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The first full-length, interdisciplinary study of the Greek performing arts - theatre, rhetoric and ritual - between antiquity and the Renaissance.
In this groundbreaking, interdisciplinary study, Andrew Walker White explores the origins of Byzantine ritual - the rites of the early Greek Orthodox Church - and its unique relationship with traditional theatre. Tracing the secularization of pagan theatre, the rise of rhetoric as an alternative to acting, as well as the transmission of ancient methods of musical composition into the Byzantine era, White demonstrates how Christian ritual was in effect a post-theatrical performing art, created by intellectuals who were fully aware of traditional theatre but who endeavoured to avoid it. The book explores how Orthodox rites avoid the aesthetic appreciation associated with secular art, and conducts an in-depth study (and reconstruction) of the late Byzantine Service of the Furnace. Often treated as a liturgical drama, White translates and delineates the features of five extant versions, to show how and why it generated widely diverse audience reactions in both medieval times and our own.
Helps Christians engage lovingly, thoughtfully, and biblically with discussions on gender identity. Originally released in 2017, this version has been updated and expanded. In the West, more and more Christians are coming across the topic of gender identity in their everyday lives. Legislative changes are impacting more and more areas of life, including education, employment, and state funding, with consequences for religious liberty, free speech, and freedom of conscience that affect everyone. So it’s a crucial moment to consider how to engage lovingly, thoughtfully, and biblically with one of the most explosive cultural discussions of our day. This warm, faithful, and compassionate book that helps Christians understand what the Bible says about gender identity has been updated and expanded throughout, and now includes a section on pronoun usage and a new chapter challenging some of the claims of the transgender activist movement. Andrew T. Walker also answers questions such as: What is transgender and gender fluidity? How should churches respond? What does God's word actually say about these issues?
This first general history of Greek theatre from Hellenistic times to the foundation of the Modern Greek state in 1830 marks a radical departure from traditional methods of historiography. We like to think of history unfolding continuously, in an evolutionary form, but the story of Greek theatre is rather different. After traditional theatre ended in the sixth and seventh centuries, no traditional drama was written or performed on stage throughout the Greek-speaking world for centuries due to the Orthodox Church's hostile attitude toward spectacles. With the reinvention of theatre in Renaissance Italy, however, Greek theatre was revived in Crete under Venetian rule in the late sixteenth century. The following centuries saw the restoration of Greek theatre at various locations, albeit characterized by numerous ruptures and discontinuities in terms of geography, stylistics, thematic approaches and ideologies. These diverse developments were only 'normalized' with the establishment of the Greek nation state.
"Sleep is one of the most important but least understood aspects of our life, wellness, and longevity ... An explosion of scientific discoveries in the last twenty years has shed new light on this fundamental aspect of our lives. Now ... neuroscientist and sleep expert Matthew Walker gives us a new understanding of the vital importance of sleep and dreaming"--Amazon.com.
The first history of Greek theatre from Hellenistic times to the foundation of Modern Greece, marked by significant discontinuities.
The Reception of Aeschylus' Plays through Shifting Models and Frontiers addresses the need for an integrated approach to the study and staging of Aeschylus’ plays. It offers an invigorating discussion about the transmission and reception of his plays and explores the interrelated tasks of editing, translating, adapting and remaking them for the page and the stage. The volume seeks to reshape current debates about the place of his tragedies in the curriculum and the repertory in a scholarly manner that is accessible and innovative. Each chapter makes a significant and original contribution to its selected topic, but the collective strength of the volume rests on its simultaneous appeal to readers in theatre studies, classical studies, performance studies, comparative studies, translation studies, adaptation studies, and, naturally, reception studies.
In this far-reaching examination of environmental problems and politics in northern Thailand, Tim Forsyth and Andrew Walker analyze deforestation, water supply, soil erosion, use of agrochemicals, and biodiversity in order to challenge popularly held notions of environmental crisis. They argue that such crises have been used to support political objectives of state expansion and control in the uplands. They have also been used to justify the alternative directions advocated by an array of NGOs. In official and alternative discourses of economic development, the peoples living in Thailand's hill country are typically cast as either guardians or destroyers of forest resources, often depending ...
This book provides a long-overdue account of online technology and its impact on the work and lifestyles of professional employees. It moves between the offices and homes of workers in the knew "knowledge" economy to provide intimate insight into the personal, family, and wider social tensions emerging in today’s rapidly changing work environment. Drawing on her extensive research, Gregg shows that new media technologies encourage and exacerbate an older tendency among salaried professionals to put work at the heart of daily concerns, often at the expense of other sources of intimacy and fulfillment. New media technologies from mobile phones to laptops and tablet computers, have been marke...