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Passing time is a meditation on life's many interstitial spaces, in which we spend time waiting for something to happen -- the queue, the waiting room, the place held for two when only one has arrived. It forms the perfect antidote to the headlong rush of our culture.
Diversity is one of the defining characteristics of contemporary German-language literature, not just in terms of the variety of authors writing in German today, but also in relation to theme, form, technique and style. However, common themes emerge: the Nazi past, transnationalism, globalisation, migration, religion and ethnicity, gender and sexuality, and identity. This book presents the novel in German since 1990 through a set of close readings both of international bestsellers (including Daniel Kehlmann's Measuring the World and W. G. Sebald's Austerlitz) and of less familiar, but important texts (such as Yadé Kara's Selam Berlin). Each novel discussed in the volume has been chosen on account of its aesthetic quality, its impact and its representativeness; the authors featured, among them Nobel Prize winners Günter Grass, Elfriede Jelinek and Herta Müller demonstrate the energy and quality of contemporary writing in German.
This collection of poems and lithographs reflects the long artistic friendship between W.G. Sebald and the German artist Jan Peter Tripp. Their shared concerns speak of moments salvaged from time passing, of memory and remembrance.
This collection of excerpts and stories from German author Brigitte Kronauer provides an introduction to her work for the English-speaking world. Although highly regarded in her native land, she has remained virtually unknown outwith its boundaries. The excerpts and stories are annotated and preceded by critical introductions.
This is the first of three volumes based on papers given at the conference 'The Fragile Tradition: The German Cultural Imagination Since 1500' in Cambridge, 2002. Together they provide a conspectus of current research on the cultural, historical and literary imagination of the German-speaking world across the whole of the modern period. This volume highlights the ways in which cultural memory and historical consciousness have been shaped by experiences of discontinuity, focusing particularly on the reception of the Reformation, the literary and ideological heritage of the Enlightenment, and the representation of war, the Holocaust, and the reunification of Germany in contemporary literature and museum culture.
Despite all the assertions towards the end of the twentieth century that the literary subject had expired along with the author, the wave of autobiographies published in German after the Wende was a clear indication that, on the contrary, life stories were very much alive. In this study, Owen Evans examines the work of eight authors - Ludwig Harig, Uwe Saeger, Ruth Klüger, Günter de Bruyn, Günter Kunert, Christoph Hein, Grete Weil and Monika Maron - who all published personal texts after 1989 dealing either with life in Nazi Germany or the GDR, and in some cases both. By means of close textual analysis, Evans explores the impact these regimes had on the individuals concerned and the contr...
This volume presents the work of internationally renowned scholars from Australia, Germany, Italy, South Africa, the UK and the US. The focus on W.G. Sebald’s writing as that of an expatriate author offers a fresh and productive approach to Sebald scholarship. In one way or another, all 28 essays in this innovative, bi-lingual collection take up the notion of Sebald’s experience as an expatriate writer: be it in the analysis of intertextual, transmedial and generic border crossings, on the “exposure to the other” and the experience of alterity, on the question of identity construction and performance, on affinities with other expatriate writers, on the recurring topics of “home”, “exile”, “dislocation” and “migration”, or on the continuing work of “memory” to work through and to preserve the consciousness of a destructive past that has informed the childhood as much as the adult life-world of the author.
The question of the relation between the visual and the textual in literature is at the heart of an increasing number of scholarly projects, and in turn, the investigation of evolving visual-verbal dynamics is becoming an independent discipline. This volume explores these profound literary shifts through the work of twelve talented, and in some cases, emerging scholars who study text and image relations in diverse forms and contexts. The inter-medial conjunctures investigated in this book play with and against the traditional roles of the visual and the verbal. The Future of Text and Image presents explorations of the incorporation of visual elements into works of literature, of visual writi...
The 15 essays collected here focus on literary and cultural relations between Germany or Austria on the one hand and the neighbouring countries of eastern and southern Europe on the other, with particular reference to the period since the Wende, but also with a glance back to the period of German division. Topics include the overarching theme of psychological, political, historical and geographical boundaries and the perspective offered by German writers from both East and West on Poland, Russia and neighbouring countries. Equally important to the contributors are specific authors who have crossed national and cultural borders, such as Libuše Moníková, Irena Brežna, Richard Wagner and Hans Bergel. The role of memory, Vergangenheit, time and space are examined in the context of works by Anna Mitgutsch, W G Sebald, Christoph Ransmayr and Elisabeth Reichart, and the reception of the theories of Pierre Nora in the German-speaking countries. The re-emergence of the Right in politics, drama and film forms a further dimension explored in these essays. Neighbours and Strangers will be of interest to students and scholars working on contemporary German and Austrian culture.
A comprehensive survey of German literary writers' political writing and involvement since 1945.