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Lucrezia Tornabuoni de' Medici and the Medici Family in the Fifteenth Century is a fresh, new biography of a Renaissance woman who lived during the heyday of Medici power. A remarkable person in her own right, the author of religious poems and sacred narratives, as well as an accomplished businesswoman, Lucrezia was the mother of Lorenzo the Magnificent, the grandmother of two popes, and the great-great grandmother of Catherine de' Medici, Queen of France. This glimpse of her life and times is a window onto the political intrigues and intellectual achievements of Medici Florence.
A vividly colorful portrait of one of the greatest and most fascinating figures of the Renaissance, Lorenzo de' Medici, focusing on his role as a brilliant—sometimes ruthless—statesman who was responsible for the artistic flowering of Florence, the city where the Renaissance first blossomed. Lorenzo de' Medici—a leading statesman, the uncrowned ruler of Florence during its golden age, a true Renaissance man known to history as Il Magnifico (the Magnificent). Lorenzo was not only the foremost patron of his day but also a renowned poet, equally adept at composing philosophical verses and obscene rhymes to be sung at Carnival. He befriended the greatest artists and writers of the time—L...
Verrocchio worked in an extraordinarily wide array of media and used unusual practices of making to express ideas.
A vivid account of the diverse intellectual landscape of the German Enlightenment, exploring radical writing between 1680 and 1720.
Equestrian ballets (balletti a cavallo) emerged as valued dramatic entertainments in early modern Europe, demonstrating the wealth and magnificence of the patrons who commissioned them as well as the horsemanship and military skills of the noblemen who rode in them. Author Kelley Harness undertakes the first comprehensive study of seventeenth-century Florentine horse ballets and shows how the balletto a cavallo played a crucial role in self-fashioning by the Medici family during the period. Horse ballets also provided participating noblemen a venue for demonstrating critical markers of masculine nobility and confirming their family's relationship to the Medici.
Controlling inflation is among the most important objectives of economic policy. By maintaining price stability, policy makers are able to reduce uncertainty, improve price-monitoring mechanisms, and facilitate more efficient planning and allocation of resources, thereby raising productivity. This volume focuses on understanding the causes of the Great Inflation of the 1970s and ’80s, which saw rising inflation in many nations, and which propelled interest rates across the developing world into the double digits. In the decades since, the immediate cause of the period’s rise in inflation has been the subject of considerable debate. Among the areas of contention are the role of monetary policy in driving inflation and the implications this had both for policy design and for evaluating the performance of those who set the policy. Here, contributors map monetary policy from the 1960s to the present, shedding light on the ways in which the lessons of the Great Inflation were absorbed and applied to today’s global and increasingly complex economic environment.
Cold-water coral ecosystems figure the formation of large seabed structures such as reefs and giant carbonate mounds; they represent unexplored paleo-environmental archives of earth history. Like their tropical cousins, cold-water coral ecosystems harbour rich species diversity. For this volume, key institutions in cold-water coral research have contributed 62 state-of-the-art articles on topics from geology and oceanography to biology and conservation, with some impressive underwater images.
This collection of essays demonstrates the usefulness of looking at cinema with the analytical methods provided by art theory. "The Visual Turn" is a dialogue between art historians and film theorists from the silent period to the aftermath of World War II.
The growth of princely states in early Renaissance Italy brought a thorough renewal to the old seats of power. One of the most conspicuous outcomes of this process was the building or rebuilding of new court palaces, erected as prestigious residences in accord with the new ‘classical’ principles of Renaissance architecture. The novelties, however, went far beyond architectural forms: they involved the reorganisation of courtly interiors and their functions, new uses for the buildings, and the relationship between the palaces and their surroundings. The whole urban setting was affected by these processes, and therefore the social, residential and political customs of its inhabitants. This is the focus of A Renaissance Architecture of Power, which aims to analyse from a comparative perspective the evolution of Italian court palaces in the Renaissance in their entirety. Contributors are Silvia Beltramo, Flavia Cantatore, Bianca de Divitiis, Emanuela Ferretti, Marco Folin, Giulio Girondi, Andrea Longhi, Marco Rosario Nobile, Aurora Scotti, Elena Svalduz, and Stefano Zaggia.