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This title was first published in 2000. Rethinking Prejudice offers the first philosophical monograph on the concept of prejudice. It takes its start from a study of Enlightenment thought, and pursues the topic to the reassessment of prejudice in contemporary hermeneutics. Yet history of ideas is a means rather than an end in this book. Dorschel analyzes the debates about prejudice from the 17th century onwards in order to shed light upon present concerns. Prejudice is not something peculiar to racists and similarly sinister figures, Dorschel argues; rather, it is an indispensable part of everyone's intellectual repertoire; if relevant phenomena are to be criticized, a genuine moral stance cannot be avoided. This book introduces and explores a topic of wide interest, particularly to those researching within the fields of philosophy, history of ideas, cultural studies, and social and political theory.
Karl-Otto Apel is one of the most important German philosophers of the 20th century, and is finally coming to be recognized as such. However, his work is still poorly understood and inadequately treated throughout most of the world. In The Adventures of Transcendental Philosophy, critical theory scholar Eduardo Mendieta examines the philosophical origins of discourse ethics through the prism of Apel's thought. Mendieta finds that Apel fundamentally transformed German philosophy, which had become stagnant in the years before World War II, and deeply influenced later thinkers such as J rgen Habermas. Apel's turn toward pragmatism and analytic philosophy helped him bring the concept of a linguistic paradigm shift to Germany.
As the field of Cultural History grows in prominence in the academic world, an understanding of the history of culture has become vital to scholars across disciplines. The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. The Oxford Handbook of the New Cultural History of Music fosters and reflects a sustained dialogue about their shared goals and techniques, rejuvenating their work with new insights into the field itself.
Architectural Theory of Modernism presents an overview of the discourse on function-form concepts from the beginnings, in the eighteenth century, to its peak in High Modernism. Functionalist thinking and its postmodern criticism during the second half of the twentieth century is explored, as well as today's functionalism in the context of systems theory, sustainability, digital design, and the information society. The book covers, among others, the theories of Carlo Lodoli, Gottfried Semper, Eugène-Emmanuel Viollet-le-Duc, Louis Sullivan, Frank Lloyd Wright, Hannes Meyer, Adolf Behne, CIAM, Jane Jacobs, Robert Venturi and Denise Scott Brown, Charles Jencks, William Mitchell, and Manuel Castells.
History / World War I / World War II / Nazi Concentration Camp Survivor / Holocaust / Biography "This book is a milestone in recording the horrors of National Socialism. It is essential reading, and I am delighted that the translation has already received such keen attention in the United States." -Heinz Fischer, president of the Republic of Austria "This book is not only an enthralling read; every detail in it has also been thoroughly researched. From a scientific point of view, it is one of the most reliable biographies of a victim of National Socialism." -Professor Walter Manoschek, political scientist, University of Vienna "You have given current and future generations a priceless gift b...
This study of Franz Schubert's settings of poetry by Friedrich Schlegel and Novalis introduces the fascinating world of early German Romanticism in the 1790s, when an energetic group of bold young thinkers radically changed the landscape of European thought. Schubert's encounters with early Romantic poetry some twenty years later reanimated some of the movement's central ideas. Schubert set eleven texts from Schlegel's Abendröte poetic cycle and six poems drawn from Novalis' religious and erotic poetry. Through detailed analyses of how various musical structures in these songs mirror and sometimes even explicate the central ideas of the poems, this book argues that Schubert was an abstract ...
This book addresses the ways in which masculinity is negotiated, constructed, represented, and problematized within operatic music and practice. Although the consideration of masculine ontology and epistemology has pervaded cultural and sociological studies since the late 1980s, and masculinity has been the focus of recent if sporadic musicological discussion, the relationship between masculinity and opera has so far escaped detailed critical scrutiny. Operating from a position of sympathy with feminist and queer approaches and the phallocentric tendencies they identify, this study offers a unique perspective on the cultural relativism of opera by focusing on the male operatic subject. Ancho...
Richard Strauss' fifteen operas make up the largest German operatic legacy since Wagner's operas of the nineteenth century. In the first book to discuss all of Strauss' operas, Bryan Gilliam explores the composer's response to Wagner in his discussion of Strauss's stage works and their historical contexts.
Aurel Kolnai was born in Budapest, in 1900 and died in London, in 1973. His moral philosophy is best described in his own words as "intrinsicalist, non-naturalist, non-reductionist." The unique combination of linguistic analysis and phenomenology yields highly original ideas on classical fields of moral theory. Presents a selection of essays by Kolnai, including his main political theoretical work, What is Politics About, available in English here for the first time. Kolnai's work is also analyzed in a series of essays by eminent scholars.
First published in 2011. Johannes Brahms: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition will include research published since the publication of the first edition and provide electronic resources.