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Book, or laboratory? Reader, or specimen? Wide slumber for lepidopterists is a poetic fantasia, a disorienting yet compelling dreamscape of butterflies and caterpillars and killing jars, where the waking mind's prose transforms into the sleeper's poetry. Each poem unfolds with precision, tracking the stages of sleep and pairing them with the life cycle of Lepidopterae. Insomnia is mirrored in the birth of the egg, narcolepsy in larval hatching. And when the caterpillar starts its final moult, dreams begin, weaving around us as tightly as a cocoon until we are somnambulant, a chrysalis ready to emerge as a moth. Reading the act of sleep through pupae and moths seems incongruous, but from this...
Avant-garde poets challenge the reading and writing status quo,and question what a poem may be. Canada's cutting-edge authors have been widely acclaimed internationally as some of the most important innovators of the 20th and 21st centuries. Conventional poetry anthologies may emphasize traditional lyric poetry; Shift & Switch offers a unique alternative: radicality, innovation, and experimentation with sound, visual elements, mathematics, surrealism, and 'pataphysics, in convenient book-form! Crack the spine of this highly anticipated collection to discover Canada's next generation of avant-garde poets and their electrifying poetry. CONTRIBUTORS: derek beaulieu. Gregory Betts. Michael deBey...
The Paradoxophies begins with a firm foundation: the scaffold of literary form; the big questions. Like the winding path of constant evolution, Fitzgerald-Clarke and Landman step beyond these bare bones: moving from narrative to lyrical, they tease out meaning and unease in every quarter of their exploration of those fundamental mysteries that haunt us all. The rhythms of the poems, the sheer force of their content, and the beauty of the work - as well as its occasional arresting ugliness - allows the reader to move into the freedom of meaning, all the while keeping one foot firmly rooted in literary tradition.
Since the beginning of his poetic career in the 1990s, derek beaulieu has created works that have challenged readers to understand in new ways the possibilities of poetry. With nine books currently to his credit, and many works appearing in chapbooks, broadsides, and magazines, beaulieu continues to push experimental poetry, both in Canada and internationally, in new directions. Please, No More Poetry is the first selected works of derek beaulieu. As the publisher of first housepress and, more recently, No Press, beaulieu has continually highlighted the possibilities for experimental work in a variety of writing communities. His own work can be classified as visual poetry, as concrete poetry...
Narrating Life explores the relationship between literature, science and the arts and the way in which they are informed by the process of narrating life. More specifically, it asks: how do literature, science and the arts affect and are affected by the emergence of a critical culture of biopolitics and its rhetorical figurations? Its topicality for literary and cultural studies lies therefore in its exploration of the question: to what extent could narratives of life (or life-writing) be understood as a special practice through which to access the contemporary discussion about biopolitics with its strategies of immunity, mutation, and contagion. The individual contributions address these qu...
A known serial killer is once again taking lives in Chicago. Bodies drained of blood are being strewn across the city. For former Tampa homicide sergeant, Hank Rawlings, tracking down the man responsible for the killings becomes his first assignment at his new position, agent in the FBI's homicide division of the serial crimes unit. Almost before the ink dries on the new job's acceptance papers, Hank finds himself in Chicago, knee-deep in an investigation with a mounting body count. While every lead brings him and his partner closer to the killer, the one that puts them directly in front of him threatens them most.
Listening Up, Writing Down, and Looking Beyond is an interdisciplinary collection that gathers the work of scholars and performance practitioners who together explore questions about the oral, written, and visual. The book includes the voices of oral performance practitioners, while the scholarship of many of the academic contributors is informed by their participation in oral storytelling, whether as poets, singers, or visual artists. Its contributions address the politics and ethics of the utterance and text: textualizing orature and orality, simulations of the oral, the poetics of performance, and reconstructions of the oral.
The first critical study of writing without language In recent years, asemic writing—writing without language—has exploded in popularity, with anthologies, a large-scale art exhibition, and flourishing interest on sites like tumblr, YouTube, Pinterest, and Instagram. Yet this burgeoning, fascinating field has never received a dedicated critical study. Asemic fills that gap, proposing new ways of rethinking the nature of writing. Pioneered in the work of creators such as Henri Michaux, Roland Barthes, and Cy Twombly, asemic writing consolidated as a movement in the 1990s. Author Peter Schwenger first covers these “asemic ancestors” before moving to current practitioners such as Michae...
DOOM: Love Poems for Supervillains is an edgy and erotic investigation of comic book bad boys. These poems employ a language that is highly technical and dense, but it becomes witty, intimate and even tender in its specificity. These poems address the results of abuses of power and taken together present a case study in the pathology of villainy. Praise for Thumbscrews: "Natalie Zina Walschots [is] a writer who engages with the aesthetics of sadomasochism in order to generate elegant, sensual poetry that writhes inside the shackles of its own linguistic constraint... [she] treats each poem as a miniature, theatrical tableau--a 'passion play, ' in which she forces language to submit to her will, beating its grammar into a stupor of ecstatic nonsense."--Christian Bok, The Poetry Foundation
'A must read … a new analytical agenda for the Anthropocene, coherently drawing out the power of thinking with islands.' – Elena Burgos Martinez, Leiden University ‘This is an essential book. [The] analytics they propose … offer both a critical agenda for island studies and compass points through which to navigate the haunting past, troubling present, and precarious future.’ – Craig Santos Perez, University of Hawai’i, Manoa ‘All academic books should be like this: hard to put down. Informative, careful, sometimes devasting, yet absolutely necessary - if you read one book about the Anthropocene let it be this. You will never think of islands in the same way again.’ – Kimb...