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Back to the Future
  • Language: en
  • Pages: 143

Back to the Future

This compelling study places 'Back to the Future' in the context of Reaganite America, discusses Robert Zemeckis's film-making technique and its relationship to the 'New New Hollywood', explores the film's attitudes to teen culture of the 1950s and 1980s and its representation of science, atomic power and time travel.

The Cinema and the Origins of Literary Modernism
  • Language: en
  • Pages: 270

The Cinema and the Origins of Literary Modernism

  • Type: Book
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  • Published: 2012-11-12
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  • Publisher: Routledge

Modernist writing has always been linked with cinema. The recent renaissance in early British film studies has allowed cinema to emerge as a major historical context for literary practice. Treating cinema as a historical rather than an aesthetic influence, this book analyzes the role of early British film culture in literature, thus providing the first account of cinema as a cause for modernism. Shail’s study draws on little-known sources to create a detailed picture of cinema following its ‘second birth’ as both institution and medium. The book presents a comprehensive account of how UK-based modernism originated as a consequence of—rather than a conscious aesthetic response to—this new component of the cultural landscape. Film’s new accounts of language, endeavor, time, collectivity and political change are first considered, then related to the patterns that comprised modernist texts. Authors discussed include Ford Madox Ford, Joseph Conrad, Wyndham Lewis, Ezra Pound, H.D., James Joyce, Virginia Woolf and Dorothy Richardson.

The Origins of the Film Star System
  • Language: en
  • Pages: 425

The Origins of the Film Star System

Drawing on a wide range of archival sources, Andrew Shail traces the emergence of film stardom in Europe and North America in the early 20th century. Modifying and supplementing Richard deCordova's account of the birth of the US star system, Shail describes the complex set of economic circumstances that led film studios and actors to consent to the adoption of a star system. He then explores the film industry's turn, from 1908, to making character-based series films. He details how these characters both prefigured and precipitated the star system, demonstrating that series characters and the 'firmament' of film stars are functionally equivalent, and shows how openly fictional characters still provide the model for 'real' film stars.

In Our Control
  • Language: en
  • Pages: 426

In Our Control

The efficacy and risks of different birth control options are dramatically different today from what they once were thanks to scientific advances and increased awareness of STDs and other factors. In the most comprehensive book on birth control since the 1970s, women's health activist Laura Eldridge discusses the history, scientific advances, and practical uses of everything from condoms to the male pill to Plan B. Do diaphragms work? Should you stay on the Pill? What does fertility awareness really mean? Find these answers and more in In Our Control, the definitive guide to modern contraceptive and sexual health. Eldridge presents her meticulous research and unbiased consideration of our op...

Neurology and Modernity
  • Language: en
  • Pages: 298

Neurology and Modernity

  • Type: Book
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  • Published: 2010-02-10
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  • Publisher: Springer

As people of the modern era were singularly prone to nervous disorders, the nervous system became a model for describing political and social organization. This volume untangles the mutual dependencies of scientific neurology and the cultural attitudes of the period 1800-1950, exploring how and why modernity was a fundamentally nervous state.

The Cinema and the Origins of Literary Modernism
  • Language: en
  • Pages: 270

The Cinema and the Origins of Literary Modernism

  • Type: Book
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  • Published: 2012
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  • Publisher: Routledge

This book examines early British film and film culture as a substantial context for the emergence of modernism in literature. The study considers Conrad, Joyce, Woolf, Yeats, and Eliot, and treats literary modernism as a consequence of cinema's new accounts of language, time, collectivity, and the self.

Pictures of Poverty
  • Language: en
  • Pages: 277

Pictures of Poverty

From Charles Dickens's Oliver Twist to George Sims's How the Poor Live, illustrated accounts of poverty were en vogue in Victorian Britain. Poverty was also a popular subject on the screen, whether in dramatic retellings of well-known stories or in 'documentary' photographs taken in the slums. London and its street life were the preferred setting for George Robert Sims's rousing ballads and the numerous magic lantern slide series and silent films based on them. Sims was a popular journalist and dramatist, whose articles, short stories, theatre plays and ballads discussed overcrowding, drunkenness, prostitution and child poverty in dramatic and heroic episodes from the lives and deaths of the...

Menstruation and the Female Body in Early Modern England
  • Language: en
  • Pages: 248

Menstruation and the Female Body in Early Modern England

  • Type: Book
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  • Published: 2013-10-31
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  • Publisher: Springer

In early modern English medicine, the balance of fluids in the body was seen as key to health. Menstruation was widely believed to regulate blood levels in the body and so was extensively discussed in medical texts. Sara Read examines all forms of literature, from plays and poems, to life-writing, and compares these texts with the medical theories.

Reading the Cinematograph
  • Language: en

Reading the Cinematograph

  • Type: Book
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  • Published: 2010
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  • Publisher: Unknown

"Andrew Shail has devised a marvellous format for the occasion: eight stories, reprinted in full and accompanied by their original illustrations, followed by valuable critical commentary by eminent film scholars ... A work of impeccable and imaginative scholarship."---Maria DiBattista, Princeton University --Book Jacket.

On Flinching
  • Language: en
  • Pages: 273

On Flinching

On Flinching explores the cultural history of flinches, winces, cringes and starts in the late nineteenth and early twentieth centuries. Taking the flinches of scientific observers as its starting point, it likens scientific experiments to the emotional interactions between audiences and actors in the theatre of this period.