You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This is a collection of darkly comic standalone strips by a cartoonist Herge (Tintin) idolized. Die Laughing, which is executed in stark black and white, takes aim at everyone and everything in its scathing critique of modern life, but is particularly ruthless toward animal abusers, the military industrial complex, and death penalty enthusiasts. Franquin’s loose but meticulous line work features expressionistic shadows and silhouettes that infuse his depressed, repressed, and oppressed characters with a disturbing manic energy. Die Laughing is filled with visual gags and gag-inducing visuals that will haunt you.
Renowned Franco-Belgian gag cartoonist Andre Franquin suffered fromdepression. With his late-career "Idees Noires" series of gags from the late1970s and early 1980s, created mostly for the independent/underground comicsmagazine Fluide Glacial, Franquin harnessed his still-virtuoso graphic style tohis increasingly morbid worldview. Fantagraphics is proud to present thecomplete "Idees Noires" collection under the title Franquin's LastLaugh.
The legendary adventures of reporters Spirou and Fantasio, their squirrel Spip, and Franquin's Marsupilami - 75 years of the finest comics tradition! The 19th title of a series as fundamental as Tintin!
Fantagraphics is proud to follow up 2010’s inaugural edition of Maurice Tillieux’s classic early-1960s Gil Jordan adventures Murder by High Tide with a new double dose of classic stories. “Ten Thousand Years in Hell” marks a sharp departure from the moody, urban detective thrillers of Jordan’s previous adventures: Instead, after a feint in that direction, it turns into a rollicking, comedic South American prison escape yarn. The second story, “Boom and Bust,” finds the duo’s countryside jaunt turned into an ad-hoc investigation by a spectacular vehicular washout and a suspiciously noisy enclosure. Tillieux’s freewheeling storytelling and masterful graphics remind the reader why he was considered one of the top Franco-Belgian cartoonists of the time — indeed, any time. Readers of all ages who are eager to dig deeper than Tintin and explore the history of other cartoonists working in that distinctive, cleanly drawn comedy/adventure register will enjoy the Gil Jordan books.
Rigour versus fantasy, order versus chaos ... the accountant versus Mr Goof!!
In English-speaking countries, Francophone comic strips like Hergés's Les Aventures de Tin Tin and Goscinny and Uderzo's Les Aventures d'Asterix are viewed—and marketed—as children's literature. But in Belgium and France, their respective countries of origin, such strips—known as bandes dessinées—are considered a genuine art form, or, more specifically, "the ninth art." But what accounts for the drastic difference in the way such comics are received? In Masters of the Ninth Art, Matthew Screech explores that difference in the reception and reputation of bandes dessinées. Along with in-depth looks at Tin Tin and Asterix, Screech considers other major comics artists such as Jacque Tardi, Jean Giraud, and Moebius, assessing in the process their role in Francophone literary and artistic culture. Illustrated with images from the artists discussed, Masters of the Ninth Art will appeal to students of European popular culture, literature, and graphic art.
None
Music soothes the wild beast ... and brings down walls! Among all the things that make Gomer such a lovable rascal, there are two that are instantly recognisable: his car, and his goofophone. His old lemon, favourite target of the constabulary and every pedestrian’s nightmare, is responsible for half the pollution in town – as well as many of the more ... exotic accidents. The rest of the latter are mostly the result of the terrible ‘musical’ instrument put together by Gomer – stiff competition for the Trumpets of Jericho!
Accompanied everywhere by his friend Fantasio and his pet squirrel Spip, Spirou is an adventurous reporteer who fights all manner of villains in every corner of the world.
Spirou and Fantasio’s friend, the Count of Champignac, asks them to join him in Australia, where he has heard that an ancient monolith is still standing. When they arrive, Champignac’s colleague Walker Donahue informs them that Champignac has been abducted by local gangster Sam. The monolith they’re after stands in the vicinity of an aboriginal mining village, which is constantly prey to white prospectors trying to steal indigenous resources. Spirou and Fantasio must save Champignac from Sam’s clutches and help him find the legendary monolith while standing by the aboriginal people.