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This volume focuses on the issue of identity within the context of the radical shift that took place in Romania during the late 1940s and early 1950s, as a result of the process of Sovietisation, or “cultural colonisation” (a concept analysed in particular detail in this book). It adopts a novel approach to this theme, by studying the issue of identity within the context of the first decade of the Romanian communist regime, with the help of a series of concepts and theories belonging to the disciplines of Western cultural, media and gender studies, as well as those relating to colonialism and imperialism. Of particular interest to this volume is the use of the press as an essential instr...
This collective work aims to compare media (and in particular cultural press) in Francoist Spain and Communist Romania, placing the two opposing paradigms in a common approach with the intention of identifying shared patterns and intricate connections between them, but, at the same time, without ignoring their radical differences. This comparison is performed both explicitly, through several chapters focusing on the general methodological implications of such a comparison between Francoist Spain and Communist Romania in the development of totalitarian / dictatorial propagandistic systems; and implicitly, by offering the academic frame to a series of case studies from both regimes. The contri...
The study of popular culture has come of age, and is now an area of central concern for the well-established domain of cultural studies. In a context where research in popular culture has become closely intertwined with current debates within cultural studies, this volume provides a selection of recent insights into the study of the popular from cultural studies perspectives. Dealing with issues concerning representation, cultural production and consumption or identity construction, this anthology includes chapters analysing a range of genres, from film, television, fiction, drama and print media to painting, in various contexts through a number of cultural studies-oriented theoretical and m...
This book is a new study on an unknown collection of war photos of the WW1 found in the Warburg Institute Archive in London. The photos were gathered by Aby Warburg (1866-1929), years before his famous unfinished work “Mnemosyne Atlas of Images”. The collection was found in the Warburg Archive in 2004 and has been little studied since then. With the support of Capes (Agency of the Brazilian Ministry of Education), the author carried out research on the photos and produced a catalogue of the collection. Based on this work, he clearly identified Warburg’s participation in the composition of the collection, from beginning to end, ruling out the hypothesis that the late German iconologist had no relation with the set of images.
The academic resistance that cultural studies has encountered remains especially visible in Eastern and Southern European countries. One such example is Spain, where cultural studies is seen at best as an emergent research field. Hence the interest of this volume, conceived in Spain by an all-Spanish editorial team and written by a diverse range of authors who prove that, in spite of all difficulties, cultural studies continues to bloom – even in Southern and Eastern Europe. The different chapters offer interdisciplinary insights into a wide selection of cultural materials whose relevance goes well beyond purely aesthetic issues. Altogether, the volume (1) provides interesting theoretical ...
This book explores popular culture representations of gender, offering a rich and accessible discussion of masculinities and femininities in 21st-century popular media. It brings together contributors from various European countries to investigate the workings of gender in contemporary pop culture products in a brave, original, and rigorous way. This volume is both an academic proposal and an exercise of commitment to a serious analysis of some of the media that influence us most in our everyday lives. Representation matters, and the position we take as viewers or consumers during reception matters even more.
Cartea de faţă prezintă jumătatea pedantă, disciplinată a celui care a scris, ca un program personal de evaziune, Visul lupului de stepă: 52 de texte, dedicate scriitorilor români, formează aici un „an ideal” consacrat literaturii recente, compus din respect pentru munca altora, din admiraţie şi entuziasm, dar şi din responsabilitatea critică a disocierilor lucide, tranşante, atunci când cazurile o impun.
„Dacă cuvântul nu mi s‑ar părea atât de pretenţios, aş spune că trebuie să tindem de acum înainte spre un umanism mereu mai plin. Să avem în noi o viziune, o înţelegere, cea mai largă a vieţii umane, în egală măsură a trecutului şi a timpului nostru.” Marcel Raymond, într‑o scrisoare către Albert Béguin, 9 iunie 1921
Postcolonial studies is a well-established academic field, rich in theory, but it is based mostly on postcolonial experiences in former West European colonial empires. This book takes a different approach, considering postcolonial theory in relation to the former Soviet bloc. It both applies existing postcolonial theory to this different setting, and also uses the experiences of former Soviet bloc countries to refine and advance theory. Drawing on a wide range of sources, and presenting insights and material of relevance to scholars in a wide range of subjects, the book explores topics such as Soviet colonality as co-constituted with Soviet modernity, the affective structure of identity-creation in national and imperial subjects, and the way in which cultural imaginaries and everyday materialities were formative of Soviet everyday experience.