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On the Road to Babadag
"Andrzej Stasiuk is a restless and indefatigable traveler. His journeys take him from his native Poland to Slovakia, Hungary, Romania, Slovenia, Albania, Moldova, and Ukraine. By car, train, bus, ferry. To small towns and villages with unfamiliar-sounding yet strangely evocative names. "The heart of my Europe," Stasiuk tells us, "beats in Sokolow, Podlaski, and in Husi, not in Vienna." Where did Moldova end and Transylvania begin, he wonders as he is being driven at breakneck speed in an ancient Audi--loose wires hanging from the dashboard--by a driver in shorts and bare feet, a cross swinging on his chest. In Comrat, a funeral procession moves slowly down the main street, the open coffin on a pickup truck, an old woman dressed in black brushing away the flies above the face of the deceased. On to Soroca, a baroque--Byzantine--Tatar--Turkish encampment, to meet Gypsies. And all the way to Babadag, between the Baltic Coast and the Black Sea, where Stasiuk sees his first minaret, "simple and severe, a pencil pointed at the sky." A brilliant tour of Europe's dark underside--travel writing at its very best"--
On the Road to Babadag
Andrzej Stasiuk is a restless and indefatigable traveller. His journeys - by car, train, bus, ferry - take him from his native Poland to small towns and villages with unfamiliar yet evocative names in Slovakia, Hungary, Romania, Slovenia, Albania, Moldova and Ukraine. Here is an unfamiliar Europe, grappling with the remnants of the Communist era and the arrival of capitalism and globalisation. 'Where did Moldova end and Transylvania begin,' he wonders, as he is being driven at breakneck speed in a hundred-year-old Audi - loose wires hanging from the dashboard - by a driver in shorts and bare feet, a cross swinging on his chest. And so his journey continues all the way to Babadag, near the shore of the Black Sea, where he sees his first minaret.
Nine
"Andrzej Stasiuk is one of the most interesting literary figures to have emerged in post-communist Poland. The Walls of Hebron (1992), his first book, is a collection of 12 stories about prison based on the author's first-hand experience of the life inside after after he was jailed for deserting the Army in 1981 when Poland was under martial law. The book is not only a harrowing social and cultural commentary on the concept of freedom, or even the penal system, which he anchors in the biblical tradition, but also an extraordinary literary and stylistic exercise of unusual poetic power. The stories it contains are astonishing vignettes of the life inside. The book was commissioned in 1985 by an underground publishing house while official censorship was still in force. After receiving the manuscript, the publisher decided against publication. The Walls of Hebron was finally published in 1992 after the collapse of Communism by a small independent publisher and quickly gained a cult following."
Tales of Galicia
Poetry. Translation. Seemingly a set of prose ballads about the southeastern tip of Poland, TALES OF GALICIA brilliantly blurs the line between the short-story genre and the novel, while giving a vivid, poetic portrait of an imaginary village that was once part of a vibrant collective farm system. It is a part of Poland that - once inhabited by Poles, Ukrainians, and Jews - suddenly became homogenous after the war. Those who came to live in this region formed their own peculiar culture that lacked any sort of historical connection to what had preceded it. The village became depressed, its inhabitants largely unemployed and spending most of their time drinking in the pub. But rather than dark, naturalistic dirge, Stasiuk exhibits a Hrabalian flare for language and description that turns the banality and drudgery of these lives into poetry, with a final redemption scene that is at once comical, moving, and starkly beautiful.
Dukla
At several points in the haunting Dukla, Andrzej Stasiuk claims that what he is trying to do is "write a book about light." The result is a beautiful, lyrical series of evocations of a very specific locale at different times of the year, in different kinds of weather, and with different human landscapes. Dukla, in fact, is a real place: a small resort town not far from where Stasiuk now lives. Taking an usual form—a short essay, a novella, and then a series of brief portraits of local people or events—this book, though bordering on the metaphysical, the mystical, even the supernatural, never loses sight of the particular time, and above all place, in which it is rooted. Andrzej Stasiuk is one of the leading writers of Poland's younger generation, and is currently one of the most popular Polish novelists in English translation.
Fado
In this delightful collection of essays--by turns wry and reflective, wistful and witty--contemporary Polish writer Andrzej Stasiuk turns his attention to the villages and small towns of Romania, Hungary, Slovakia, Albania, and of course his native Poland. Stasiuk travels to places no tourist would think of visiting, and in his characteristically lyrical prose, lays out his own unique and challenging perspective on the fascinating, unknown heart of Central Europe. He reminds us of the area's extraordinarily rich cultural and ethnic makeup, explores its literature, and shows how its history is inscribed permanently in its landscapes. Above all, he describes with fascination how past, present, and future co-exist and intertwine along the highways and back roads of the region.
White Raven
An adventure story and a reflection of the experience of a generation, White Raven is a tale of childhood friends, cast adrift by the tide of change that swept through Poland during the 1980s. Following the accidental death of a policeman, the men go on the run. The urgent flight through the desolate winter mountains abruptly ends with a climax as shocking as it is symbolic. White Raven won the prestigious Fundacja Koscielskich Award. o First English translation of the Polish Kerouac o Cult novel of the post-communist generation o Ad in Book Forum Andrzej Stasiuk was born in 1960 and lives in Poland. His first book, The Walls of Hebron, is a collection of twelve stories about prison, based on the experience of his desertion from the army.
Polish Literature and National Identity
A postcolonial study of Polish literature from Romanticism to the twenty-first century
Life Writing and Politics of Memory in Eastern Europe
This volume addresses the issues of remembering and performing the past in Eastern European ex-communist states in the context of multiplication of the voices of the past. The book analyzes the various ways in which memory and remembrance operate; it does so by using different methods of recollecting the past, from oral history to cultural and historical institutions, and by drawing on various political and cultural theories and concepts. Through well-documented case studies the volume showcases the plurality of approaches available for analyzing the relationship between memory and narrative from an interdisciplinary and international perspective.
Salki
Lying in bed in Gotland after a writer's conference, thinking about his compulsive desire to travel - and the uncomfortable tensions this desire creates - the narrator of Salki starts recounting tragic stories of his family's past, detailing their lives, struggles, and fears in twentieth-century Eastern Europe. In these pieces, he investigates various 'salkis' - attic rooms where memories and memorabilia are stored - real and metaphorical, investigating old documents to better understand the violence of recent times.
