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Andrew Crozier (1943-2008) was a poet, and an energiser of poetry. A champion of work excluded from the familiar canon, he brought to the English literary landscape of the 1960s and 70s an engagement with the energies of American poetry. As a publisher and critic he helped to create a space for new voices within English poetry: for George Oppen, Carl Rakosi, Roy Fisher, J.H. Prynne. His own poetry is meticulous in its attention to language, exhilarating in its inventiveness and force. Crozier wrote that, for him, becoming a poet had to do with finding a mode for making sense of ... being alive', and his writing is alive with the possibilities of language. Ian Brinton, editor of The Use of English until 2011 and author of Contemporary Poetry Since 1990, has brought together a comprehensive selection of Crozier's poetry and prose, much of it previously out of print or scattered in small press publications. Biographical and critical notes and a detailed bibliography complete this landmark edition of one of the essential figures in modern poetry.
This collection of original essays focuses on new and continuing movements in British Poetry. It offers a wide ranging look at feminist, working class, and other poets of diverse cultural backgrounds.
This book examines the literary impact of famed British poet, Barry MacSweeney, who worked at the forefront of poetic discovery in post-war Britain. Agitated equally by politics and the possibilities of artistic experimentation, Barry MacSweeney was ridiculed in the press, his literary reputation only recovering towards the end of his life which was cut short by alcoholism. With close readings of MacSweeney alongside his contemporaries, precursors, and influences, including J.H. Prynne, Shelley, Jack Spicer, and Sylvia Plath, Luke Roberts offers a fresh introduction to the field of modern poetry. Richly detailed with archival and bibliographic research, this book recovers the social and political context of MacSweeney’s exciting, challenging, and controversial impact on modern and contemporary poetry.
This impressive volume provides over 1,700 biographical entries on poets writing in English from 1910 to the present day, including T. S. Eliot, Dylan Thomas, and Carol Ann Duffy. Authoritative and accessible, it is a must-have for students of English and creative writing, as well as for anyone with an interest in poetry.
This Handbook offers an authoritative and up-to-date collection of original essays bringing together ground breaking research into the development of contemporary poetry in Britain and Ireland.
This book provides an overview of poetry from England, Scotland, Wales, and Northern Ireland from the postwar period through to the twenty-first century.
Between Two Fires examines the transnational movement of poetry during the Cold War, revealing patterns of influence previously uncharted.
For Charles Olson, letters were not only a daily means of communication with friends but were at the same time a vehicle for exploratory thought. In fact, many of Olson's finest works, including Projective Verse and the Maximus Poems, were formulated as letters. Olson's letters are important to an understanding of his definition of the postmodern, and through the play of mind exhibited here we recognize him as one of the vital thinkers of the twentieth century. In this volume, edited and annotated by Ralph Maud, we see Olson at the height of his powers and also at his most human. Nearly 200 letters, selected from a known 3,000, demonstrate the wide range of Olson's interests and the depth of his concern for the future. Maud includes letters to friends and loved ones, job and grant applications, letters of recommendation, and Black Mountain College business letters, as well as correspondence illuminating Olson's poetics. As we read through the letters, which span the years from 1931, when Olson was an undergraduate, to his death in 1970, a fascinating portrait of this complex poet and thinker emerges.
This book is the second volume in a trilogy that traces the development of the academic subject of International Relations, or what was often referred to in the interwar years as International Studies. In this volume, the author begins with the 1932 Mission to China and conference in Milan, examines the International Studies Conference, reviews the Hoover Plan, the MacDonald Plan, the fate of the World Disarmament Conference, and the League of Nations’ role in the discipline. This one of a kind project takes on the task of reviewing the development of IR, aptly published in celebration of the discipline’s centenary.
Gathers some of the most intimate, personal writing on life and the art of poetry by a crucial figure in late twentieth-century American letters Celebrated by both the Black Mountain poets in the 1950s and 1960s and the Language poets in the 1970s and 1980s, Larry Eigner’s poems occupy an important place in American poetry and poetics, and his reputation and legacy grow seemingly stronger with each passing year. Letters to Jargon collects all of the known correspondence between Larry Eigner and Jonathan Williams, the influential publisher of Jargon Society Press and himself a poet. Eigner’s correspondence with Williams began in the early 1950s, as the two were in conversation over the ma...