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When Imani Jewel Henderson's mysterious father dies on her 29th birthday, Christmas day, 1999, she begins a journey toward self-love, and faces many challenges. Can she unravel the secrets of her family's disturbing past when she was a foster child? Why did her mother commit suicide and leave her all alone? Why did her father keep notes about a holy river, an Orphan Train, and a murder in 1901? How will she battle depression and alcohol addiction? Will Imani heal from two abusive relationships with married men? How can she repair what she destroyed when she slept with her best friend's husband? Will she ever find the love that will connect her to her Gullah/Geechee heritage? Imani discovers that the answers are hidden in the rich details of her African American family traditions of quilts, folklore, Eva Creek Island, and the affluent town of Jewel Park, New York.
This book collects 250 stories about good deeds, including this one: When the great 19th-century actor Sir Henry Irving discovered an old woman who needed money to survive but who couldn't work, he would hire her to take care of the cats in his theater. Later, he was going to hire an old woman to take care of the cats, but then he discovered that he had already hired three old women to take care of the cats. Therefore, he hired this old woman to take care of the three old women who took care of the cats.
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"The Funniest People Who Write Books and Make Music" contains such anecdotes as these: When Peg Bracken started writing, she would often type the first page of a famous short story for inspiration. Often, she discovered that the page did not look as impressive typed on a sheet of paper as it did printed on a page in a book, so sometimes she would imitate her English professor and write on the sheet of paper: 'You can do better than this, Mr. Faulkner." Andri Previn played jazz with a couple of American-African musicians. Afterwards, he went into a diner, where two white men asked him, 'Why the hell don't you play with your own kind?" Mr. Previn replied, 'To tell you the truth, I wanted to, but I couldn't find two other Jews who swing." Soccer and Cup Final day are important in England. Once, the noted conductor Sir Thomas Beecham held a rehearsal on Cup Final day. The rehearsal had been going on for only a short time when a giant television was delivered to the rehearsal area. Sir Thomas then said, 'Now, gentlemen, let's get down to the most important business of the day-watching the match."
"The current script is a revised and updated version of the production presented by the Paul Robeson Performing Arts Company"--Acknowledgments.
The Study Guide for Let Nobody Turn Us Around, Second Edition offers key points, comprehension and thought questions, essay questions, suggested research topics, classroom exercises, and media and Internet resources as well as additional selected readings for each section of the book as well as the preface and introduction. Appendices provide guidelines on citation styles and style manuals (MLA, CMS, CBE, APA, and APSA), directions for citing Internet and other electronic sources, suggested Internet resources in four social sciences (anthropology, history, political science, and sociology), a checklist on quoting and paraphrasing, and the table of contents of the second edition of Let Nobody Turn Us Around.
V.2: Building upon their critically acclaimed first volume, Davis W. Houck and David E. Dixon's new Rhetoric, Religion, and the Civil Rights Movement, 1954-1965 is a recovery project of enormous proportions. Houck and Dixon have again combed church archives, government documents, university libraries, and private collections in pursuit of the civil rights movement's long-buried eloquence. Their new work presents fifty new speeches and sermons delivered by both famed leaders and little-known civil rights activists on national stages and in quiet shacks. The speeches carry novel insights into the ways in which individuals and communities utilized religious rhetoric to upset the racial status quo in divided America during the civil rights era. Houck and Dixon's work illustrates again how a movement so prominent in historical scholarship still has much to teach us. (Publisher).