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Love, Joe
An artist and writer whose charming and inventive works are at once modest and ambitious, Joe Brainard was one of the most distinctive figures on New York City’s vibrant cultural scene in the 1960s and 1970s. Widely known for his influential experimental memoir, I Remember, Brainard worked in a variety of forms, from New York School–aligned poetry to Pop Art–adjacent artworks, including wild riffs on the comic strip character Nancy. His art drew on the everyday and popular culture, exuding a sense of amiability, wit, and generosity. Love, Joe presents a selection of Brainard’s letters stretching from 1959 to 1993, offering an intimate view of his personal and artistic life. They allo...
Ten Walks/two Talks
"The book combines a series of sixty-minute, sixty-sentence walks around Manhattan and a pair of dialogues about walking -- one of which takes place during a late-night 'philosophical' ramble through Central Park."--Publisher's website.
As We Know
Poetry. Literary Nonfiction. "Roland Barthes introduces us to this remarkable book: a 'corrected banality.' I can imagine no better spokesperson than the one who announced the death of the author, for AS WE KNOW is truly a work of 'destroyed origin, ' in which 'all identity is lost.' Borsuk takes hold of Fitch's notebooks, filled with their gorgeous banalities, and forges them into a graphic sprawl that belongs to no one of no gender. And yet, we read these confessional fragments with as much eagerness as we bring to the secrets of our best friend, or the stars, or our selves. This 'I' who speaks, who can never be known, lets language spin its own brilliant tales. 'I' or 'we' are enraptured." Julie Carr"
Pop Poetics
Adopting artist-poet Joe Brainard as its principal focus, this project presents "Pop poetics" not as a minor, coterie movement meriting a sympathetic footnote in accounts of the postwar era's literary history, but as a missing link that confounds and potentially unites any number of supposedly rigid critical distinctions (authenticity versus formalism, the "personal" versus the mechanical). Pop poetics matter, argues Andrew Fitch, not just to the occasional aficionado of Brainard's I Remember, but to anybody concerned with reconstructing the dynamic aesthetic exchange between postwar art and poetry.
Dear Angel of Death
"Half poems, half prose, 'Dear Angel of Death' braids intimate and public thinking about forms of togetherness. Is one woman a mother, a person in an artworld, a "black"? What imaginary and real spirits are her guides? The title essay proposes disinvestment in the idea of the Music as the highest form of what blackness "is" and includes many forms: philosophical divergence on the problem of folds for black life, a close reading of Nathaniel Mackey's neverending novel 'From a broken bottle traces of perfume still emanate', and an impassioned defense-cum-dismissal of contemporary hip hop's convergence with capitalism."
Sixty Morning Walks
60 Morning Walks is a sixty-part meditation inspired by Utagawa Hiroshige's kaleidoscopically shifting vantage on the ever-changing city. The project's companion piece, available on UDP's website, revisits many of the same New York locations, yet now with its language contracted out to an error-prone online transcription service. The unmediated/mediated idiom of these two halves disrupts any easy reading of the overall project as a lyrical or conceptual text.
Spatial Poetics
Focusing on Second Generation New York School poetry from 1960 to the present day, this volume explores the poets who lived and wrote from or about New York, the forms of their poems, and the a relationship between the structures they inhabited and the structures they created.
Static Palace
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Poetry and Bondage
Offering a new theory of poetic constraint, this book analyses contributions of bound people to the history of the lyric.
Modernism Beyond the Avant-Garde
Uses the idea of embodiment to reconceptualize postwar literary history and recognize the political significance of literary modernism after 1945.
