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Munich, in the late thirties, the first years of fascism - the last before the war: Kathie is desperate to leave her sheltered village life and sets out for the city, determined that she'll get by, one way or another. She is dark-haired, buxom and pretty, like the women who recently disappeared without a trace. Young women are being found around Munich, abused and murdered. Josef Kalteis has been arrested, but is he really responsible for all those misdeeds? Did they execute the wrong one while the murderer is still on the loose? Spellbound by the magnetizing story of the dead women, the reader follows young Kathie. Somewhere in between her naive search for luck and existential concerns, occasional prostitution and the desire for true love, she is in grave danger. Andrea Maria Schenkel has again created a novel based on real events, in which the story is told through several voices and documentation, including interrogation logs, witness statements and the dark thoughts within the murderer's mind.
It had been a normal day at work. Monika was locking up, ready to head home, when the man arrived. She didn't see his fist until it was far too late. Bundled into a car, tied up and taken in darkness to an old mill in the thick of a forest, she has been flung into a bunker. It is only now, as time passes and she sees her attacker in the light, that she notices the startling resemblance to someone from her very dark and buried past. Someone she never wanted to see again.
The Times Literary Supplement said of The Murder Farm, "With only a limited number of ways in which violent death can be investigated, crime writers have to use considerable ingenuity to bring anything fresh to the genre. Andrea Maria Schenkel has done it in her first novel." The first author to achieve a consecutive win of the German Crime Prize, Schenkel has won first place for both The Murder Farm and Ice Cold. The Murder Farm begins with a shock: a whole family has been murdered with a pickaxe. They were old Danner the farmer, an overbearing patriarch; his put-upon devoutly religious wife; and their daughter Barbara Spangler, whose husband Vincenz left her after fathering her daughter li...
A whole family has been murdered with a pickaxe. They were old Danner the farmer, an overbearing patriarch, his put-upon devoutly religious wife, and their daughter Barbara Spangler, whose husband Vincenz left her after fathering her daughter, Marianne. Also murdered was the Danners' new maidservant, Marie, who was regarded as slightly simple. Despite the brutal nature of the killings and the small village where it has taken place, the police have no leads. Officially the crime is unsolved. And then a former resident returns home...The Murder Farm is an unconventional detective story. The author interweaves testament from the villagers, an oblique view of the murderer, occasional third-person narrative pieces and passages of pious devotion. The narrator leaves the village unaware of the truth, only the reader is able to reach the shattering conclusion.
Bavaria, Germany, 1947. At the end of the war, Afra Zauner returns to her parents' cottage on the edge of Mauther Forest. Unmarried, and pregnant. As she struggles to raise her child, her father's shame, her mother's fury and the loud whispers of the neighbours begin to weigh upon her. She doesn't believe in her sin. But everyone else does. And someone brings judgement down upon her. Many years later, Hermann Müller is throwing a drunk out of his tavern. A traveller, who won't stop ranting about a murder left unsolved, about police who never investigated. Out of curiousity, the file is reopened. And in the cold light of hindsight, a chilling realisation creeps upon the community. No-one ever atoned for Afra's death. But her story is waiting to be told. Andrea Maria Schenkel returns to the form of her groundbreaking The Murder Farm, narrating through suspects, victims and investigators to lead the reader to their own awful understanding.
Richard Lafargue is an eminent plastic surgeon haunted by dirty secrets. He has an operating theatre in the basement of his chateau and keeps his partner Eve imprisoned in her bedroom, a room he has equipped with an intercom and 300-watt speakers through which he bellows orders. Eve is only allowed out to be paraded at cocktail parties and on the last Sunday of each month, when the couple visit a young woman in a mental asylum. Following these outings, Lafargue humiliates Eve by forcing her to perform lewd sexual acts with strangers while he watches through a one-way mirror. In alternating chapters, Jonquet introduces seemingly unrelated characters - a criminal on the run after murdering a policeman, and an abducted young man who finds himself chained naked in a dark chamber, forced to endure all manner of physical torture at the hands of a mysterious stranger, whom he calls Mygale, after a type of tropical spider. All of these characters are caught in a deceitful web, waiting to meet their fate.
It is 1939. Eva Delectorskaya is a beautiful 28-year-old Russian émigrée living in Paris. As war breaks out she is recruited for the British Secret Service by Lucas Romer, a mysterious Englishman, and under his tutelage she learns to become the perfect spy, to mask her emotions and trust no one, including those she loves most. Since the war, Eva has carefully rebuilt her life as a typically English wife and mother. But once a spy, always a spy. Now she must complete one final assignment, and this time Eva can't do it alone: she needs her daughter's help.
It is Christmas in the alpine town of Furth am See and a six-year-old girl is playing ludo with her grandfather. The doorbell rings, and the old man goes to answer. The next time the girl sees him, he is lying with his skull broken, his face a red pulp against the white snow. From that time on, she does not speak a single word. Raffael Horn, the psychiatrist engaged to treat the silent child, reluctantly becomes involved in solving the murder along with Detective Superintendent Ludwig Kovacs. Their parallel researches sweep through the town: a young mother who believes her new-born child is the devil; a Benedictine monk who uses his iPod to drown the voices in his head; a high-spending teenager who tortures cats. The psychological profile of this claustrophobic, winter-held town is not reassuring - which, if any, of its inhabitants was the brutal night-time slayer of the suffering girl's grandfather?
This volume offers a selection of issues currently encountered by scholars working within the broadly understood discipline of Translation Studies. The contributions here discuss topical and recurrent issues, which have long been at the forefront of this discipline, such as phraseology, corpora, quality of interpreting, translator training, censorship, style, proper names, and receptor-oriented translation. In addition, they also deal with relatively recent developments, such as humour and multimodality in audiovisual translation, and those problems rarely conclusively addressed in the context of translation, namely impoliteness and paratexts. Bringing together authors from eight countries, ...
The mutilated body of a senior banker is found on a remote Kent beach. Could the man's death be linked to the scandal engulfing his employer, a global investment bank created by the CIA to help it track terrorism financing? Kate Pendragon, a financial analyst seconded to MI5, discovers that the bank is close to collapse, something that threatens to bring down the CIA. Elsewhere, intelligence is gathered on an Islamic terrorist cell intent on triggering a nuclear catastrophe to rig the world's financial markets – rigged, it would appear, by the Americans. But will rogue agents in the CIA really allow the disaster to happen in order save their bank? Pendragon believes the intelligence community on both sides of the Atlantic could be falling for a sophisticated hoax. Only, no one is listening to her. And the clock is ticking...