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Devil's Day
"A gripping and unsettling new novel by the award-winning author of The Loney that asks how much we owe to tradition, and how far we will go to preserve it"--
Starve Acre
The worst thing possible has happened. Richard and Juliette Willoughby's son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place. Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree. Starve Acre is a devastating new novel by the author of the prize-winning bestseller The Loney. It is a novel about the way in which grief splits the world in two and how, in searching for hope, we can so easily unearth horror.
Cages and Other Stories
A couple attempt to recapture a lost relationship but their memories disintegrate the world about them...A widow tries to understand the brutality of her husband's death...Three soldiers confront the image of man's struggle with his own aggression...A writer finally begins to understand the frailty of words. Often stark, often brutal, often hopeful, these stories find lives falling apart under the strain of entrapment but also celebrate the pleasurable cages that we wilfully and inevitably impose upon ourselves.
Something Has to Happen Next
The poems in something has to happen next, if given the chance, might peer down inquisitively from a great height; they speak of quietness, namelessness, the reachlessness of love, the fortune of animals and their silence, apocalypse, abandonment, beginnings, and endings. Working with brevity and compression, Andrew Michael Roberts first imagines how small he can go with a poem and still maintain some sort of emotional or imagistic center. Then, released from this limitation, the rest of his playful, unexpected poems expand to fill a world with imagery, emotion, and sound. What Roberts calls “simply a book of small poems” grew out of his obsessions with time and catastrophe and love and abandonment—what is always possible, almost attained, but lost at the last minute. When something ends or when everything ends, something else must always happen next—what will it be, and who will be there to name and love and destroy it?
The Loney
THE SUNDAY TIMES TOP 10 BESTSELLER. WINNER OF THE 2015 COSTA FIRST NOVEL AWARD. THE BRITISH BOOK AWARDS BOOK OF THE YEAR 2016. A brilliantly unsettling and atmospheric debut full of unnerving horror - 'The Loney is not just good, it's great. It's an amazing piece of fiction' Stephen King Two brothers. One mute, the other his lifelong protector. Year after year, their family visits the same sacred shrine on a desolate strip of coastline known as the Loney, in desperate hope of a cure. In the long hours of waiting, the boys are left alone. And they cannot resist the causeway revealed with every turn of the treacherous tide, the old house they glimpse at its end . . . Many years on, Hanny is a grown man no longer in need of his brother's care. But then the child's body is found. And the Loney always gives up its secrets, in the end. 'This is a novel of the unsaid, the implied, the barely grasped or understood, crammed with dark holes and blurry spaces that your imagination feels compelled to fill' Observer 'A masterful excursion into terror' The Sunday Times
Unreal City
With a property portfolio consisting of a beach hut in Essex, and a career as evanescent as it is unprofitable, the narrator of 'Unreal city' is a flaneur fallen on hard times, a creative bewildered by the slick speed of the digital age, watching as the sculptors and painters and bon viveurs begin to slip away and the advertising hipsters take over old stomping grounds. From the nights in old Soho, where an anonymous green door was the gateway to a decadently dingy paradise, to the days amid the shabby post-industrial elegance of Hackney's canalside warehouses, this is a nostalgic love song to the drifters, the artists, the glamorous misfits, the degenerate waifs and the barmaid-enchantresses of the capital's backstreets and shadowy corners.
Wham! George & Me
It's that time of year again . . . Turn up 'Last Christmas', get the mince pies out and head back to the 80s in the remarkably honest and fascinating autobiography from one half of the world's greatest pop duo THE SUNDAY TIMES BESTSELLER 'I couldn't put it down. Such a fantastic book' Chris Evans, Virgin Radio ________ School mates. Band mates. Soul mates . . . When Andrew Ridgley took George Michael, the new boy at school, under his wing, he discovered a soul mate. In Wham! George and Me, Andrew tells the story of how they rode a rollercoaster of success around the world while making iconic records and surviving superstardom with their friendship intact. It is a memoir of love, music, the f...
Folk Horror
Interest in the ancient, the occult, and the "wyrd" is on the rise. The furrows of Robin Hardy (The Wicker Man), Piers Haggard (Blood on Satan's Claw), and Michael Reeves (Witchfinder General) have arisen again, most notably in the films of Ben Wheatley (Kill List), as has the Spirit of Dark of Lonely Water, Juganets, cursed Saxon crowns, spaceships hidden under ancient barrows, owls and flowers, time-warping stone circles, wicker men, the goat of Mendes, and malicious stone tapes. Folk Horror: Hours Dreadful And Things Strange charts the summoning of these esoteric arts within the latter half of the twentieth century and beyond, using theories of psychogeography, hauntology, and topography to delve into the genre's output in film, television, and multimedia as its "sacred demon of ungovernableness" rises yet again in the twenty-first century.
Barrowbeck
For centuries, the inhabitants of Barrowbeck, a remote valley on the Yorkshire-Lancashire border, have lived uneasily with forces beyond their reckoning. They raise their families, work the land, and do their best to welcome those who come seeking respite. But there is a darkness that runs through the village as persistently as the river. A father fears that his daughter has become possessed by something unholy. A childless couple must make an agonising decision. A widower awaits the return of his wife. A troubled man is haunted by visions of end times. As one generation gives way to the next and ancient land is carved up in the name of progress, darkness gathers. The people of Barrowbeck have forgotten that they are but guests in the valley. Now there is a price to pay. Two thousand years of history is coming to an end. 'Impeccably written . . . tightens like a clammy hand around your throat' Daily Mail on The Loney 'A work of goose-flesh eeriness' The Spectator on Devil's Day 'A tale of suspense that sucks you in and pulls you under' New Statesman on Starve Acre
Conrad and Masculinity
This timely study offers a radical re-reading of Conrad's work in the light of contemporary theories of masculinity. Drawing on gay studies, feminism, film theory and literary theory, Roberts shows how Conrad's fiction, even as it reflects certain assumptions of its day about the role of men in society, offers striking insights into the instability of the 'masculine'. The book explores the relationship of masculinity with colonialism, modernity, the visual and the body in a wide range of Conrad's major and lesser-known fiction.
