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Andrea Packard
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Ubiquitous Presence
This book was published by the List Gallery, Swarthmore College in conjunction with the exhibition titled "Ubiquitous Presence, Selected Works by Barbara Bullock." The book features numerous illustrations and images from Bullock's List Gallery exhibition, which took place September 15 through October 30, 2022.
Hear Her
This 40-page exhibition catalog was published on the occasion of the exhibition Hear Her: Works by Dyani White Hawk, which was on view at Swarthmore College from November 4 through December 15, 2021. Curated by Andrea Packard, the exhibition was the first Philadelphia-area solo exhibition of works by Dyani White Hawk (Si?á??u Lakota), a Minneapolis-based visual artist, independent curator, and community advocate. Hear Her features a selection of mixed- media paintings,, a suite of large-scale screenprints, a 20-foot-long photographic installation; and a series of videos demonstrating the artist's prolific creativity and wide-ranging practice. Whether she is working with traditional materials or incorporating new technologies, White Hawk puts Lakota values at the center of her work and fosters awareness about the diversity and importance of Native cultures. In particular, she emphasizes the essential role Native women play as cultural stewards, community leaders, and artistic innovators.
Sue Hettmansperger / Iterations
This catalog was published on the occasion of Sue Hettmansperger's 2019 exhibition in the List Gallery, Swarthmore College. An essay by Andrea Packard, List Gallery director, describes the artist's recent paintings and collages in the context of her career and the current ecological crises.
Four Points of View
This virtual exhibition features work by four Swarthmore College alumni who have contributed to the vitality of the Black Cultural Center (BCC) at Swarthmore: Harold Buchanan '69, Leandre Jackson '75, May Thomas '76, and Shameika Black '11. The publication celebrates the 50th anniversary of the BCC. Created during the COVID-19 pandemic to take the place of a List Gallery exhibition, the project emphasizes the importance of community and the transformative power of art.
Edith: an Architectural History, an Installation by Nora Wendl
This exhibition catalog was published on the occasion of "Edith: An Architectural History, An Installation by Nora Wendl, which was presented by the List Gallery, Swarthmore College from January 19 through February 25, 2023. Incorporating videos, printed fabric panels, and photographic installations, Wendl's List Gallery exhibition calls attention to the myths, controversies, and the redacted testimonies surrounding one of the icons of modernist architecture: The Edith Farnsworth House.
Jan Baltzell
This catalog was published on the occasion of the exhibition Jan Baltzell: Drawings at the List Gallery, Swarthmore College. The catalog contains an essay by List Gallery Director Andrea Packard, ten reproductions of drawings by Jan Baltzell, and a short biography of the artist.
ايام حياتك
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Henry Horenstein
Henry Horenstein: Selected Works was published on the occasion of Henry Horenstein's exhibition at the List Gallery, Swarthmore College, which took place September 12-October 27, 2019. This book features an essay by List Gallery Director and curator Andrea Packard, a statement by the Artist, and more than 30 reproductions from three bodies of work including Humans, Animalia, and Malecón.
Karyn Olivier
This catalog accompanies the exhibition titled Karyn Olivier: Seep, which took place at the List Gallery from November 1 through December 15, 2023. The exhibition and catalog were made possible by a grant from the William J. Cooper Foundation, Swarthmore College. Olivier is internationally recognized for creating sculptures, installations, and photographs that transform familiar objects and public spaces. She often repurposes materials from the waste stream such as fence posts, buoys, used clothing, playground slides, and roofing materials. Her artworks engage viewers with a range of issues, including the plight of international refugees, the legacy of slavery, the role of public monuments, and unsustainable construction practices. Through engaging with history, contemporary events, and architectural contexts and by deftly transforming everyday materials, Olivier creates works that are poignant, thought-provoking, and at times, whimsical.
