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TheatreWorks is renowned for its daring, and sometimes controversial, productions. Since its inception the company has explored important social issues such as sexuality, censorship and oppression. The company also pioneered different types of productions; it introduced the black box theatre to Singapore and staged epic outdoor festivals in Fort Canning Park. This book, celebrating TheatreWorks 25th anniversary, charts the company’s evolution from a small theatre cooperative working from a terrace house to the well-respected innovator in the Singapore theatre community. From Identity to Mondialisation: TheatreWorks 25 is a stunning visual history of the company, featuring photography from many of TheatreWorks’ groundbreaking performances and quotes and anecdotes from members of the company, past and present.
The maestro of political plays is back and his latest offering in a decade, Fear of Writing, is a groundbreaking commentary with its finger on the political pulse of Singapore today. In Fear of Writing, a playwright struggles with writer’s block, a director and producer bemoan their failure to get a government license to stage their play, and a father writes to his daughter overseas. Seemingly disparate elements are woven together, while the line between art, performance and reality begin to blur dramatically as the play reaches its chilling conclusion. Fear of Writing is a play that will haunt you while compelling you to decide where you stand on the issues of control and censorship. Written by Tan Tarn How, Fear of Writing was first staged by Theatreworks in 2011 to critical acclaim.
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While Americans are generally aware of China's ambitions as a global economic and military superpower, few understand just how deeply and assertively that country has already sought to influence American society. As the authors of this volume write, it is time for a wake-up call. In documenting the extent of Beijing's expanding influence operations inside the United States, they aim to raise awareness of China's efforts to penetrate and sway a range of American institutions: state and local governments, academic institutions, think tanks, media, and businesses. And they highlight other aspects of the propagandistic “discourse war” waged by the Chinese government and Communist Party leade...
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