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Etudes for Snare Drum in 4/4-Time - Volume 3
This next volume 3, from the series "Etudes for Snare Drum in 4-4-Time", takes care of the development of grace notes and rolls. In the beginning where only a single Flam is used, it will be extended to double, triple and quadruple grace notes. The following etudes are designed as preliminary exercises for vertebral strokes, up to the execution of rolls
Groove-Coordination for Drum Set - Volume 1
A book as a basic toolbox for thousands of new pop and rock grooves. It starts of with combining binary and ternary Hi-Hat rhythms with different Bass drum and Snare Drum figures, followed up with exercises blending on various styles such as Shuffle, Halftime Shuffle, Funk, Hip-Hop, Hand-To-Hand-Coordination, Paradiddle-Patterns, up to Doublebass Grooves.
Etudes for Snare Drum in 4/4-Time - Volume 4
"Etudes for Snare Drum - Volume 4" finishes up the book series of pieces for Snare Drum. The main content deals with the task of dynamic exercises. Here, rhythms are provided with two to six different volumes, and builds up in the course with filigree aspects, such as accents rolls and much more.
Deeply
Duets are nothing unusual in jazz even under percussion instruments, as it is in the case with this arrangement. Two drummers playing more or less a open "straight ahead" duet. This piece varies in time signatures 3/4, 4/4 and 5/4, whereby the common cymbal phrasing is supplemented by turnarounds and various comping figures. Common rudiments such as flams, drags and rolls find their place in the piece, as well as a short passage based on the "2nd Line" Drumming of New Orleans.
Funny Stubble
A piece that is mainly based on Latin American rhythms. The composition opens with a "Call and Response", which is known from the Brazilian drummer groups, the Batucada. Further stylistic interpretations of Afro-Cuban musical styles form a multifaceted interplay that is given an additional nuance by common figures. Different time signatures alternate, as it does in different interpretations of traditional drum parts of percussion instruments. The end is created by an instrumentation that corresponds to the tradition of the Bata drums.
Body Trip
Body Trip is a piece that has its own requirements. A varied basis for both actors, because of the interaction of the voices. While one side is maintaining the basis in form of a swing pattern, the other one is soloing over it. There are also rhythmic gimmicks of jazz in 3/4 and 4/4 time, which ends with a trip to samba.
Etudes for snare Drum in 4/4-Time - Volume 2
This edition has 52 etudes with the topic of tied, dotted and accented notes. In the beginning it deals with quarter notes, but in the course of the book it will change to eight and sixteenth notes, and it claims to be a slight challenge to the reader. It will build a wider understanding of rhythm.
Etudes for Snare Drum in 4-4-Time - Volume 1
A collection of 48 exercises. Ideal for learning the common notes and rests, rhythm and speed. It starts of with whole, half and quarter notes, followed up by sixteenth rests and sixteenth sextuplets, these notations are going to be repeated within a system of four bars per line. This issue does not include any dynamic levels.
Sweet Revenge
"Sweet Revenge" is a "conversation" for two drummers. It starts of with interactions of single notes between each drummer, but the voices find together within a common groove. There are small various nuances in the course of the piece that continue the "conversation" with disco and bossa nova patterns.
Katinka
A piece for three drummers, which has its challenges. Rather driven in terms of tempo, the piece builds up with sixteenth note grooves, á la Clyde Stubblefield, to a more complex sequence with metric modulations. It then moves in a kind of "Latin feel" into a double-time feel. A piece that does not get boring for the listener.
