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Hungry Ghosts
Preface -- Introduction: Mātsarya and the Malignancy of Meanness -- Hungry Ghosts through Images -- Technical Notes -- Translation: Avadānaśataka, Stories 41-50: 1. Sugar Mill: 41. Guḍaśālā -- 2. Food: 42. Bhaktam -- 3. Drinking Water: 43. Pānīyam -- 4. A Pot of Shit: 44. Varcaghaṭaḥ -- 5. Maudgalyāyana: 45. Maudgalyāyanaḥ -- 6. Uttara: 46. Uttaraḥ -- 7. Blind from Birth: 47. Jātyandhā -- 8. The Merchant: 48. Śreṣṭhī -- 9. Sons: 49. Putrāḥ -- 10. Jāmbāla: 50. Jāmbālaḥ -- Glossary -- Notes -- Bibliography -- Index -- About the Author.
Divine Stories
Explore this second volume of translations, in vivid prose, from one of the most celebrated collections of ancient Buddhist stories. Actions never come to naught, even after hundreds of millions of years. When the right conditions gather and the time is right, then they will have their effect on embodied beings. Ancient Buddhist literature is filled with tales of past lives. The Buddha, surrounded by his followers, is asked how it came to be that a certain person has met a particular fate. With his omniscience, the Buddha looks into eons past and uncovers the events that led to the present outcome and foretells the future as well. With stories of wicked wives, patricidal princes, and shape-s...
Thus Have I Seen
This book offers a new approach to understanding Buddhist lay and monastic practice by recognizing the crucial role that visual practices played in Indian Buddhism in the early centuries of the Common Era. In the genre of Indian Buddhist narratives known as avadana, most lay religious practice consists not of reading, praying, or meditating, but of visually engaging with certain kinds of objects. The key for understanding the Buddhist conceptualization about the world and the ways it should be navigated is found, in these stories, in ways of seeing and the results of seeing.
Amar Akbar Anthony
The 1977 blockbuster Amar Akbar Anthony about the heroics of three Bombay brothers separated in childhood became a classic of Hindi cinema and a touchstone of Indian popular culture. Beyond its comedy and camp is a potent vision of social harmony, but one that invites critique, as the authors show.
Divine Stories
Divine Stories is the inaugural volume in a landmark translation series devoted to making the wealth of classical Indian Buddhism accessible to modern readers. The stories here, among the first texts to be inscribed by Buddhists, highlight the moral economy of karma, illustrating how gestures of faith, especially offerings, can bring the reward of future happiness and ultimate liberation. Originally contained in the Divyavadana, an enormous compendium of Sanskrit Buddhist narratives from the early Common Era, the stories in this collection express the moral and ethical impulses of Indian Buddhist thought and are a testament to the historical and social power of narrative. Long believed by followers to be the actual words of the Buddha himself, these divine stories are without a doubt some of the most influential stories in the history of Buddhism.
Divine Stories
Explore this second volume of translations, in vivid prose, from one of the most celebrated collections of ancient Buddhist stories. Actions never come to naught, even after hundreds of millions of years. When the right conditions gather and the time is right, then they will have their effect on embodied beings. Ancient Buddhist literature is filled with tales of past lives. The Buddha, surrounded by his followers, is asked how it came to be that a certain person has met a particular fate. With his omniscience, the Buddha looks into eons past and uncovers the events that led to the present outcome and foretells the future as well. With stories of wicked wives, patricidal princes, and shape-s...
Powers of the Real
Powers of the Real analyzes the cultural politics of cinema’s persuasive sensory realism in interwar Japan. Examining cultural criticism, art, news media, literature, and film, Diane Wei Lewis shows how representations of women and signifiers of femininity were used to characterize new forms of pleasure and fantasy enabled by consumer culture and technological media. Drawing on a rich variety of sources, she analyzes the role that images of women played in articulating the new expressions of identity, behavior, and affiliation produced by cinema and consumer capitalism. In the process, Lewis traces new discourses on the technological mediation of emotion to the 1923 Great Kanto Earthquake ...
Rethinking Markets in Modern India
Using historical and ethnographic analyses, this book shows how Indian markets are embedded in society and politically contested.
Jewels, Jewelry, and Other Shiny Things in the Buddhist Imaginary
Renunciation is a core value in the Buddhist tradition, but Buddhism is not necessarily austere. Jewels—along with heavenly flowers, rays of rainbow light, and dazzling deities—shape the literature and the material reality of the tradition. They decorate temples, fill reliquaries, are used as metaphors, and sprout out of imagined Buddha fields. Moreover, jewels reflect a particular type of currency often used to make the Buddhist world go round: merit in exchange for wealth. Regardless of whether the Buddhist community has theoretically transcended the need for them or not, jewels—and the paradox they represent—are everywhere. Scholarship has often looked past this splendor, favoring...
Shifting Stones, Shaping the Past
In a wide-ranging exploration of the creation and use of Buddhist art in Andhra Pradesh, India, from the second and third centuries of the Common Era to the present, Catherine Becker shows how material remains and visual experiences shape and reveal essential human concerns.
