Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
PhotographyDigitalPainting
This anthology explores the connections between photography, the digital, and painting in contemporary art practices. While there is much research being undertaken into the mediums under discussion as discrete concerns in the digital age, there is little investigation into these in combination. As photography, the digital, and painting frame the contemporary visual discourse, a rigorous investigation into this relationship is much needed. This book, which continues the investigations begun with PaintingDigitalPhotography, undertakes this by leading the research into questions of medium-fluidity in contemporary visual art practices. The contributors here are renowned artists, senior academics, theorists, and younger researches contributing to the field of study. Their essays address a wide range of interrelated topics, including AI generation of digital imagery, hyperreal photographic visions of the world, the embodied experience of the painter, and art practice that synthesises the three mediums, amongst others. This book will be of particular interest to scholars, academics, and researchers studying the associations of these mediums in the digital age.
Bummock
This publication is the result of an artists' research residency that used unseen parts of the Lace Archive in Nottingham as catalysts for the creation of new artworks.Andrew Bracey, Danica Maier and Lucy Renton spent two and half years rummaging, exploring and making.Critical texts by Pennina Barnett, Fiona Curran, Janis Jefferies, Sian Vaughan, alongside interviews with the artists involved, unpack the findings.This is part of a larger research project 'Bummock: New Artistic Responses to Unseen parts of the Archive'. Like the Bummock - the largest part of the iceberg that remains hidden under water - archives often contain far more than is ever accessed. Bummock gives a platform for these stored and yet to be appreciated parts, and is developing alternative methods for researchers to access archives.This is the first of a series of publications that will collate the findings and artworks from residencies in different archives.Accompanies the exhibition at Backlit Gallery, Nottingham, 26 Jan- 18 Feb 2018 and Ruskin Gallery, Cambridge, 21 Jan - 16 Feb 2019.
A Voyage to the North West Side of America
Colnett's journal of this expedition is published here for the first time. Editor Robert Galois provides extensive annotations, along with an introductory essay addressing the geopolitical context of the voyage and the intellectual background that shaped the writing of the journal. Galois supplements Colnett's writings with extracts from a second journal -- also previously unpublished -- by Andrew Bracey Taylor, third mate on one of the ships under Colnett's command. Also included are illustrations from Colnett's journals and a variety of maps, both contemporary and historical.
Enough Is Definitely Enough
"Painted in 1656 by Diego Velázquez, Las Meninas is one of the most revered and innovative artworks in history. ... Just when you thought there was nothing left to say about the painting, artist, curator and lecturer Andrew Bracey asked sixty-two contemporary artists to interpret the artwork. Well almost. The painting itself never leaves the world famous Museo del Prado in Madrid, so he distributed a postcard of Las Meninas to respond to in place of Velázquez's original"--Back cover.
Reuse, Misuse, Abuse
In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a misuse in that it was not intended or at least anticipated by the original maker, but not all misuses are necessarily unethical. In fact, there are many instances of productive misuse that seem justified. At the same time, there are other instances in which the misuse shades into abuse. Documentary scholars have long engaged with the question of the ethical responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for the taking and repurposing? Reuse, Misuse and Abuse surveys a range of contemporary films and videos that appropriate preexisting footage and attempts to theorize their ethical implications.
House documents
None
Pattern and Chaos in Art, Science and Everyday Life
This collection explores critical and visual practices through the lens of interactions and intersections between pattern and chaos. The dynamic of the inter-relationship between pattern and chaos is such as to challenge disciplinary boundaries, critical frameworks and modes of understanding, perception and communication, often referencing the in-between territory of art and science through experimentation and visual scrutiny. A territory of 'pattern-chaos' or 'chaos-pattern' begins to unfold. Drawing upon fields such as visual culture, sociology, physics, neurobiology, linguistics or critical theory, for example, contributors have experimented with pattern and/or chaos-related forms, proces...
