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History of the Champagne Trade in England
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Surrealism, History and Revolution
This book is a new account of the surrealist movement in France between the two world wars. It examines the uses that surrealist artists and writers made of ideas and images associated with the French Revolution, describing a complex relationship between surrealism's avant-garde revolt and its powerful sense of history and heritage. Focusing on both texts and images by key figures such as Louis Aragon, Georges Bataille, Jacques-André Boiffard, André Breton, Robert Desnos, Max Ernst, Max Morise, and Man Ray, this book situates surrealist material in the wider context of the literary and visual arts of the period through the theme of revolution. It raises important questions about the politics of representing French history, literary and political memorial spaces, monumental representations of the past and critical responses to them, imaginary portraiture and revolutionary spectatorship. The study shows that a full understanding of surrealism requires a detailed account of its attitude to revolution, and that understanding this surrealist concept of revolution means accounting for the complex historical imagination at its heart.
Paris Peasant
Paris Peasant (1926) is one of the central works of Surrealism. Unconventional in form and fiercely modern, Aragon uses the city of Paris as a framework interlacing text with the city's ephemera: cafe menus, maps, monument inscriptions, newspaper cuttings and the lives of its citizens. No one could have been a more astute detector of the unwanted in all its forms; no one else could have been carried away by such intoxicating reveries about a sort of secret life of the city...' Andre Breton'
Don't Call Me Urban
Spanning 12 years Don't Call Me Urban is a fascinating photographic portrayal of underground music culture and social alienation. Capturing the era when London's inner-city youth found an authentic voice, Simon Wheatley's incisive eye goes into the raw environment from which the new stars of British popular music, such as Dizzee Rascal and Tinchy Stryder have emerged.
The Complete Works
This carefully crafted ebook: "The Complete Works of Rafael Sabatini" is formatted for your eReader with a functional and detailed table of contents: Table of Contents: Scaramouche Series: Scaramouche Scaramouche the King-Maker Captain Blood Series: Captain Blood Captain Blood Returns The Fortunes of Captain Blood Novels: The Lovers of Yvonne The Tavern Knight Bardelys the Magnificent The Trampling of the Lilies Love-at-Arms The Shame of Motley St. Martin's Summer Mistress Wilding The Lion's Skin The Strolling Saint The Gates of Doom The Sea Hawk The Snare Fortune's Fool The Carolinian Bellarion the Fortunate The Nuptials of Corbal The Hounds of God The Romantic Prince The King's Minion The ...
The Rise
From celebrated art historian, curator, and teacher Sarah Lewis, a fascinating examination of how our most iconic creative endeavors—from innovation to the arts—are not achievements but conversions, corrections after failed attempts. The gift of failure is a riddle: it will always be both the void and the start of infinite possibility. The Rise—part investigation into a psychological mystery, part an argument about creativity and art, and part a soulful celebration of the determination and courage of the human spirit—makes the case that many of the world’s greatest achievements have come from understanding the central importance of failure. Written over the course of four years, th...
