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This innovative collection of essays is the first volume to explore the many ways in which dictionaries have stimulated the imaginations of modern and contemporary poets from Britain, Ireland, and America, while also considering how poetry has itself been a rich source of material for lexicographers.
Some say that in the city of Orlyn, godhood is on sale to the highest bidder. Thousands flock to the city each year, hoping for a chance at immortality.Lydia Hastings is a knowledge sorcerer, capable of extracting information from anything she touches. When she travels to Orlyn to validate the claims of the local faith, she discovers a conspiracy that could lead to a war between the world's three greatest powers. At the focal point is a prisoner who bears a striking resemblance to the long-missing leader of the pantheon she worships. Rescuing the prisoner would require risking her carefully cultivated cover - but his execution could mean the end of everything Lydia holds dear.
In a haunting romance set in Australia's far north in the middle of the twentieth century, Calum, a white ringer (cowboy), and Doreen, a mixed-descent girl, never once doubt their love even though, as a couple, they're disparaged by most whites. Calum joins a cattle drive after he's proven that he can handle both himself and the wild horse he is given to ride. >p>Enter Doreen, who has just been rescued by her mum from a mission school where she was treated badly by the Big Father. A chance encounter brings them together for the first time, but both of them believe their meeting was destined, regardless of what lies ahead for them. Through their experiences and those of the people around them, the racial discrimination that marked Australia's twentieth century the tragedy of Australia's Stolen Generation, the murder of Aborigines, and the abduction and rape of Aboriginal girls becomes the backdrop for this powerful love story. Long Creek offers an uplifting and beautiful romance and provides insight into the cattle-ranching life in a sparsely populated, beautiful, and unforgiving land.
Andrew Motion's new book opens with a sequence of war poems (first published as the pamphlet Laurels and Donkeys, on Armistice Day 2010), drawing on soldiers' experiences of war from 1914 until today - beginning with a story about Siegfried Sassoon and moving via World War Two and Korea to the recent conflicts in Iraq and Afghanistan. Many of the poems are in the voices of combatants, others are based on memories of the poet's father, who landed at D-day and fought in France and Germany. The poems combine understatement with a clear-eyed and unswerving candour.The Customs House has other rooms: a group of topographies, mapping moments in a marriage against the contingencies of place and family history; and several 'found poems', in which the poet collaborates with his source, mixing what is there already with what is about to be there: whether a remarkable sonnet sequence on the last days of the Baroque genius Francesco Borromini, or in other poems a richly imagined extrapolation from the silent premises of a painting.