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Reviews the latest evidence on the psychiatric disorders and behavioral problems of those with coexisting intellectual and developmental disorders.
Please note this is a 'Palgrave to Order' title (PTO). Stock of this book requires shipment from an overseas supplier. It will be delivered to you within 12 weeks. The U.S movement toward massive expansion of early childhood education and development has evolved into individual state-by-state initiatives. This volume sets forth the evidence that will encourage states to take up this cause, provide advocates with the information they will need to make their case, and guide states and advocates in building a public and political will for change.
Command of the commons : the military foundation of U.S. Hegemony / Barry R. Posen / - Why do states build nuclear weapons? Three models in search of a bomb / Scott D. Sagan / - Never say never again : nuclear reversal revisited / Ariel E. Levite / - Preventing nuclear entrepreneurship in russia's nuclear cities / Sharon K. Weiner / - Pathogens as weapons : the international security implications of biological warfare / Gregory Koblentz / - Dreaded risks and the control of biological weapons / Jessica Stern / - Beyond the MTCR : building a comprehensive regime to contain ballistic missile proliferation / Dinshaw Mistry / - Human security : paradigm shift or hot air? / Roland Paris / - Security, stability, and international migration / Myron Weiner / - HIV / AIDS and the changing landscape of war in Africa / Stefan Elbe / - Collateral damage : humanitarian assistance as a cause of conflict / Sarah Kenyon Lischer / - Market civilization and its clash with terror / Michael Mouusseau / - T ...
A new and groundbreaking historical narrative, Grand Illusion: Phantasmagoria in Nineteenth-Century Opera explores how technical innovations in Paris transformed the grand opera into a transcendent, dream-like audio-visual spectacle.
This book offers something entirely new: detailed scene-by-scene descriptions of the action and dancing of Giselle, Paquita, Le Corsaire, La Bayadère, and Raymonda, bringing the reader far closer to what the audience saw when the curtain went up on these five classic story ballets than has heretofore been possible. Drawing on archival documents, the authors show that these ballets were like today's pop entertainment: funnier, more violent, more spectacular, and with female characters far stronger than one might expect. This rigorously researched book fills huge gaps in dance history and is bound to be of interest to practitioners, scholars, and devotees of ballet and the arts.
This volume deals with the enduring presence of one of Western culture's most fascinating and influential figures in ancient, modern, and postmodern art and literature: Venus/Aphrodite, the goddess of love, beauty, and sexuality. The collection, which is the first of its kind, seeks to explore Venus's significance as a figure of beauty and creativity across cultures and disciplines, engaging a range of media, theoretical approaches, and cultural perspectives. Thirteen international scholars—including Elisabeth Bronfen, Tom Conley, Laurence Rickels, and Barbara Vinken—illuminate Venus's lasting value as a multifaceted figure of the creative in Western culture, from Lucretius to Michel Serres.
Wie beeinflussen Tanzbewegungen die musikalische Spielweise? Und umgekehrt: Welche Wirkung hat die musikalische Interpretation auf die Ausführung einer Choreografie? Wie stehen tänzerische und melodische Phrasierung zueinander? Derlei Fragen zum Verhältnis von Tanz und Musik ergeben sich sowohl bei der praktischen Ausführung als auch bei der Erforschung historischer ‹Tanzmusik›. Entsprechend vielseitig sind die Zugänge, mit denen dieser interdisziplinäre Band ‹Tanzmusik› vom Mittelalter bis zur Romantik untersucht, kontextualisiert und im Sinne historischer Musikpraxis erschließt. Im Mittelpunkt steht die Wechselbeziehung zwischen Klang und Bewegung in verschiedenen historischen Repertoires, Gattungen und Formen.
This volume offers a thematic exploration of the migrant artist’s experience in Europe and its colonies from the early modern period through to the Industrial Revolution. The influence of the transient artist, both on their adoptive country as well as their own oeuvre and native culture, is considered through a collection of essays arranged according to geographic location. The contributions here examine the impetuses behind artistic migrations and the status of the foreign artist at home and abroad through the patterns of patronage, contemporary responses to their work and the preservation of their artistic legacy in domestic and foreign settings. Objects and sites from across the visual arts are considered as evidence of the migrant artist’s experience; talismans of cultural exchange that yielded hybrid artistic styles and disseminated foreign tastes and workshop practices across the globe.
Presents new research on Fauré by leading scholars, encompassing hermeneutics, musical analysis, aesthetic theory, critical theory, and social history.