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Andre Diniz tells the extraordinary story of Mauricio Hora, who lives in one of the most dangerous slums (favelas) in Rio, Brazil. In spite of the odds, Hora has made a name for himself internationally as a photographer. We are led from his challenging childhood, living with his drug dealer father, up to the present day."
This fully updated edition offers coverage of new topics and a more student-friendly design, while retaining the original style and features.
This volume is concerned with examining the histories of freed slaves in a variety of slave societies in the ancient and modern world, ranging from ancient Rome to the southern states of the US, the Caribbean, and Brazil to Africa in the aftermath of emancipation in the twentieth century. The aim of this work is to present a comparative forum for the study of freedpeople. By identifying what is separate and what is universal about freedpeople it hopes to add to a better understanding of the role and impact of manumission and emancipation in different slave societies. Contributors include: Valentina Arena, Steeve Buckridge, Mariana Dantas, Marc Kleijwegt, Martin Klein, Rita Reynolds, Chandima Wickramasinghe, Swithin Wilmot, and Nigel Worden.
This book allows readers to develop a critical understanding of the inter-American human rights system, as well as the dynamics of rights abuse and state response to violations in the Americas. The inter-American human rights system consists of two bodies, the Inter-American Commission and the Inter-American Court of Human Rights. The system has been and continues to be essential for the defense and protection of human rights in the Western hemisphere.
Burning Down the House explores the political, economic and cultural landscape of 21st-century Latin America through comics. It examines works from Argentina, Brazil, Bolivia, Chile, Uruguay, Perú, Colombia, México and Spain, and the resurgence of comics in recent decades spurred by the ubiquity of the Internet and reminiscent of the complex political experiences and realities of the region. The volume analyses experimentations in themes and formats and how Latin American comics have become deeply plural in its inspirations, subjects, drawing styles and political concerns while also underlining the hybrid and diverse cultures they represent. It examines the representative and historical im...
How can you establish a customer-centric culture in an organization? This is the first comprehensive book on how to actually do service design to improve the quality and the interaction between service providers and customers. You'll learn specific facilitation guidelines on how to run workshops, perform all of the main service design methods, implement concepts in reality, and embed service design successfully in an organization. Great customer experience needs a common language across disciplines to break down silos within an organization. This book provides a consistent model for accomplishing this and offers hands-on descriptions of every single step, tool, and method used. You'll be able to focus on your customers and iteratively improve their experience. Move from theory to practice and build sustainable business success.
Are international tribunals heading towards greater sovereignty or towards greater liberalisation of property rights? Can we glean specific deductions from prevailing cases outside the expropriation arena? How can we justifiably extrapolate principles from international investment arbitration before modifying and applying these lessons to international human rights, the World Trade Organization regime and other dispute settlement systems? What, if any, degree of deference attends the assessment of various claims undertaken by international tribunals? Does this depend on high commerce, force majeure, military or paramilitary control, urgent nuclear and environmental considerations, transbound...
Music has been critical to national identity in Latin America, especially since the worldwide emphasis on nations and cultural identity that followed World War I. Unlike European countries with unified ethnic populations, Latin American nations claimed blended ethnicities—indigenous, Caucasian, African, and Asian—and the process of national stereotyping that began in the 1920s drew on themes of indigenous and African cultures. Composers and performers drew on the folklore and heritage of ethnic and immigrant groups in different nations to produce what became the music representative of different countries. Mexico became the nation of mariachi bands, Argentina the land of the tango, Brazil the country of Samba, and Cuba the island of Afro-Cuban rhythms, including the rhumba. The essays collected here offer a useful introduction to the twin themes of music and national identity and melodies and ethnic identification. The contributors examine a variety of countries where powerful historical movements were shaped intentionally by music.
Illuminating the relevance of literature as a catalyst for rethinking Brazil, this book offers a resistance to the official discourses that have worked to conceal social tensions, injustices, and secular inequities in Brazilian society.