutning" med Bauhaus-skolen og Nazi-Tyskland.
The Spirit of Vitalism
This richly illustrated book outlines the strong Vitalistic movement in Denmark during the period 1890-1940. This movement emerged as a response to the rationalism and one-sided intellectualism of a rigid, bourgeois, or decadent culture of the 19th century. It constituted a number of cultural currents that were manifested in philosophy, art, and everyday life, with an emphasis on the energy of youth, the dynamic personality, and the potential of the body. Viewed in the wider perspective, the aim of Vitalism's cult of the body was a revitalization that was to benefit not only the individual human being, but the whole of culture. Although the Vitalistic themes emanated from modern life, they also drew artistic sustenance from Nordic mythology and Greek antiquity, which served as the most important ideals in the modern pursuit of both physical and spiritual beauty. Additionally, the book highlights the prevalence of the interest in health and exercise and an increased attentiveness to hyg
Nordic Design Cultures in Transformation, 1960-1980
"Covering the 1960s and 1970s, this volume explores new ways of investigating, comparing and interpreting the different domains of design culture across the Nordic countries. Challenging the traditional narrative, this volume argues that the roots of the most prominent features of Nordic design's contemporary significance are not to be found amongst the objects for the home collectively branded as 'Scandinavian Design' to great acclaim in the 1950s, but in the discourses, institutions, and practices formed in the aftermath of that oft-told success story, during the turbulent period between 1960 and 1980. This is achieved by employing multidisciplinary approaches to connect the domains of industrial production, marketing, consumption, public institutions, design educations, trade journals as well as public debates and civic initiatives forming a design culture. This book makes a significant contribution to current, international agendas of historiographical critique focusing on transnational relations and the deconstruction of national design histories. This book will be of interest to scholars in design, design history, and Scandinavian studies"--
Design Aesthetics
An original exploration of the role of aesthetics in contemporary design, uniquely combining philosophical aesthetics and cultural analysis of design. As a product of human ingenuity, design functions as an artificial interface through which we meet the world. While the ubiquity of design seems to render it imperceptible, when we truly reflect on design, we see that it is inextricably entwined with our experience of the world. In Design Aesthetics, Mads Nygaard Folkmann provides an engaging introduction to the field of design aesthetics and its role as a concept. Engaging with sensual, conceptual, and contextual considerations of design aesthetics, this book investigates design experience in...
