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Light Come Shining
Bob Dylan is the prince of self-reinvention and deflection. Whether it's the folkies of Greenwich Village, the student movement of the 1960s and 1970s, Born Again Christians, the Chabad Lubavitch community, or English Department postmodernists, specific intellectual and sociopolitical groups have repeatedly claimed Bob Dylan as their spokesperson. But in the words of filmmaker Todd Haynes, who cast six actors to depict different facets of Dylan's life and artistic personae in his 2009 film I'm Not There, "The minute you try to grab hold of Dylan, he's no longer where he was." In Light Come Shining, writer Andrew McCarron uses psychological tools to examine three major turning points - or transformations - in Bob Dylan's life: the aftermath of his 1966 motorcycle "accident," his Born Again conversion in 1978, and his recommitment to songwriting and performing in 1987. With fascinating insight, McCarron reveals how a common script undergirds Dylan's self-explanations of these changes; and, at the heart of this script, illuminates a fascinating story of spiritual death and rebirth that has captivated us all for generations.
Statement of Disbursements of the House
Covers receipts and expenditures of appropriations and other funds.
Self-Observation in the Social Sciences
Notwithstanding the mythical demise of "introspection," self-observation has always been an integral aspect of the social sciences. In the century following the "behavioral revolution," psychology has seen a reduction not so much in the frequency as in the rigor with which self-observation is practiced. A great deal of self-observation has been renamed or obscured (as, for example, "self-report"), but this has served only to defer and impoverish important theoretical and technical work. This volume, which contributes to the development of a rigorous theory of self-observation, is organized around three general objectives: to re-animate a discourse on self-observation through a historical ana...
Music in the Apocalyptic Mode
In this volume, the first panoramic study of music in the apocalyptic mode, an international and trans-disciplinary array of scholars and composers explore the resonance of the ancient biblical Revelation of John across the centuries in musical works as diverse as El Cant de la Sibil·la, the Dies Irae, cantatas and oratorios by Bach and Telemann, Wagner's Der Ring des Nibelungen, Schoenberg’s Second String Quartet, African American Spirituals, Messiaen’s Quatuor pour la fin du temps, Christian “ApokRock,” Hip-hop, Grimes’s album Miss Anthropocene, and the songs of Bob Marley and Bob Dylan. This innovative volume will engage scholars, students, and all those interested in the intersection of music, religion, history, and popular culture.
Words and Wounds
The narrative complexity of history -- The shape of narrative identity in exile -- Personal narratives and the creation of a political voice -- The rhetoric of narrative work -- Ethical and interpretive stances in narrative work -- Reflections -- Epilogue.
The World of Bob Dylan
This book features 27 integrated essays that offer access to the art, life, and legacy of one of the world's most influential artists.
The Best American Poetry 2013
Collects poems chosen by editor Denise Duhamel as the best of 2013, featuring 75 poets including Sherman Alexie, Daisy Fried, Elizabeth Hazen, and Noelle Kocot.
