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The year 2014 marks the 300th anniversary of the death of the great German Baroque sculptor and architect Andreas Schlüter. In commemoration, this second issue of the new serial publication »Schlüteriana: Studies in the Art, Life, and Milieu of Andreas Schlüter«*, written and edited by its author, presents two articles on this brilliant artist’s creations. Schlüter was a master of truly international significance whose work is relatively well-known to scholars and the general public within the borders of Europe’s German-speaking countries but much less so to readers outside them. Yet a great deal of research, cataloguing, and analysis of his art still remains to be accomplished and...
This third volume of the new serial publication »Schlüteriana« continues the commemoration of the 300th anniversary of Schlüter’s death and is dedicated solely to the funerary monuments created by the sculptor, his school, and followers in Berlin and the Brandenburg region of north-eastern Germany. The single text presented here is subtitled »Part Two: Germany« and serves as the second installment of a comprehensive, in-depth survey focused on this highly important genre in the sculptor’s oeuvre. It completes the examination initiated by »Part One: Poland« published in Schlüteriana II which dealt with Schlüter’s tomb art created during his earlier sojourn in Polish territorie...
The first comprehensive history of the Reformation origins and flourishing of Lutheran baroque; while the Protestant reform movements are generally associated with iconoclasm, this book studies art, religion, and politics to show that in Lutheran Germany a rich visual culture developed, despite theologians' ambivalent attitude towards images.
Drawing on recent scholarship on the history of Western esotericism and religious studies on the importance of millenarian thought in Early Modern Europe, this study provides an innovative re-examination of Peter the Great’s Court in early eighteenth-century Russia.
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Reading the Royal Monument in Eighteenth-Century Europe is the first in-depth study of the major role played by royal monuments in the public space of expanding cities across eighteenth-century Europe. Using the royal public statues as the basis for its examination of modern European cities, the book considers the development of urban landscapes from the creation of capital cities to the last embers of the Ancien R?me and at how the royal politics of the arts affected the cityscapes of the time. The focus of the book thereby intersects across a spectrum of disciplines, including the social and architectural history of cities, the politics of urban planning, the history of monumental sculpture, and the material culture of the eighteenth century.