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At the beginning of the twentieth century, 1908, a young Kyivan, Klym Koshovy miraculously flies the coop and escapes from persecution by tsarist police to Lviv. However, even here he is arrested - near the corpse of a well-known local lawyer Yevhen Soyka. The deceased had dubious friends and powerful enemies in the city. Suicide or murder? The search for truth leads Koshovy through the dark labyrinths of Lviv's streets. On his way - facing pickpockets, criminal kingpins and Russian terrorist bombers. And Klym is constantly getting in the way of the police commissioner Marek Wichura. The truth will stun Klym, and his new loyal friend Jozef Shatsky. It will forever change the fate of the enigmatic and influential beauty Magda Bohdanovych. This book has been published with the support of the Translate Ukraine Translation Grant Program. Publishers Maxim Hodak & Max Mendor.
At the beginning of the twentieth century, 1908, a young Kyivan, Klym Koshovy miraculously flies the coop and escapes from persecution by tsarist police to Lviv. However, even here he is arrested - near the corpse of a well-known local lawyer Yevhen Soyka. The deceased had dubious friends and powerful enemies in the city. Suicide or murder? The search for truth leads Koshovy through the dark labyrinths of Lviv's streets. On his way - facing pickpockets, criminal kingpins and Russian terrorist bombers. And Klym is constantly getting in the way of the police commissioner Marek Wichura. The truth will stun Klym, and his new loyal friend Jozef Shatsky. It will forever change the fate of the enigmatic and influential beauty Magda Bohdanovych. This book has been published with the support of the Translate Ukraine Translation Grant Program. Publishers Maxim Hodak & Max Mendor.
‘Why do you whimper and wail, O Tatra streams and rivers, who carry your plaintive lament resounding to the sea?’ asks the narrator toward the end of The Slovaks, in Ancient Days, and Now. They respond: ‘Because our human compatriots do not join together in memory, as we our waters mix with our origin, and because their lives do not resound booming, but roll on unconsciously, like hidden streams, silently to the sea of the life of the nations, young man!’ This quotation from the most famous prose work of Ľudovít Štúr (1815 – 1856) might be set as a motto to the literary career of Slovakia’s greatest Romantic poet, publicist, and political activist. For all of Štúr’s writi...
This novel by Russian novelist and screenwriter Vladimir Gonik is set in eleven countries around the world. Orchestra is based on documentary materials: the author has delved into the archives and met eyewitnesses, and now he recounts secret operations that took place across the globe in the second half of the twentieth century. The novel tells of certain little-known and mysterious events, some of which the author was personally involved in, and it is a story of extraordinary human lives, and of course, love... Vladimir Gonik was born in Kyiv, Ukraine in 1939, and studied medicine in the Latvian city of Riga. He has been a foundry worker, a hospital orderly, a sailor on oceanic vessels, and a medic in the army. A keen athlete, he has practiced boxing, football, cross-country and downhill skiing, and he has served as a physician for Russian national teams and Olympic delegations in various sports. Alongside his other pursuits, he is a graduate of Moscow’s Institute of Cinematography. He is the author of twelve screenplays and seven books, and his work has been recognized with international and Russian awards for cinema.
After World War II, Europe witnessed the massive redrawing of national borders and the efforts to make the population fit those new borders. As a consequence of these forced changes, both Lviv and Wrocław went through cataclysmic changes in population and culture. Assertively Polish prewar Lwów became Soviet Lvov, and then, after 1991, it became assertively Ukrainian Lviv. Breslau, the third largest city in Germany before 1945, was in turn "recovered" by communist Poland as Wrocław. Practically the entire population of Breslau was replaced, and Lwów's demography too was dramatically restructured: many Polish inhabitants migrated to Wrocław and most Jews perished or went into exile. The ...
In 1918 the Danube Monarchy ceased to exist and its provinces became parts of the Monarchy's successor states, which increasingly assumed the character of nation-states. The regimes of these countries were usually oblivious and/or hostile to remnants of the erstwhile Austrian rule due to ideological reasons: they treated them as traces of a superimposed imperial power and an alien – democratic, pluralistic, liberal – tradition. Notwithstanding that fact, erasing the Habsburg Empire from maps of Europe did not entail the entire cancelation of its legacy on the former Habsburg territories. Although officially neglected or suppressed, this legacy made itself felt, overtly or tacitly, in discourses present in the public sphere of the countries that superseded the Monarchy.
This collection of short writings depicts different aspects of ordinary life: work, love, friends, family, sex, as well as language identity, immigration to the Wonderland, and nostalgia for the lost home. Often ironic about herself and her characters, Mima plays with genres to create a loosely-connected narrative throughout different stories. Her collection of “short” stories about the everyday include horror stories, a turnip tale, and a dictionary of unfamiliar words, among others, and a range of peculiar characters, such as Little Girl, Fear, Titoslav (Tisi, or T.), and Zoka, a boy from the Balkans, which are “probably somewhere in South America.” Seasoned with the author’s street maxims, the book is about the vicissitudes of life, East meeting West and West meeting East, and the ordinary that is extraordinary. Everyday Stories were first published in Bosnian as Obične Priče in 2018 by Bratstvo Duša, a well-known underground books and comics publishing house from Zagreb, Croatia, founded and run by the underground legend from ex-Yugoslavia, Zdenko Franjić. The black-and-white illustrations by Elvis Dolić contribute to the book’s unique character and indie feel.
Geschreven in 1829 en door Lev Tolstoj geciteerd als een favoriet uit zijn kindertijd; De Zwarte Kip of het volk onder de grond is een fantasierijk en zeer toegankelijk sprookje met een tijdloze morele boodschap. Het verhaal gaat over Aljosja, die zijn weekenden eenzaam doorbrengt op een jongensinternaat in Sint-Petersburg. Op een dag redt hij zijn lievelingskip uit de handen van de kokkin, waarna de kip ’s nachts aan zijn bed komt en hem meeneemt naar een ondergronds koninkrijk. Het zwarte kippetje blijkt de minister te zijn van de koning, en omdat Aljosja zijn leven heeft gered, mag hij een bijzondere wens doen...
The Routledge Companion to Literatures and Crisis provides deep insight into a complex and multi-layered phenomenon. The third decade of the twenty-first century is being marked by a polycrisis caused by various world crises, such as the COVID-19 pandemic, armed conflicts and climate change leading to economic, geopolitical, environmental, health and security crises. Featuring 42 chapters, the collection examines crises through literary texts in relation to the environment, finance, migration and diaspora, war, human rights, values and identity, health, politics, terrorism and technology. It illuminates the many faces of the current permacrisis as well as the multifarious crises of the past ...
Can something that exists merely as a literary text, say a story, come about in real life? Can reality, to put it another way, steal something from literature, the same way literature steals from reality? Such is the question that Libor Hrach, the author of The Adventures of the Wise Badger, fields one evening over a hedonistic supper in a tony Brno restaurant from Kamil Modráček, himself a burrowing animal of sorts, in Jiří Kratochvil’s novel The Vow. ‘Quite simply, I said, everything that has been written either has already happened, or is about to. You write a story, and you can never be sure if what you’re writing isn’t actually taking place two streets away from where you si...