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Richard Hambleton
The first definitive career retrospective of the visionary underground godfather of street art at the center of New York’s 1980s urban art scene. Richard Hambleton (1954–2017) was a Canadian artist known for his pioneering street art. He was a surviving member of a group that emerged from the New York City art scene during the booming art market of the 1980s, which also included his close friends Keith Haring and Jean-Michel Basquiat. As a conceptual artist, Hambleton’s early work instal-lations titled “Image Mass Murder” from 1976–1979 were secretly placed onto streets in over 15 cities, depicting chalk-body outlines and blood-splattered crime scenes of what appeared to be “vi...
Futura-isms
"A collection of fascinating quotations from the legendary artist and graffiti pioneer"--
New York
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Culo by Mazzucco
The World Is No Longer Flat Culo is an art, fashion, and pop-culture movement that defies all national, cultural, and linguistic boundaries. No matter if you were raised to call it derriere, tush, rear end, or booty, culo is the new epicenter of female sexuality, desire, and empowerment. Over the past decade, some of the world’s most celebrated women have subtly shifted our long-held ideals of physical perfection toward a shape that is more authentic and bold. While culo has long been venerated in certain cultures, it is now becoming the object of worldwide mainstream admiration. This emerging global love affair with culo is as much about the blending of African, Latin, European, and Asian beauty as it is about celebrating the female form’s most coveted asset. Culo by Mazzucco pays tribute to this phenomenon through a singular artistic vision. In more than 200 photographs and artworks created on location around the world, a diverse group of women—some already legendary, some about to become so—embody the spirit of culo and the start of a new era of beauty.
Sou Fujimoto
From the Gallery website: The Serpentine Gallery Pavilion 2013 is designed by multi award-winning Japanese architect Sou Fujimoto. He is the thirteenth and, at 41, youngest architect to accept the invitation to design a temporary structure for the Serpentine Gallery. The most ambitious architectural programme of its kind worldwide, the Serpentine's annual Pavilion commission is one of the most anticipated events on the cultural calendar. Past Pavilions have included designs by Herzog & de Meuron and Ai Weiwei (2012), Frank Gehry (2008), the late Oscar Niemeyer (2003) and Zaha Hadid, who designed the inaugural structure in 2000. We are thrilled to be working with one of the most fascinating architects in the world today. A visionary, who has conceived an extraordinary response to our invitation to design the Serpentine Gallery Pavilion, Sou Fujimoto has designed a structure that will enthral everyone that encounters it throughout the summer. --Julia Peyton-Jones, Director, and Hans Ulrich Obrist, Co-Director, Serpentine Gallery
The Madonna of The Mountains
1923 Maria Vittoria is embroidering a sheet for her dowry trunk. Her father has gone to find her a husband. He's taken his mule, a photograph and a pack of food: home-made sopressa sausage, cold polenta, a little flask of wine - no need to take water - the world is full of water. There are no eligible men in this valley or the next one, and her father will not let her marry just anyone, and now, despite Maria's years, she is still healthy. Her betrothed will see all that. He'll be looking for a woman who can do the work. Maria can do the work. Everyone in the contrà says that. And the Lord knows Maria will need to be able to work. Fascism blooms as crops ripen, the state craves babies just as the babies cry for food. Maria faces a stony path, but one she will surely climb to the summit. In this sumptuous and elegant novel you will taste the bigoli co l'arna, touch the mulberry leaves cut finer than organdie, and feel the strain of one woman attempting to keep her family safe in the most dangerous of times.
Juxtapoz
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Politisches Graffiti
Der vorliegende Band versammelt Beiträge zu politischem Graffiti aus kunst-, kultur- und sprachwissenschaftlicher Perspektive. Dabei geht es nicht nur um Graffiti mit politischen Themen und politischer Wirkungsabsicht, sondern auch um sozio-politische Aspekte von vordergründig unpolitisch erscheinenden Spielarten des Graffiti. Einem weiten Graffiti-Begriff folgend, der auch die Grenzbereiche zur Street Art einschließt, werden Beispiele vom 20. Jahrhundert bis in die Gegenwart interdisziplinär in den Blick genommen und diskutiert. The present volume assembles contributions on political graffiti from an artistic, cultural and linguistic perspective. The volume not only deals with graffiti on political issues and political goals but also with social-political aspects of apparently unpolitical types of graffiti. Following a broader concept of graffiti which also includes the borderlines of street art, samples from the 20th century to modern days are being highlighted and discussed.
Restless
It is 1939. Eva Delectorskaya is a beautiful 28-year-old Russian émigrée living in Paris. As war breaks out she is recruited for the British Secret Service by Lucas Romer, a mysterious Englishman, and under his tutelage she learns to become the perfect spy, to mask her emotions and trust no one, including those she loves most. Since the war, Eva has carefully rebuilt her life as a typically English wife and mother. But once a spy, always a spy. Now she must complete one final assignment, and this time Eva can't do it alone: she needs her daughter's help.
Panorama
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