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Andrei Bitov
This is the first book on Andrei Bitov, one of contemporary Russia's most original writers. It plots his evolution from his early publications of the post-Stalin years to his mature masterpieces of the glasnost era. Ellen Chances assesses his place both in the Russian literary tradition from Pushkin onwards, and as part of a broader, international cultural heritage including Dickens, Fellini, and Proust. She explores his themes, from the psychological effects of Stalin on Soviet society to universal questions such as the human being's relationship with nature, history and culture, and discovers in his deeply philosophical and intensely psychological writings an innovative methodology, 'ecological prose', that goes beyond modernist and post-modernist fragmentation in search of the wholeness of life.
A Captive of the Caucasus
The Caucasus, Bitov the traveler is a captive, however alienated, of his homeland, too. Bitov's works characteristically proceed from and comment on one another, and the realization of captivity leads to a different journey; the second account, Choosing a Location, an entertaining impressionistic record of his travels in Soviet Georgia, is Bitov's quest for his own place and time. Compellingly conceived and spectacularly crafted, A Captive of the Caucasus is an.
The Monkey Link
In the waning years of the Empire, a poet traverses Russia, from the Baltics to the capital, to the shores of the Black Sea. Along the way, he discusses man's place in the scheme of things with, among others, a very sober scientist and a very drunken landscape painter. He is harassed by the authorities, spends time on a movie set, and is an eyewitness to the August 1991 coup. Full of talk, philosophical speculation and dark humor, this sweeping, intricately structured novel challenges the form even as it presents a highly original view of the world and the former Soviet Union.
Pushkin House
"Probably the most interesting work to come out of Soviet literature since the Twenties."-London Review of Books
Metafolklore
The book is organized in Folklore Units. Each Folklore Unit has Context and may have one or more Metacontexts with citations of works of great philosophers or writers; hence, the title of the book is Metafolklore. The book covers the life of immigrants from the USSR in the U.S., remembers life in Russia, and gradually concentrates on the modus operandi of the KGB, FBI, CIA, NYPD, NSA, ECHELON, Foreign Intelligence Surveillance Court, Al, and ISI. It covers frontiers of legal theory of surveillance. What distinguishes this book is the intensely personal account of the events and issues.
Memoirs of Nikita Khrushchev: Commissar, 1918-1945
Nikita Khrushchev&’s proclamation from the floor of the United Nations that &"we will bury you&" is one of the most chilling and memorable moments in the history of the Cold War, but from the Cuban Missile Crisis to his criticism of the Soviet ruling structure late in his career the motivation for Khrushchev&’s actions wasn&’t always clear. Many Americans regarded him as a monster, while in the USSR he was viewed at various times as either hero or traitor. But what was he really like, and what did he really think? Readers of Khrushchev&’s memoirs will now be able to answer these questions for themselves (and will discover that what Khrushchev really said at the UN was &"we will bury ...
Russian Postmodernism
The last ten years were decisive for Russia, not only in the political sphere, but also culturally as this period saw the rise and crystallization of Russian postmodernism. The essays, manifestos, and articles gathered here investigate various manifestations of this crucial cultural trend. Exploring Russian fiction, poetry, art, and spirituality, they provide a point of departure and a valuable guide to an area of contemporary literary-cultural studies which is currently insufficiently represented in English-language scholarship. A brief but useful "Who's Who in Russian Postmodernism" as an appendix introduces many authors who have never before appeared in a reference work of this kind and renders this book essential reading for those interested in the latest trends in Russian intellectual life.
