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Apocalypse Chronicles
Ash, fear, moments of reconciliation; darkness, hope, moments of regret. What will the Apocalypse bring for you? Apocalypse Chronicles brings together stories, memories, and endings. Woven together by their collective experience, each tale offers a unique and harrowing understanding of what the Apocalypse will mean for their world. Families, worlds, futures and pasts are explored in this unique anthology that brings together fiction from authors from across the globe. Bear witness to the end of the world as you know it; but will you know how it will end? Apocalypse Chronicles features the following stories: The Rosebud by Paul Dawson In the absence of light and electricity, the world has sud...
The Principal Acts of the General Assembly of the Church of Scotland ....
Each vol. issued with index to its own contents.
Annual
None
Their Exits
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When Scotland Was Jewish
The popular image of Scotland is dominated by widely recognized elements of Celtic culture. But a significant non-Celtic influence on Scotland's history has been largely ignored for centuries? This book argues that much of Scotland's history and culture from 1100 forward is Jewish. The authors provide evidence that many of the national heroes, villains, rulers, nobles, traders, merchants, bishops, guild members, burgesses, and ministers of Scotland were of Jewish descent, their ancestors originating in France and Spain. Much of the traditional historical account of Scotland, it is proposed, rests on fundamental interpretive errors, perpetuated in order to affirm Scotland's identity as a Celtic, Christian society. A more accurate and profound understanding of Scottish history has thus been buried. The authors' wide-ranging research includes examination of census records, archaeological artifacts, castle carvings, cemetery inscriptions, religious seals, coinage, burgess and guild member rolls, noble genealogies, family crests, portraiture, and geographic place names.
Art and Identity in Scotland
This lively and erudite cultural history of Scotland, from the Jacobite defeat of 1745 to the death of an icon, Sir Walter Scott, in 1832, examines how Scottish identity was experienced and represented in novel ways. Weaving together previously unpublished archival materials, visual and material culture, dress and textile history, Viccy Coltman re-evaluates the standard clichés and essentialist interpretations which still inhibit Scottish cultural history during this period of British and imperial expansion. The book incorporates familiar landmarks in Scottish history, such as the visit of George IV to Edinburgh in August 1822, with microhistories of individuals, including George Steuart, a London-based architect, and the East India Company servant, Claud Alexander. It thus highlights recurrent themes within a range of historical disciplines, and by confronting the broader questions of Scotland's relations with the rest of the British state it makes a necessary contribution to contemporary concerns.
