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Andrew Wawn draws together a wide range of source material, including novels, poems, lectures and periodicals, to give a comprehensive account of the construction and translation of the Viking age in 19th century Britain.
Twelve essays discuss how the middle ages are reflected in English culture from the sixteenth century to the present day.
Essays are a major form of assessment in higher education today and this is a fact that causes some writers a great deal of anxiety. Fortunately, essay writing is a skill that can be learned, like any other. Through precise explanations, this fully updated edition of Writing Essays gives you the confidence to express yourself coherently and effectively. It demystifies the entire process of essay writing, helping you to become proficient and confident in every aspect. Writing Essays reveals the tricks of the trade, making your student life easier. You’ll learn how to impress tutors by discovering exactly what markers look for when they read your work. Using practical examples selected from ...
This book examines translations of Icelandic sagas and the Victorian and Edwardian children's literature they inspired, some of which are canonical while others are forgotten. It covers authors like William Morris, Henry Wadsworth Longfellow, Thomas Gray, Walter Scott, H. Rider Haggard, W.H. Auden, John Greenleef Whittier and more. In lavish volumes and modest schoolbooks, British and American writers claimed Nordic heritage and explored Nordic traditions. The sagas offered a rich and wide-ranging source for these authors: Volsunga saga's Sigurd the dragon slayer; King Olaf's saga of opposing Nordic Gods and Christianity; Frithiof's model of headstrong youth beset with unfair opposition and lost love. Grettir and Njal tell of men who accepted fate and met conflict and enemies unflinchingly; Aslaug, Gudrida, Hallberga and Hervar exerted remarkable influence; and Eric the Red and Leif the Lucky provided Americans with a Nordic heritage of discovery.
What are myths and what are they for? Myths are stories that both tell us how to live and remind us of the inescapability and pull of the collective past. The Survival of Myth: Innovation, Singularity and Alterity explores the continuing power of primal stories to inhabit our thinking. An international range of contributors examine a range of texts and figures from the Bible to Cormac McCarthy and from Thor to the Virgin Mary to focus on the way that ancient stories both give access to the unconscious and offer individuals and communities personae or masks. Myths translated and recreated become, in this sense, very public acts about very private thoughts and feelings. The subtitle of the boo...
This book offers a complete narrative of the development of Nordicism, from its roots in the National Romantic movement of the late eighteenth century, through to its most notorious manifestation in Nazi Germany, and finally to the fragmented forms that still remain in contemporary society. It is distinctive in treating Nordicism as a phenomenon with its own narrative, rather than as discreet episodes in works studying aspects of Eugenics, Nationalism, Nazism and the reception history of Old Norse culture. It is also distinctive in applying to this narrative a framework of analysis derived from the parallel theories of Roger Griffin and Zygmunt Bauman, to examine Nordicism as a process of myth creation protecting both the individual and society from the challenges and terror of an ever-changing and accelerating state of modernity.
This book sheds new light on the key role played by the Grimms’ Deutsche Sagen in the collection of folklore an d the creation of national culture in Northern Europe.
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From William Langland's Piers Plowman, through the highly polemicized literary culture of fifteenth-century Lollardy, to major Reformation writers such as Simon Fish, William Tyndale and John Bale, and into the 1590s, this book argues for a vital reassessment of our understanding of the literary and cultural modes of the Reformation. It argues that the ostensibly revolutionary character of early Protestant literary culture was deeply indebted to medieval satirical writing and, indeed, can be viewed as a remarkable crystallization of the textual movements and polemical personae of a rich, combative tradition of medieval writing which is still at play on the London stage in the age of Marlowe ...
In this study of Hoccleve's Regiment of Princes, Perkins argues that despite the view of Hoccleve's politics and poetics as conventional, servile and naive, it is in fact deeply engaged in the political and literary currents of the early 15th century.