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Performing Orthodox Ritual in Byzantium
The first full-length, interdisciplinary study of the Greek performing arts - theatre, rhetoric and ritual - between antiquity and the Renaissance.
Greek Theatre between Antiquity and Independence
The first history of Greek theatre from Hellenistic times to the foundation of Modern Greece, marked by significant discontinuities.
Greek Theatre Between Antiquity and Independence
This first general history of Greek theatre from Hellenistic times to the foundation of the Modern Greek state in 1830 marks a radical departure from traditional methods of historiography. We like to think of history unfolding continuously, in an evolutionary form, but the story of Greek theatre is rather different. After traditional theatre ended in the sixth and seventh centuries, no traditional drama was written or performed on stage throughout the Greek-speaking world for centuries due to the Orthodox Church's hostile attitude toward spectacles. With the reinvention of theatre in Renaissance Italy, however, Greek theatre was revived in Crete under Venetian rule in the late sixteenth century. The following centuries saw the restoration of Greek theatre at various locations, albeit characterized by numerous ruptures and discontinuities in terms of geography, stylistics, thematic approaches and ideologies. These diverse developments were only 'normalized' with the establishment of the Greek nation state.
A New World: The Walker Mysteries
A sassy, smart, shrewd, sexy, sarcastic and strong redhead - that’s DCI Charlotte Walker. Fearless and feisty; confident and creative; with a knack for a performance, a fantastic analytical mind and adept at using all her feminine charms to devastating effect, Charlotte is the detective you want on your case - unless you are a criminal. And Walker by name; walker by nature. Charlotte’s big passion is walking - and now she’s a detective in the new National Special Operations Unit within the Police, she travels around the country investigating crimes that need that special touch and walking with her border collie, Bronte, in her less-than-reliable campervan. Whether it’s a death in Dru...
God and the Transgender Debate
Helps Christians engage lovingly, thoughtfully, and biblically with discussions on gender identity. Originally released in 2017, this version has been updated and expanded. In the West, more and more Christians are coming across the topic of gender identity in their everyday lives. Legislative changes are impacting more and more areas of life, including education, employment, and state funding, with consequences for religious liberty, free speech, and freedom of conscience that affect everyone. So it’s a crucial moment to consider how to engage lovingly, thoughtfully, and biblically with one of the most explosive cultural discussions of our day. This warm, faithful, and compassionate book that helps Christians understand what the Bible says about gender identity has been updated and expanded throughout, and now includes a section on pronoun usage and a new chapter challenging some of the claims of the transgender activist movement. Andrew T. Walker also answers questions such as: What is transgender and gender fluidity? How should churches respond? What does God's word actually say about these issues?
Performing the Sacred: Christian Representation and the Arts
What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? This book addresses the issue from the Middle Ages to the Modern era and showcases examples of how Christians have represented their biblical narrative.
The Vicar of Baghdad
"I live with a price on my head ...The kind of people that I spend my time engaging with are not usually very nice. On the whole nice people do not cause wars ." Andrew White is one of a tiny handful of people trusted by virtually every side in the complex Middle East. Political and military solutions are constantly put forward, and constantly fail. Andrew offers a different approach, speaking as a man of faith to men of faith. Compassionate and shrewd, gifted in human relationships, he has been deeply involved in the rebuilding of Iraq. His first-hand connections and profound insights make this a fascinating document.
Sacred and Secular Intersections in Music of the Long Nineteenth Century
Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the “sacred” is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles.
