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As he is being sedated for emergency heart-by-pass surgery, Sean Kelly, an American business man of Irish descent, briefly starts talking in German. When the Chief surgeon shares this after surgery with the patient’s young adult children, they are shocked to hear this and do not know what to make of it. When Sean Kelly is asked about this, he at first denies that this could have happened but he knows it to be true. He struggles at first but then realizes he has to lift the veil of his secret life for the past thirty years. In a letter to his son Ryan and daughter Lisa, he explains how he had switched identities with his best friend who was killed while they were serving together in the French Foreign legion. He confesses to have been borne in Germany and his true name is Hans Schumacher. The story now takes dramatic turns and leads to very unusual discoveries in Germany while resulting in surprised endings.
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Derivatives stand at the forefront of financial innovation, continually evolving to accommodate new asset classes and risk categories. In the past decade, the growing popularity of cryptoassets and ESG investments has sparked the development of a variety of innovative investment strategies and risk management tools, including crypto and ESG derivatives and related structured products. This new edition has similarly evolved. Using illustrative examples, it provides a comprehensive analysis of the key tax issues associated with derivatives and cryptoassets in domestic and cross-border transactions and presents approaches that tax legislators could adopt to solve them. The new edition also comm...
This volume represents a long overdue reassessment of the Neapolitan painter Paolo de Matteis, an artist largely overlooked in English language scholarly publications, but one who merits our attention for the quality of his work and the originality of its iconography, as well as for his remarkable ability to respond creatively to his patrons? aesthetic ideals and agendas. Following a meticulous examination of the ways in which posterity?s impression of de Matteis has been conditioned by a biased biographical and literary tradition, Livio Pestilli devotes rich, detailed analyses to the artist?s most significant paintings and drawings. More than just a novel approach to de Matteis and the Neapolitan Baroque, however, the book makes a significant contribution to the study and understanding of early eighteenth-century European art and cultural history in general, not only in Naples but in other major European centers, including Paris, Vienna, Genoa, and Rome.