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Vesper and Compline Music for Two Principal Voices
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance. It includes a comprehensive historical and biographical introduction, focuses on composers significant in their own time, and offers modern notation for contemporary performers.
The Cambridge History of Seventeenth-Century Music
First published in 2005, this title provides extensive knowledge on seventeenth-century music.
First Thoughts
Finders, keepers, he thought. But he found the wrong thing. When Daran stumbles upon an abandoned machine, he decides to fix it. He soon discovers that its a gizmo: a machine capable of basic thoughts. These are only owned by the Thought Academy, and they want it backexcept theyre not the only ones that are interested. Daran quickly becomes a pawn in a game he knows nothing about. But when his family is involved, he has no option but to play along. With time running out, he needs to decide whom he sides with and whom he trusts.
A History of the Oratorio
Howard Smither has written the first definitive work on the history of the oratorio since Arnold Schering published his Geschichte des Oratoriums in 1911. This volume is the first of a four-volume comprehensive study that offers a new synthesis of what is known to date about the oratorio. Volume 1, divided into three parts, opens with the examination of the medieval, Renaissance, and early Baroque antecedents and origins of the oratorio, with emphasis on Rome and Philip Neri's Congregation of the Oratory and with special attention to the earliest works for which the term oratorio seems appropriate. The second part recounts the development of the oratorio in Italy, circa 1640-1720. It reviews...
Vesper and Compline Music for Three Principal Voices
First Published in 1998. A New Series Fills a Void in 17th-Century Italian Music Drawing on the riches of a largely unknown repertoire, this innovative series makes available in modern score a large selection of Italian sacred music scored from printed part-books that has never before been published in modern editions. Conveniently organized and presented in modern scoreEach genre is organized for easy accessibility. Mass settings are presented in chronological order. Vesper and compline music is arranged according to the number of voices, chronologically within each volume, beginning with works for one and two voices and progressing to compositions for multiple choirs.
Music and Theology
The scholar Robin A. Leaver holds a unique place in sacred music scholarship because of his training in both music and theology. He has written widely, bringing acute insights on a variety of musical repertories and topics related to Martin Luther, sixteenth-century psalmody, hymnody, and the sacred music of Johann Sebastian Bach. In Music and Theology, twelve scholars influenced by Leaver's work contribute essays in diverse areas of sacred music history and philosophy, focusing on the intersection of music and theology. Ranging chronologically from the twelfth-century writer and composer Hildegard of Bingen (1098-1179) to present-day considerations of American church music and worship, the volume provides thought-provoking new work for all who study church music. Reflecting the prominent emphasis in Leaver's own scholarship, eight chapters deal with the music of Johann Sebastian Bach, including his organ music, sacred cantatas, and passion settings. A final chapter provides a chronological listing of Leaver's own voluminous writings on music and theology.
