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Longhand
Malcolm George Galbraith is a large, somewhat clumsy, Scotsman. He’s being forced to leave the woman he loves behind and needs to explain why. So he leaves her a handwritten note on the kitchen table (well, more a 300-page letter than a note). In it, Malcolm decides to start from the beginning and tell the whole story of his long life, something he’s never dared do before. Because Malcolm isn’t what he seems: he’s had other names and lived in other places. A lot of other places. As it gathers pace, Malcolm’s story combines tragedy, comedy, mystery, a touch of leprosy, several murders, a massacre, a ritual sacrifice, an insane tyrant, two great romances, a landslide, a fire, and a talking fish.
Lee Konitz
With a foreword by Joe Lovano, an oral biography of the preeminent alto saxophonist of cool jazz
The Exam
The Exam is a funny but serious look at the pressures faced by pupils today, both at school and at home. The play is accompanied by teaching materials containing fantastic ideas for drama work, as well as other activities designed to answer English Framework and NC objectives.
Aesthetics and Music
The Continuum Aesthetics Series looks at the aesthetic questions and issues raised by all major art forms. Stimulating, engaging and accessible, the series offers food for thought not only for students of aesthetics, but also for anyone with an interest in philosophy and the arts. Aesthetics and Music is a fresh and often provocative exploration of the key concepts and arguments in musical aesthetics. It draws on the rich heritage of the subject, while proposing distinctive new ways of thinking about music as an art form. The book looks at: The experience of listening Rhythm and musical movement What modernism has meant for musical aesthetics The relation of music to other 'sound arts' Impro...
Brewing Britain
Andy Hamilton travels the length of Britain in a quest to uncover new and unusual beers and to find that elusive perfect pint With more than 200 new breweries opening in the UK every single year, there's no excuse for residents or visitors sticking to "a pint of the usual." Beer advocate Andy Hamilton has tried literally hundreds if not thousands of pints in this avalanche of flavors, to make sure that you don't miss out on the perfect porter, an irresistible IPA, a super stout, or that marvelous mild. Discover how to tempt a lager lover off lager, which beer will win over wine lovers, the ideal temperature for serving ale, and the best glass to drink it from. He also provides 40 recipes for readers to experiment with, from ancient times to the modern day, uncovering secret ingredients. Includes dual measures.
The Self Sufficient-Ish Bible
Identical twin brothers Andy and Dave Hamilton live in the centre of Bristol. Attracted to the pub and music scene of the bustling city, they still yearn for elements of the good life. So ever since they were students, they have used their initiative and imagination to think up ways to live in a frugal and self-sufficientish way, while still enjoying life to the full. Having set up their website www.selfsufficientish.com in 2004, they discovered that their approach and ethos touched a nerve with thousands of people in the UK. Andy and Dave, Britains green twins, advocate a fun and positive approach to environmentalism, and understand that the thought of adjusting every aspect of our lives is...
The Aesthetics of Imperfection in Music and the Arts
The aesthetics of imperfection emphasises spontaneity, disruption, process and energy over formal perfection and is often ignored by many commentators or seen only in improvisation. This comprehensive collection is the first time imperfection has been explored across all kinds of musical performance, whether improvisation or interpretation of compositions. Covering music, visual art, dance, comedy, architecture and design, it addresses the meaning, experience, and value of improvisation and spontaneous creation across different artistic media. A distinctive feature of the volume is that it brings together contributions from theoreticians and practitioners, presenting a wider range of perspec...
Drop the Dead Donkey 2000
It is 31st December 1999. For the staff of Globelink News it's an uncertain and terrifying world. The civil war in Switzerland is intensifying, and Prime Minister David Mellor is stressing family values. And the editor of Globelink News, George Dent, has just found a dead body in the lift.
The Philosophy of Rhythm
Rhythm is the fundamental pulse that animates poetry, music, and dance across all cultures. And yet the recent explosion of scholarly interest across disciplines in the aural dimensions of aesthetic experience--particularly in sociology, cultural and media theory, and literary studies--has yet to explore this fundamental category. This book furthers the discussion of rhythm beyond the discrete conceptual domains and technical vocabularies of musicology and prosody. With original essays by philosophers, psychologists, musicians, literary theorists, and ethno-musicologists, The Philosophy of Rhythm opens up wider-and plural-perspectives, examining formal affinities between the historically int...
Routledge Philosophy GuideBook to Wittgenstein and On Certainty
Ludwig Wittgenstein is arguably the most important philosopher of the twentieth century. In On Certainty he discusses central issues in epistemology, including the nature of knowledge and scepticism. The Routledge Philosophy Guidebook to Wittgenstein and On Certainty introduces and assesses: Wittgenstein's career and the background to his later philosophy the central ideas and text of On Certainty, including its responses to G.E. Moore and discussion of fundamental issues in the theory of knowledge Wittgenstein's continuing importance in contemporary philosophy. This GuideBook is essential reading for all students of Wittgenstein, and for those studying epistemology and philosophy of language. On Certainty, Wittgenstein's final work, addresses a category of "world-picture" propositions discovered by G.E. Moore. These challenge Wittgenstein's enduring commitment to a well-defined category of empirical propositions, and help to generate a critique of scepticism. Developing Wittgenstein's view that scepticism is self-undermining, the Guidebook offers a combative yet therapeutic interpretation that locates On Certainty between the standpoints of Kant and Hume.
