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A revelatory survey of lesbian identity in film--from the crossdressing stars like Garbo, Dietrich, and Hepburn to the vampire movies of the late '60s, Silkwood and The Color Purple. With wit and political acumen, Weiss reveals the concealed world of a host of movies both popular and forgotten.
Paris Was a Woman is an illustrated collective portrait of the unique community of women who became known as the "women of the left bank". Authors Colette, Djuna Barnes, and Gertrude Stein, poets H.D. and Natalie Clifford Barney, painters Romaine Brooks and Marie Laurencin, editors Bryher, Alice Toklas, Margaret Anderson, and Jane Heap, photographers Berenice Abbott and Gisele Freund, booksellers Sylvia Beach and Adrienne Monnier, and journalist Janet Flanner all figured in this legendary milieu. A wealth of photographs, paintings, drawings, and literary fragments, many previously unpublished, combine with Andrea Weiss's lively and revealing text to give an unparalleled insight into this extraordinary network of women for whom Paris was neither mistress nor muse, but a different kind of woman.
Originally published more than twenty years ago and winner of a Lambda Literary Award, Paris Was a Woman is a rare profile of the female literati in Paris at the turn of the century. Now with a new preface and illustrations, this "scrapbook" of their work—along with Andrea Weiss' lively commentary—highlights the political, social, and artistic lives of the renowned lesbian and bisexual Modernists, including Colette, Djuna Barnes, Gertrude Stein, Alice B. Toklas, Sylvia Beach, and many more. Painstakingly researched and profusely illustrated, it is an enlightening account of women who between wars found their selves and their voices in Paris. A wealth of photographs, paintings, drawings, and literary fragments combine with Weiss' revealing text to give an unparalleled insight into this extraordinary network of women for who Paris was neither mistress nor muse, but a different kind of woman.
A biography of Thomas Mann's two eldest children that provides intriguing insight into both their lives and the political and cultural shifts at the same time. Thomas Mann’s two eldest children, Erika and Klaus, were unconventional, rebellious, and fiercely devoted to each other. Empowered by their close bond, they espoused vehemently anti-Nazi views in a Europe swept up in fascism and were openly, even defiantly, gay in an age of secrecy and repression. Although their father’s fame has unfairly overshadowed their legacy, Erika and Klaus were serious authors, performance artists before the medium existed, and political visionaries whose searing essays and lectures are still relevant toda...
The groundbreaking volume The Torah: A Women's Commentary, originally published by URJ Press and Women of Reform Judaism, has been awarded the top prize in the oldest Jewish literary award program, the 2008 National Jewish Book Awards. A work of great import, the volume is the result of 14 years of planning, research, and fundraising. THE HISTORY: At the 39th Women of Reform Judaism Assembly in San Francisco, Cantor Sarah Sager challenged Women of Reform Judaism delegates to "imagine women feeling permitted, for the first time, feeling able, feeling legitimate in their study of Torah." WRJ accepted that challenge. The Torah: A Women's Commentary was introduced at the Union for Reform Judaism...
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In the aftermath of the 2016 presidential election, many Americans questioned how to respond to the results and the deep divisions in our country exposed by the campaign. Many people of faith turned to their religious communities for guidance and support. Many looked for ways to take action. In November 2016, biblical scholar Andrea L. Weiss and graphic designer Lisa M. Weinberger teamed up to create an innovative response: a national nonpartisan campaign that used letters and social media to highlight core American values connected to our diverse religious traditions. American Values, Religious Voices: 100 Days, 100 Letters is a collection of letters written by some of America's most accomp...
Immortal, Invisible: Lesbians and the Moving Image is the first collection to bring together leading film-makers, academics and activists to discuss films by, for and about lesbians and queer women. The contributors debate the practice of lesbian and queer film-making, from the queer cinema of Monika Treut to the work of lesbian film-makers Andrea Weiss and Greta Schiller. They explore the pleasures and problems of lesbian spectatorship, both in mainstream Hollywood films including Aliens and Red Sonja, and in independent cinema from She Must be Seeing Things to Salmonberries and Desert Hearts. The authors tackle tricky questions: can a film such as Strictly Ballroom be both pleasurably camp and heterosexist? Is it ok to drool over dyke icons like Sigourney Weaver and kd lang? What makes a film lesbian, or queer, or even post-queer? What about showing sex on screen? And why do lesbian screen romances hardly ever have happy endings? Immortal, Invisible is splendidly illustrated with a selection of images from film and television texts.
This is a book for the person who is hungry for an answer. I know that feeling. I was stuck in it for years and as a Coach and Speaker, I have noticed there is a constant theme for us all. We have read all of the success books, we have gone to the seminars but when we go to execute their wonderful information a feeling comes up. We lay in bed and just don't "feel" like doing what they suggest even though we know it will make our life better. That "feeling" stops us from executing one or more steps they suggest we take to make our lives better. I couldn't overcome that feeling either. Here I was an alcoholic, a sex addict, sugar addict, spending addict, tobacco addict, love addict, I had gone...
This essay collection examines the dynamics of memory organization and the way it varies among different media and modes of discourse in post-unification Germany. German unification has put the post-war period into a historical perspective. Such a rupture raises questions concerning the appropriate commemoration, preservation and reinterpretation of the past. The processes of reorientation after unification influenced the self-perception of literary authors as well as the social role, position and status of German literature. They also affected the way writers viewed the competition in which they found themselves pitted against visual and electronic media as rival windows on the past. In the...