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An Appreciation of Andrew Adamson's the Lion, the Witch and the Wardrobe
Diploma Thesis from the year 2007 in the subject Didactics for the subject English - Literature, Works, grade: 3,5, The Karkonosze State Higher School in Jelenia Góra (Kolegium Karkonoskie), course: Foreign Languages - Fantasy Literature, language: English, abstract: This paper is an attempt to discuss and analyse the movie adaptation of C. S. Lewis's The Lion, the Witch and the Wardrobe directed by Andrew Adamson and produced by Walt Disney in collaboration with Walden Media. In the following pages, a perspective of division into three parts will be proposed. The aim of such approach is to have a more accurate understanding of Lewis's life, his literary legacy, with special attention to the Chronicles of Narnia series, and, finally, the production of the movie based on the Lewis's children's fantasy.
An appreciation of Andrew Adamson’s "The Lion, the Witch and the Wardrobe"
Diploma Thesis from the year 2007 in the subject Didactics for the subject English - Literature, Works, grade: 3,5, The Karkonosze State Higher School in Jelenia Góra (Kolegium Karkonoskie), course: Foreign Languages - Fantasy Literature, language: English, abstract: This paper is an attempt to discuss and analyse the movie adaptation of C. S. Lewis’s The Lion, the Witch and the Wardrobe directed by Andrew Adamson and produced by Walt Disney in collaboration with Walden Media. In the following pages, a perspective of division into three parts will be proposed. The aim of such approach is to have a more accurate understanding of Lewis’s life, his literary legacy, with special attention to the Chronicles of Narnia series, and, finally, the production of the movie based on the Lewis’s children’s fantasy.
Reports of Cases Decided in the Supreme Court of the State of Utah
Reprint of the original, first published in 1876.
Scotland
None
Scotland
None
The Ashgate Encyclopedia of Literary and Cinematic Monsters
From vampires and demons to ghosts and zombies, interest in monsters in literature, film, and popular culture has never been stronger. This concise Encyclopedia provides scholars and students with a comprehensive and authoritative A-Z of monsters throughout the ages. It is the first major reference book on monsters for the scholarly market. Over 200 entries written by experts in the field are accompanied by an overview introduction by the editor. Generic entries such as 'ghost' and 'vampire' are cross-listed with important specific manifestations of that monster. In addition to monsters appearing in English-language literature and film, the Encyclopedia also includes significant monsters in Spanish, French, Italian, German, Russian, Indian, Chinese, Japanese, African and Middle Eastern traditions. Alphabetically organized, the entries each feature suggestions for further reading. The Ashgate Encyclopedia of Literary and Cinematic Monsters is an invaluable resource for all students and scholars and an essential addition to library reference shelves.
Sentence Diagramming 101
"A surprisingly fun jaunt into the convoluted wilds of the English language!" Sentence Diagramming 101: Fun with Linguistics (and Movies) explores the relationship between words using traditional sentence diagramming and amusing movie references. Inside this textbook, you’ll find detailed explanations as well as 50+ film-focused practice exercises, and on the companion website, you can explore the answer key, informative videos, additional practice, and lively discussions about the English language. One abiding question often accompanies any discussion of traditional sentence diagramming (Reed & Kellogg): does sentence diagramming create better writers? This book’s answer: Maybe. If you ...
A Companion to Steven Spielberg
A Companion to Steven Spielberg provides an authoritative collection of essays exploring the achievements and legacy of one of the most influential film directors of the modern era. Offers comprehensive coverage of Spielberg’s directorial output, from early works including Duel, The Sugarland Express, and Jaws, to recent films Explores Spielberg’s contribution to the development of visual effects and computer games, as well as the critical and popular reception of his films Topics include in-depth analyses of Spielberg’s themes, style, and filming techniques; commercial and cultural significance of the Spielberg ‘brand’ and his parallel career as a producer; and collaborative projects with artists and composers Brings together an international team of renowned scholars and emergent voices, balancing multiple perspectives and critical approaches Creates a timely and illuminating resource which acknowledges the ambiguity and complexity of Spielberg’s work, and reflects its increasing importance to film scholarship
