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Playgoing in Shakespeare's London
This is a newly revised edition of Andrew Gurr's classic account of the people for whom Shakespeare wrote his plays. Gurr assembles evidence from the writings of the time to describe the physical, social and mental conditions of playgoing. For this edition, as well as revising and adding new material which has emerged since the second edition, Gurr develops new sections about points of special interest. Fifty new entries have been added to the list of playgoers and there are a dozen fresh quotations about the experience of playgoing.
The Shakespearean Stage 1574–1642
For almost forty years The Shakespearean Stage has been considered the liveliest, most reliable and most entertaining overview of Shakespearean theatre in its own time. It is the only authoritative book that describes all the main features of the original staging of Shakespearean drama in one volume: the acting companies and their practices, the playhouses, the staging and the audiences. Thoroughly revised and updated, this fourth edition contains fresh materials about how specific plays by Shakespeare were first staged, and provides new information about the companies that staged them and their playhouses. The book incorporates everything that has been discovered in recent years about the early modern stage, including the archaeology of the Rose and the Globe. Also included is an invaluable appendix, listing all the plays known to have been performed at particular playhouses and by specific companies.
The Shakespeare Company, 1594-1642
This is the first complete history of the theater company in which Shakespeare acted and which staged all his plays. Created in 1594, the company became the King's Men in 1603 and ran for forty-eight years up to the closure of 1642. Andrew Gurr provides a study of the company's activities, explores its social role in its time and examines its repertoire of plays. This comprehensive illustrated history will be an indispensable guide for anyone who wants to know more about the conditions under which Shakespeare and his successors worked.
Staging in Shakespeare's Theatres
By bringing together evidence from different sources--documentary, archaeological, and the play-texts themselves--Staging Shakespeare's Theatres reconstructs the ways in which the plays were originally staged in the theaters of Shakespeare's own time, and shows how the physical possibilities and limitations of these theaters affected both the writing and the performances. The book explains the conditions under which the early playwrights and players worked, their preparation of the plays for the stage, and their rehearsal practices. It looks at the quality of evidence supplied by the surviving play-texts, and the extant to which audiences of the time differed from modern audiences; and it gives vivid examples of how Elizabethan actors made use of gestures, costumes, props, and the theater's specific design features. Stage movement is analyzed through a careful study of how exits and entrances worked on such stages. The final chapter offers a thorough examination of Hamlet as a text for performance, excitingly returning the play to its original staging at the Globe.
Moving Shakespeare Indoors
This book examines the conditions of the original performances in seventeenth-century indoor theatres.
A Little Piece of England
A Little Piece of England, tells the tale of how the author's family, living in a sliver of countryside in London's commuter belt, came, over some ten years, to make itself, in its 'spare time', self-sufficient in its requirements of milk, meat, eggs, vegetables and some fruit. The book can be read in two ways. One way is for those, particularly urban folk, who are interested in growing their own food or contemplating a life style founded on their own smallholding. In this way, it is a book for those who wonder about the practicalities of living in a self contained, permacultural way and for those who dream of making their own bread or even, perhaps, of eating their own mutton stewed with their own onions and carrots. The other way is for those, perhaps particularly anglophiles in other lands, who are in harmony with the stubborn, Saxon streak which runs strongly in the character and culture of the English. The streak which showed itself when London was fire-bombed night after night in the early 1940s and also when John's self-taught grandfather told his children 'You don't know what you can do until you try to do it'.
Shakespeare's Workplace
Andrew Gurr's work offers the best access to the original Shakespearean theatre. This is a selection of his key essays.
A Little Piece of England - My Adventures as Chief Executive of The Falkland Islands
In late February 1994, Andrew Gurr was persuing the appointments pages of the Sunday Times when an advert caught his eye: 'Wanted: Chief Executive of the Falkland Islands Government'. Intrigued, he decided to follow it up... Nobody was more surprised than Andrew when, a few months later, he was offered the position. There followed five remarkable years running one of the smallest governments in the world and acting as Governor for nearly a year of that time. A more curious and multi-facted job would be hard to find. Nineteen years after the war and 8,000 miles from the mother country, are these intensely patriotic islands, or merely an anachronism and an embarrassment? What is it really like to live and work there? The answers are revealed in this book, where Andre shows his understanding of the people, the heritage, the wildlife and the landscape of this breathtakingly beautiful part of the world. This book is at times moving, at times humourous, and always captivating. It is a remarkable memoir of an opportunity that only comes to a selected few.
Shakespeare's Globe Rebuilt
The rebuilding of the Globe theatre (1599-1613) on London's Bankside, a few yards from the site of the playhouse in which many of Shakespeare's plays were first performed, must rank as one of the most imaginative enterprises of recent decades. It has aroused intense interest among scholars and the general public worldwide. This book offers a fully illustrated account of the research that has gone into the Globe reconstruction, drawing on the work of leading scholars, theatre people and craftsmen to provide an authoritative view of the twenty years of research and the hundreds of practical decisions entailed. Documents of the period are explored afresh; the techniques of timber-framed building and the decorative practices of Elizabethan craftsmen explained; and all of this reconciled with the requirements of the actors and restrictions of modern architectural design. The result is a book that will fascinate scholarly readers and laymen alike.
