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Das Schweizer Buch
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Television Cartoon Shows
In 1949 the first made-for-television cartoon series debuted on a major network. Tele-Comics embraced the popular cliffhanger serial genre, using nonmoving comic strip panels and a handful of radio actors to produce a show at a fraction of the cost accrued by a live show. Despite the success of Tele-Comics and a few other such shows, television cartoons languished until 1954 when Walt Disney produced Disneyland. From such pioneers as Tele-Comics and Crusader Rabbit to modern fare such as X-Men and Beavis and Butthead, this is the first reference book to detail animated cartoons made exclusively for television from 1949 through 1993. Each entry includes the shows title, network, studios and full production information when available. An essay blending plot description, critical commentary, and background information is also provided for each cartoon. A discussion of the voice artist concludes the work.
The Encyclopedia of American Animated Television Shows
Once consigned almost exclusively to Saturday morning fare for young viewers, television animation has evolved over the last several decades as a programming form to be reckoned with. While many animated shows continue to entertain tots, the form also reaches a much wider audience, engaging viewers of all ages. Whether aimed at toddlers, teens, or adults, animated shows reflect an evolving expression of sophisticated wit, adult humor, and a variety of artistic techniques and styles. The Encyclopedia of American Animated Television Series encompasses animated programs broadcast in the United States and Canada since 1948. From early cartoon series like Crusader Rabbit, Rocky and His Friends, a...
Sight and Sound
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The Animated Movie Guide
Going beyond the box-office hits of Disney and Dreamworks, this guide to every animated movie ever released in the United States covers more than 300 films over the course of nearly 80 years of film history. Well-known films such as Finding Nemo and Shrek are profiled and hundreds of other films, many of them rarely discussed, are analyzed, compared, and catalogued. The origin of the genre and what it takes to make a great animated feature are discussed, and the influence of Japanese animation, computer graphics, and stop-motion puppet techniques are brought into perspective. Every film analysis includes reviews, four-star ratings, background information, plot synopses, accurate running times, consumer tips, and MPAA ratings. Brief guides to made-for-TV movies, direct-to-video releases, foreign films that were never theatrically released in the U.S., and live-action films with significant animation round out the volume.
Typological Hierarchies in Synchrony and Diachrony
Typological hierarchies are widely perceived as one of the most important results of research on language universals and linguistic diversity. Explanations for typological hierarchies, however, are usually based on the synchronic properties of the patterns described by individual hierarchies, not the actual diachronic processes that give rise to these patterns cross-linguistically. This book aims to explore in what ways the investigation of such processes can further our understanding of typological hierarchies. To this end, diachronic evidence about the origins of several phenomena described by typological hierarchies is discussed for several languages by a number of leading scholars in typology, historical linguistics, and language documentation. This evidence suggests a rethinking of possible explanations for typological hierarchies, as well as the very notion of typological universals in general. For this reason, the book will be of interest not only to the broad typological community, but also historical linguists, cognitive linguists, and psycholinguists.
