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Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.
Ragamala are pictures that illustrate classical pieces of music and poetry. This book explains the origins and significance of these Indian miniature paintings which unite different genres in a unique way. It presents selected examples and makes music and poetry audible through QR codes. Music acquires a human form whose emotions are explained through tiny details: the call of birds, passing clouds, lightning, the scent of flowers, a hidden tear. This lavishly illustrated multimedia book provides a glimpse into the mysterious world of Indian music, poetry, and painting. The MUSEUM RIETBERG in Zurich is one of Europe's leading museums for World Art and well known for its splendid collection of Asian art. In large temporary exhibitions it presents historical and contemporary masterpieces in the light of new perspectives.
The all-powerful Goddess has been a source of inspiration and guidance to followers for centuries. This lavish, engaging book, published to accompany the major exhibition in Sydney, explores the many imaginative manifestations of the divine female in the art of India, Tibet and Nepal. Tapping into the recent huge surge in interest in eastern religions and philosophies, this volume is the ultimate survey of a complex and fascinating topic.
This book offers the first social history of music in undivided Punjab (1800-1947), beginning at the Lahore court of Maharaja Ranjit Singh and concluding at the Patiala royal darbar. It unearths new evidence for the centrality of female performers and classical music in a region primarily viewed as a folk music centre, featuring a range of musicians and dancers -from 'mirasis' (bards) and 'kalawants' (elite musicians), to 'kanjris' (subaltern female performers) and 'tawaifs' (courtesans). A central theme is the rise of new musical publics shaped by the anglicized Punjabi middle classes, and British colonialists' response to Punjab's performing communities. The book reveals a diverse connoisseurship for music with insights from history, ethnomusicology, and geography on an activity that still unites a region now divided between India and Pakistan.
The ancient kingdoms of the Cameroon Grassfields are famous for their splendid artworks--ornamented thrones, wooden figures, enormous drums, finely carved jewelry made from ivory and brass, and fabulous masks. This book presents 150 masterpieces from the courts of the Grassfield kingdoms. Historical photographs illustrate the magnificent life at the courts encountered by European visitors in the late 19th century. Additional field photographs taken in recent years show that the traditions in the Grassfields are still alive today. Two leading scholars in the field of Cameroonian art give an important introduction to the fascinating and complex world of the Grassfield kingdoms: their rituals, secret societies, and, above all, the meaning of art in this context.
Festschrift honoring Haku Shah, recognized authority on India's rural arts and crafts, and an eminent artist and photographer too.
The art critic and historian Carl Einstein was one of the most important and multifaceted personalities of the 20th-century artistic avant-garde. His books, articles and essays were fundamental pieces for the critical study of the avant-garde movements; in them he introduced the West to African art and ratified Cubism as a movement in its own right. His intellectual oeuvre, rediscovered in recent decades, is now paid tribute at the MNCARS. This is the first international exhibition to offer a visual description of the work of Einstein, a key figure in visual arts as well as literature, theatre, film and political action. The Invention of the 20th Century shows significant works by the most important artists of the avant-garde movements, whom Einstein knew and on whose careers he reflected and wrote. The one hundred and twenty pieces on display are signed by names like Braque, Dal, Grosz, Lger, Mir, Picasso, Rousseau, Paul Klee and Otto Dix, to name a few.
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"The traditional art forms of the Admiralty Islands occupy an important place in the art of the South Sea Islands. The originality of their oeuvre is manifested in monumental sculptures and magnificent wooden bowls and dishes as well as in small implements of virtuoso design. The works are decorated in a rich palette of red, black, brown and white tones that give severe, strongly contrasting visual effects. "[Featured here are] the artistically fashioned products of the archipelego's material culture. A centrally positions in occupied by representations of humans and animals and the adornment of ritual objects. Objects that played a role in religion and mythology, and above all, in the daily life of the inhabitants of the islands. " -- From the Preface by Lorenz Homberger