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Contract killers have long been a point of interest for readers of crime fiction and action film fans. Dead-End Jobs: A Hitman Anthology offers up eighteen works of short fiction from some of the hottest writers in the business. While the stories all depict professional killers, they are wildly different in their tone and the styles in which they are written, as well as the way they are depicted and the point-of-view from which they're told. Some of these killers are seasoned professionals and others are new to the killing game. Some stories find their settings in urban locales such as New York City or Los Angeles and others in backwater rural locations. There are also contract killers of ev...
Includes multiple choice questions about the world of film. Embedded in the book is a special computerized quiz module that lets you compete against yourself or a friend.
"Rausch's writing is like a serpent. It's lean. It's clever. It coils around you. . .and then it strikes. It's glorious, but be warned-there is no anti-venom." - Chris Miller, author of Dust Reminiscent of Goodfellas, American Trash is a gritty tale of organized crime. Only in this story, it is not the Italian mafia; it is the largest crime organization in the state of Missouri. Running their operation out of Funland - a stationary carnival outside Branson - these violent criminals are carnies by day, killers by night. They are led by a hardened old criminal known as Reverend Sammy, who doubles as a minister, and there seems to be no stopping them. But when things go awry and bodies start piling up, who will be the last man standing?
This quirky collection of short stories (and one novella) by Andy Rausch contains something for readers of every stripe. Rausch touches on a variety of genres, including horror, comedy, crime, and even Western, but every story features his unique, offbeat wit, superb writing, and razor-sharp dialogue, all delivered from a decidedly off-kilter perspective. His work has been praised by the likes of Cape Fear screenwriter Wesley Strick and Fort Apache the Bronx author Heywood Gould. Author Peter Leonard once compared his writing style to that of his father, Elmore Leonard. Storylines include a naive little boy mistaking a burglar for Santa Claus, bumbling white supremacists attempting to resurr...
The Sixties were a time of great cultural upheaval, when long-established social norms were challenged and everything changed: from music to fashion to social mores. And the Leave It to Beaver households in Middle America didn’t know what to make of it all. In the midst of this, private eyes tried to understand and bridge the generational divide while providing their clients with legal and extra-legal detecting services. From old-school private eyes with their flat-tops, off-the-rack suits, and well-worn brogues to the new breed of private eyes with their shoulder-length hair, bell-bottoms, and hemp sandals, the shamuses in Groovy Gumshoes take readers on a rollicking romp through the Sixties. With stories by Jack Bates, C.W. Blackwell, Michael Bracken, N.M. Cedeño, Hugh Lessig, Steve Liskow, Adam Meyer, Tom Milani, Neil S. Plakcy, Stephen D. Rogers, Mark Thielman, Grant Tracey, Mark Troy, Andrew Welsh-Huggins, and Robb White.
PI Pete Fortunato, half-Italian, half-Jewish, who suffers from anger management issues and insomnia, wakes up one morning with a bad taste in his mouth. This is never a good sign. Working out of a friend’s downtown real estate office, Fortunato, who spent a mysteriously short, forgettable stint as a cop in a small upstate New York town, lives from paycheck to paycheck. So, when a beautiful woman wants to hire him to find her husband, he doesn’t hesitate to say yes. Within a day, Fortunato finds the husband in the apartment of his client’s young, stud lover. He’s been shot once in the head. Case closed. But when his client’s check bounces, and a couple of Albanian gangsters show up ...
A forty-year-old self-cutting workaholic abandons everything she knows for a stripper with a death wish. Both lives change, only one ends. Scar Tissue is a psychological noir novel that stunningly brings to life a world others dare not dream of. This is a vivid and memorable portrayal of desire as seen through the eyes of two women with dark hearts and very different goals who cross paths at critical moments in their lives. The power of their hopes and despair, their weaknesses and strengths is a testament to the yearning that resides inside all of us. Praise for Scar Tissue: “This persuasive and dizzying novel grabs you and doesn’t let go. It is sexy, disturbing and relentless. What it ...
Actor Paul Wilkinson is in a world of hurt. The cops are sure he murdered his new girlfriend’s abusive ex, and a vicious drug dealer is after him for a batch of stolen narcotics. Paul sees a chance to escape the heat when he’s offered the bizarre role of an eccentric billionaire’s long-lost friend. He accepts the part and takes on a new identity, allowing him to hide in plain sight while he searches for the missing drugs and the real killer. When the trail leads Paul to where he least expects—back to himself—he must risk losing his identity, his freedom, and even his life to end the drama he’s been unwittingly cast in.
In 1958, soon after his arrival in Los Angeles, Gary Graver caught a showing of die recently released Touch of Evil. Upon viewing the B classic, Graver decided he wanted to be a director and spent many years honing his craft, as both a cinematographer and a director, not to mention writer, actor, and producerùmuch like his idol, Orson Welles. In 1970, when Graver learned that Welles was in town, he impulsively called the director and offered his services as a cameraman. It was only the second time in Welles's career that he had received such an offer from a cinematographer, the other from Gregg Toland who worked on Citizen Kane. Book jacket.