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Drawing on many aspects of contemporary feminist theory, this lively collection of essays assesses Angela Carter's polemical fictions of desire. Carter, renowned for her irreverent wit, was one of the most gifted, subversive, and stylish British writers to emerge in the 1960s.
Bringing together leading international scholars of contemporary fiction and modern women writers, this book provides authoritative new critical readings of Angela Carter's work from a variety of innovative theoretical and disciplinary approaches. Angela Carter: New Critical Readings both evaluates Carter's legacy as feminist provocateur and postmodern stylist, and broaches new ground in considering Carter as, variously, a poet and a 'naturalist'. Including coverage of Carter's earliest writings and her journalism as well as her more widely studied novels, short stories and dramatic works, the book covers such topics as rescripting the canon, surrealism, and Carter's poetics.
WITH AN INTRODUCTION BY HELEN SIMPSON From familiar fairy tales and legends âe" Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves âe" Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
The much-anticipated biography of one of the most beguiling and influential writers of the twentieth-century. With unprecedented access to its subject's personal records and informed by fresh, unvarnished anecdotes from family, friends, and colleagues, Edmund Gordon's biography provides the first full account of Angela Carter's amazing life and enduring work.
The first full-scale study of Angela Carter's fiction with a broad though scholarly appeal.
WINNER OF THE SOMERSET MAUGHAM AWARD NBCC AWARD FINALIST WINNER OF THE 2017 SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE Selected as a Book of the Year 2016 in The Sunday Times, Daily Telegraph, Guardian, Financial Times, Spectator and Observer Angela Carter’s life was as unconventional as anything in her fiction. Through her fearlessly original and inventive books, including The Bloody Chamber and Nights at the Circus, she became an icon to a generation and one of the most acclaimed English writers of the last hundred years. This is her first full and authorised biography. Edmund Gordon uncovers Carter’s life story – from a young woman trying to write in a tiny bedsit in Tokyo, to one of the most important and daring writers of her day. From a life full of adventure sprang work so fantastic, dazzling and seductive that it permanently changed and reinvigorated British literature. This is the story of how Angela Carter invented herself. 'An exemplary piece of work... Everyone should read it' Spectator
This is a unique and dazzling portrait of Angela Carter, who was one of the most vivid voices of the twentieth century: much studied, copied and adored. When she died at the age of fifty-one, she had published fifteen books of fiction and essays; outrage at her omission from the shortlists of any Booker Prize led to the foundation of the Orange Prize.
Once upon a time fairy tales weren't meant just for children, and neither is Angela Carter's Book of Fairy Tales. This stunning collection contains lyrical tales, bloody tales and hilariously funny and ripely bawdy stories from countries all around the world- from the Arctic to Asia - and no dippy princesses or soppy fairies. Instead, we have pretty maids and old crones; crafty women and bad girls; enchantresses and midwives; rascal aunts and odd sisters. This fabulous celebration of strong minds, low cunning, black arts and dirty tricks could only have been collected by the unique and much-missed Angela Carter. Illustrated throughout with original woodcuts.
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WITH AN INTRODUCTION BY AUDREY NIFFENEGGER Love is Angela Carter's fifth novel and was first published in 1971. With surgical precision it charts the destructive emotional war between a young woman, her husband and his disruptive brother as they move through a labyrinth of betrayal, alienation and lost connections. This revised edition has lost none of Angela Carter's haunting power to evoke the ebb of the 1960s, and includes an afterword which describes the progress of the survivors into the anguish of middle age.