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Moondust
In 1999, Andrew Smith was interviewing Charlie Duke, astronaut and moon walker, for the Sunday Times. During the course of the interview, which took place at Duke's Texan home, the telephone rang and Charlie left the room to answer it. When he returned, some twenty minutes later, he seemed visibly upset. It seemed that he'd just heard that, the previous day, one of his fellow moon walkers, the astronaut Pete Conrad, had died. The more Charlie spoke the more Andrew realised that his grief was something more than the mere fact of losing a friend. 'Now theres only nine of us,' he said. Only nine. Which meant that, one day not long from now, there would be none, and when that day came, no one on...
Totally Wired
The story of the dotcom bubble, its tumultuous crash, and the visionary pioneer at its epicentre... 'The Social Network meets Hammer of the Gods via Warhol's Factory' Independent 'Effervescent...vivid...this is a book whose time has come' Sunday Times One morning in February 2001, Josh Harris woke to the certain knowledge that he was about to lose everything. The man Time magazine called 'The Warhol of the Web' was now reduced to the role of helpless spectator as his personal fortune dwindled from 85 million dollars…to 50 million…to nothing. In the space of a week. If the mania attending those events is hard to recall, it's because when the crash came, the dreams and expectations of thos...
Stand-Off
Now a senior at Pine Mountain Academy, fifteen-year-old Ryan Dean West becomes captain of the rugby team, shares his dormitory room with twelve-year-old prodigy Sam Abernathy, and through the course of the year learns to appreciate things he has tried to resist, including change.
Winger
Ryan Dean West is a fourteen-year-old boy at a boarding school for rich kids. He's living in Opportunity Hall, the dorm for troublemakers, and rooming with the biggest bully on the rugby team. And he's madly in love with his best friend Annie, who thinks of him as a little boy. With the help of his sense of humour, rugby buddies, and his penchant for doodling comics, Ryan Dean manages to survive life's complications and even find some happiness along the way. But when the unthinkable happens, he has to figure out how to hold on to what's important, even when it feels like everything has fallen apart. Filled with hand-drawn illustrations and told in a pitch-perfect voice, this realistic depic...
The Turkey
"Food historian Andrew F. Smith presents the turkey in ten courses, beginning with the bird itself (actually, several species of it) in the wild. The Turkey subsequently includes discussions of practically every aspect of the icon, including its arrival in early America, how it came to be called "turkey," its domestication and mating habits, the expansion of the bird's territory into Europe, conditions in modern turkey processing plants, and the surprising boom-or-bust cycles in turkey husbandry. The bird's ascension to holiday mainstay - and the techniques of stuffing - are also discussed." "As one of the easiest foods to cook, the turkey's culinary possibilities have been widely explored if little noted. The second half of this book is a collection of more than a hundred historical and modern turkey recipes from across America and Europe."--BOOK JACKET.
Sir Andrew Smith
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100 Sideways Miles
Finn Easton, sixteen and epileptic, struggles to feel like more than just a character in his father's cult-classic novels with the help of his best friend, Cade Hernandez, and first love, Julia, until Julia moves away.
EcoGothic
This book will provide the first study of how the Gothic engages with ecocritical ideas. Ecocriticism has frequently explored images of environmental catastrophe, the wilderness, the idea of home, constructions of 'nature', and images of the post-apocalypse – images which are also central to a certain type of Gothic literature. By exploring the relationship between the ecocritical aspects of the Gothic and the Gothic elements of the ecocritical, this book provides a new way of looking at both the Gothic and ecocriticism. Writers discussed include Ann Radcliffe, Mary Shelley, Ambrose Bierce, Algernon Blackwood, Margaret Atwood, Cormac McCarthy, Dan Simmons and Rana Dasgupta. The volume thus explores writing and film across various national contexts including Britain, America and Canada, as well as giving due consideration to how such issues might be discussed within a global context.
Rabbit & Robot
“This provocative jaunt…dissects society, technology, othering, and what makes humanity human.” —Publishers Weekly (starred review) “An unpredictable, gross, and prescient rumination on modernity, media consumption, and machine-aided communication.” —Booklist (starred review) Told with Andrew Smith’s signature dark humor, Rabbit & Robot tells the story of Cager Messer, a boy who’s stranded on the Tennessee—his father’s lunar-cruise utopia—with insane robots. To help him shake his Woz addiction, Billy and Rowan transport Cager Messer up to the Tennessee, a giant lunar-cruise ship orbiting the moon. Meanwhile, Earth, in the midst of thirty simultaneous wars, burns to ash beneath them. And as the robots on board become increasingly insane and cannibalistic, and the Earth becomes a toxic wasteland, the boys have to wonder if they’ll be stranded alone in space forever. In Rabbit & Robot, Andrew Smith, Printz Honor author of Grasshopper Jungle, makes you laugh, cry, and consider what it really means to be human.
Britain, France and the Decolonization of Africa
Looking at decolonization in the conditional tense, this volume teases out the complex and uncertain ends of British and French empire in Africa during the period of ‘late colonial shift’ after 1945. Rather than view decolonization as an inevitable process, the contributors together explore the crucial historical moments in which change was negotiated, compromises were made, and debates were staged. Three core themes guide the analysis: development, contingency and entanglement. The chapters consider the ways in which decolonization was governed and moderated by concerns about development and profit. A complementary focus on contingency allows deeper consideration of how colonial powers planned for ‘colonial futures’, and how divergent voices greeted the end of empire. Thinking about entanglements likewise stresses both the connections that existed between the British and French empires in Africa, and those that endured beyond the formal transfer of power.
