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Jews of Lodz
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The Moscow Art Theatre
Unprecedented in its comprehensiveness, The Moscow Art Theatre fills a large gap in our knowledge of Stanislavsky and his theatre. Worrall focuses in particular detail on four of The Moscow Art Theatre's best-known productions: * Tolstoy's Tsar Fedor Ioannovich * Gorky's The Lower Depths * Chekov's The Cherry Orchard * Turgenev's A Month in the Country
Exile and Identity
Using firsthand, personal accounts, and focusing on the experiences of women, Katherine R. Jolluck relates and examines the experiences of thousands of civilians deported to the USSR following the Soviet annexation of eastern Poland in 1939.Upon arrival in remote areas of the Soviet Union, they were deposited in prisons, labor camps, special settlements, and collective farms, and subjected to tremendous hardships and oppressive conditions. In 1942, some 115,000 Polish citizens—only a portion of those initially exiled from their homeland—were evacuated to Iran. There they were asked to complete extensive questionnaires about their experiences.Having read and reviewed hundreds of these doc...
Critical Vehicles
Critical Vehicles is the first book in English to collect Wodiczko's own writings on his projects. Wodiczko has stated that his principal artistic concern is the displacement of traditional notions of community and identity in the face of rapidly expanding technologies and cultural miscommunication. In these writings he addresses such issues as urbanism, homelessness, immigration, alienation, and the plight of refugees. Fusing wit and sophisticated political insight, he offers the artistic means to help heal the damages of uprootedness and other contemporary troubles.
Peripheries at the Centre
Following the Treaty of Versailles, European nation-states were faced with the challenge of instilling national loyalty in their new borderlands, in which fellow citizens often differed dramatically from one another along religious, linguistic, cultural, or ethnic lines. Peripheries at the Centre compares the experiences of schooling in Upper Silesia in Poland and Eupen, Sankt Vith, and Malmedy in Belgium — border regions detached from the German Empire after the First World War. It demonstrates how newly configured countries envisioned borderland schools and language learning as tools for realizing the imagined peaceful Europe that underscored the political geography of the interwar period.
Urania 1/1994
Jeden z archiwalnych numerów "Uranii". "Urania" jest czasopismem popularnonaukowym o astronomii i badaniach kosmosu, jednym z najstarszych na świecie. Współcześnie jest to elegancki i nowoczesny magazyn dla każdego, kogo interesują tajemnice Wszechświata. Wydawcami są obecnie Polskie Towarzystwo Astronomiczne (PTA) - organizacja skupiająca zawodowych astronomów oraz Polskie Towarzystwo Miłośników Astronomii (PTMA), którego członkami są pasjonaci kosmosu. Redakcja "Uranii" prowadzi też aktywnie obszerny portal internetowy: www.urania.edu.pl "Urania" na Facebooku: www.facebook.com/UraniaPA Pełne cyfrowe archiwum Uranii w formatach PDF i DjVu: www.urania.edu.pl/archiwum * * * * * * * * * * * * * * * * * * * This is an archive issue of the "Urania" magazine - Polish popular science magazine about astronomy and space, one of the oldest in the world. Nowadays it is modern magazine for everyone who is interested in astronomy and the secrets of the Universe. You may also visit internet portal of Urania: www.urania.edu.pl "Urania" on Facebook: www.facebook.com/UraniaPA Full digital archive of "Urania" in PDF and DjVu: www.urania.edu.pl/archiwum
Composing the Space
This catalogue follows experimentation in avant-garde sculpture in its dialogue with space, movement and the human body, guided by the theory and practice of Katarzyna Kobro. For the first time, Kobro's work will be presented in the context of the work of her contemporaries, such as Naum Gabo, Barbara Hepworth, Gustaw Klucis, El Lissitzky, Antoine Pevsner, Friedrich Kiesler and Oskar Schlemmer. Text: Naum Gabo, Barbara Hepworth, Katarzyna Kobro, Laszlo Moholy-Nagy, Vladimir Tatlin, Georges Vantongerloo. Texts by researchers: Yve-Alain Bois, Carola Giedion-Welcker, Rosalind Krauss, Megan Luke, Alex Potts. Exhibition: Muzeum Sztuki, Lódz, Poland (04.10.2019 - 02.02.2020).
Blood of Elves
The Witcher, Geralt of Rivia, holds the fate of the world in his hands in the New York Times bestselling first novel in the Witcher series that inspired the Netflix show and video games. NAMED ONE OF FORBES' GREATEST BOOK SERIES OF ALL TIME 2024 For more than a hundred years, humans, dwarves, gnomes and elves lived together in relative peace. But times have changed, the uneasy peace is over and now the races are fighting once again - killing their own kind and each other. Into this tumultuous time is born a child of prophecy, Ciri, surviving heiress of a bloody revolution, whose strange abilities can change the world - for good, or for evil... As the threat of war hangs over the land, Geralt the Witcher must protect Ciri from those who are hunting the child for her destructive power. But this time, Geralt may have met his match. Translated by Danusia Stok.
